Showing posts with label top ten. Show all posts
Showing posts with label top ten. Show all posts

Sunday, 25 August 2024

Yet another ten films that have no business being on the top 1000 films of all time

 There are 1000 films that IMDB rated as the best of all time, but there not just ten or twenty, but, at least thirty films that shouldn't be on this list. Here are another ten awful films. Prepare to be triggered. This list is in no other list, but chronology.

Citizen Kane (1941)

Why is Citizen Kane number 73 on this list? While it has remained a critical darling for over eighty years, I didn't care for it at all. Plus it hasn't aged well.

It may have been ground-breaking at the time, but that was eighty years ago. We've seen it all before. Not to mention Kane is a jerk. Why should we care about him or Rosebud or this overrated film?

The Hustler (1961)

The Hustler features at 266th on this list, but it really should be -1000th.

This film was so dull. The lack of music makes it incredibly boring. I want to say it would only appeal to pool enthusiasts, but even that seems unlikely. Light on action, spectacle or anything interesting, this was a tedious watch. Not even the iconic Paul Newman could save it.

Blowup (1966)

This blow-out of a film features at 629th on the top 1000 list.

It was pretentious, monotonous nonsense. Supposedly, a photographer is trying to solve a murder he's unwittingly photographed, so why is it so boring? Why doesn't this guy care about solving the crime? Why are we watching him developing photos? Why are watching mimes miming playing tennis?

It was like Fellini stopped making La Dolce Vita and transplanted his annoying artistic genius characters into the least suspenseful murder mystery ever.

2001: a Space Odyssey (1968)

I'm going to come out and say it. This film is overrated. It's Kubrick's most overrated film. And it's certainly not the 116th greatest of all time.

Come at me sci-fi nerds, I don't care. 2001: a Space Odyssey falls into the classic sci-fi cliche of an overly-clever writer showing off how clever they are, by writing an overly-complicated script full of big ideas, but generic characters. I remember Hal, but I don't remember any of the humans.

And I don't think that even Kubrick knew what he was doing with that pretentious ending.

The Name of the Rose (1986)

If you're wondering what Sean Connery was doing after James Bond, the answer is that he was acting in one of the most boring murder-mysteries ever. I say he was acting, but he was just being himself.

His co-star Christian Slater was equally insipid. Top tip film-makers. If you're going to make a murder-mystery don't set it in some middle-aged monastery complete with monks singing in Latin. The people who ranked this as 506th on this list must have quickly fallen asleep. I could have fallen asleep and not missed anything.

The Godfather Part 3 (1990)

The Godfather Part 3 has to be one of the worse third instalments of any trilogy ever. It ranks as 663rd on the top 1000 films: the Godfather and the Godfather Part 2 rank 2nd and 3rd respectively. That tells you everything you need to know.

The Godfather is one of the best films of all time; it's my favourite film ever. But the third part has no right existing.

Francis Ford Coppola and Mario Puzo only made it because they had fallen on hard times and needed a hit. The Godfather part 3 with its convoluted plot and Sofia Coppola's god-awful performance was not this hit.

Gosford Park (2001)

I've said it before and I'll say it again: I hate period dramas. Turning it into a murder mystery doesn't make it anymore interesting especially when you take an hour to get to the actual murder.

Yes, Gosford Park stars the creme da la creme of British acting royalty including Eileen Atkins, Richard E Grant, Derek Jacobi, Helen Mirren, Maggie Smith, Stephen Fry and Kelly Macdonald, but it is still full of annoying rich people having annoying rich people problems. No wonder it's 992nd on the top 1000 list.

Match Point (2005)

Match Point was like every American's wet dream about London. The American in question is writer/director Woody Allen. I thought that his rom-com Manhattan was God awful. I don't find his comedies very funny.

His psychological thrillers aren't much better. Match Point features one of the most predatory protagonists ever and one of the stupidest endings I've ever seen on-screen.

It's puzzling that IMDB ranked this at 568th on the top 1000 films of all time.

A Single Man (2009)

A Single Man was directed by fashion-designer and perfume-maker Tom Ford. And it had all the feel and look of an extended perfume advert.

It was artistic, pretentious rubbish. Despite starring Oscar-winners Colin Firth and Julianne Moore, it was a painfully slow watch. Why was it rated the 725th best film of all time?

The Raid (2011)

Upon making this film, director Gareth Evans wanted to make a straight, honest action film. In fairness, that was he did.

It's just a shame that he couldn't have made a decent film in the process. Endless martial art fights, gunfire and explosions are no substitute for interesting characters (of which there were none.) I think the same twelve-year-old boys who ranked Running Scared and the Boondock Saints within the top 1000 films also voted for the Raid. It clocks in at a shockingly high 716th.

Have I made your blood pressure rise yet? Are you ready to cus me out in those comments? Why don't you calm down before you have a stroke? There'll be another list coming soon enough.

