Spellbound review

 Number 634 on the top 1000 films of all time is Alfred Hitchcock's psychological thriller Spellbound.

Dr Constance Petersen (Ingrid Bergman) is a reportedly icy and cold psychoanalyst at Green Manors mental hospital in Vermont. Upon the retirement of her old director, he is replaced by the far younger Dr Anthony Edwardes (Gregory Peck.) The two of them immediately fall in love, but then Dr Edwardes reveals that he is really an imposter who killed the real Dr Edwardes and is masquerading as him. Dr Petersen refuses to let this be the truth and two of them resolve to find the real killer.

In terms of Alfred Hitchcock thrillers, this wasn't one of his best. His thrillers are never the most believable - you can just look at Rope or the Lady Vanishes, and these types of films aren't supposed to be taken that seriously, but Spellbound was really pushing my suspension of disbelief to its absolute max.

The biggest problem? The central relationship between Doctors Petersen and Edwardes. Bergman and Peck didn't really have any chemistry together and neither of them had the charisma to lead such a big picture. I couldn't believe the two of them being together at all. This was strange for a number of reasons, least of all, as reportedly Bergman and Peck had an affair while filming. Obviously this off-screen chemistry didn't translate to the on-screen. 

Neither did the charisma or talent that Peck and Bergman showed in other films and performances. Peck was great opposite Audrey Hepburn in Roman Holiday and, of course, he went onto win an Acting Oscar for To Kill a Mockingbird. Meanwhile, Bergman was an accomplished actress in her own right starring opposite Humphrey Bogart in Casablanca. She went onto become just one of a handful of actors to win three Acting Oscars. Separately, Bergman and Peck were legends in their own rights. Together? They were boring.

Unfortunately, as their relationship was the centrepiece of the film, it didn't make for interesting watching at all. Everything was just so unlikely. It's a shame as Hitchcock is often known as the master of suspense. But there was little suspense here...I really wasn't invested in learning how everything turned out at all. And with a psychological thriller like this? That's a major faux pas.

The Big Blue review

 Number 628 on the top 1000 films of all time is Luc Besson's French sports drama 'The Big Blue.'

Although The Big Blue was based on a real story, it is largely dramatised and fictionalised. It tells the friendship and later rivalry of two leading 20th century free divers Jacques Mayol (Jean-Marc Barr) and Enzo Molinari (Jean Reno.) It co-stars Rosanna Arquette as Mayol's fictional girlfriend Johana Baker.

This was very much the case