Another ten films on the top 1000 films of all time too traumatic to watch again

 On the list of the top 1000 films of all time there are plenty of films too upsetting, heart-break or downright traumatic for a rewatch. I've already done one list on the subject. Here's the second. This list is in no order but chronology.

The Wicker Man (1973)

Just to be clear, I'm talking about the original film - not the Nicholas Cage remake.

Some have said that the Wicker Man is one of the scariest horror films ever made and for good reason. It follows a policeman investigating the disappearance of a little girl on a remote Scottish island, but here he finds the residents practise an obscure form of paganism.

The ending scene where the residents gaily sing while the Wicker man effigy burns is so chilling that it warrants a place on this list. Modern-day folk-horror films like the Witch and Midsommar owe a lot to the pioneering Wicker Man. It ranks 620th on the top 1000 film list.

Mississippi Burning (1988) 

Mississippi Burning is 470th on the top 1000 films list. It is simple to dismiss America's fascination with race relations, as a perverse obsession, but when you watch this film it's easy to see why it's such a big deal.

Two FBI agents, played Wilhelm Dafoe and Gene Hackman, are investigating  the disappearance of three Civil Rights activists in a small Mississippi town. But the town's residents are horrifically racist to the town's black population. This racial violence is what makes this film so disturbing to watch - all the more so, when you realise it is all based on a true story.

American History X (1998)

Ranking at 37th, American History X is the highest ranked film on this list. It also highlights America's modern-day struggle with race relations.

Edward Norton plays a reformed neo-Nazi who is trying to stop his little brother going down the same route. It is a brutally upsetting film with the infamous curb-stomp scene making it too traumatic for a rewatch.

The Pianist (2002)

At 48, the Pianist is the second-highest film on this list.

Holocaust films are always a difficult watch. The Pianist is no exception. It is an unflinching look at one of humanity's darkest moments.

But it also has an Oscar-winning performance from Adrian Brody. Yet its unrelenting look at the depravity of humanity makes it too upsetting to watch again. This is particularly relevant, as it is based on a true story.

Hotel Rwanda (2004)

Hotel Rwanda ranks 169th on the top 1000 films of all time.

From genocide in Europe, we go to the Rwandan Genocide where the Tutsi were systematically executed by the Hutu. We are a violent, self-destructive species.

However, in all this darkness, we see some hope in the form of the real-life Paul Rusesabagina who sheltered one thousand refugees in his hotel. There are some who question the true nature of heroism, but that doesn't take anything away from this brilliant if tear-jerking film. With great performances from Don Cheadle, Sophie Okonedo and Joaquin Phoenix, it even made me cry.

United 93 (2006)

Paul Greengrass' docudrama ranks 632nd on the top 1000 films of all time.

From heroism to Africa, we go to heroism in the US. More specifically heroism on 9/11. Yes, that 9/11. If you know anything about 9/11, you already know what this film is about. That's what makes this film so tragic.

It is a true tale of courage and valour, which is told powerfully. It's the only film on this list I've been brave enough to watch twice, but I'm definitely not brave enough to watch it for a third time. Now, let's take a moment to remember all the heroes on the United 93 flight.

The Kite Runner (2007)

Number 655 on the top 1000 films of all time is the Kite Runner.

Although not as traumatic as is source material, the Kite Runner is still a rough watch. It details an adult man returning to his childhood home of Afghanistan, so that he can right the wrongs of the past. However, Afghanistan has since been taken over by the Taliban and the country he knew has long gone.

If you're wondering why this film is so upsetting, it wasn't just the horrific stoning scene, but the complete loss of childhood innocence.

Incendies (2010)

Denis Villeneuve's drama ranks as number 160 on the top 1000 films of all time.

This film sees two siblings on a discovery of self-identity which has horrifying consequences for all involved.

I once said that Old Boy has one of the most shocking plot-twists of all time, but Incendies is a close second.

Set against the backdrop of the Lebanese Civil War, it's guaranteed to give you PTSD.

The Flowers of War (2011)

Clocking in at 674th on the top 1000 list, we have the Flowers of War.

I've said it before and I'll say it again: more people need to know about the Rape of Nanking. The Japanese massacred a Chinese city, shooting the men and raping the women.

The Flowers of War captures this horror in stark detail. It also looks gorgeous on screen. And it's certainly not style over substance. Along with Hotel Rwanda, it's one of the few films that made me cry. There are some who argue that Christian Bale, as a white man, had no business being in a Chinese story, but that takes nothing away from the excellent child actors or the terrifying social context.

12 Years a Slave (2013)

12 Years a Slave is the third-highest ranked film on this list at number 72.

Is there any wonder why 12 Years a Slave won the Best film Oscar? It is a fantastic if harrowing depiction of one of America's darkest periods.

With Chiwetel Eijofar giving the performance of his career, this film pulls absolutely no punches. Every time it raises your soul up, it then punches it back down.

Have I missed any films? Let me know in the comments below.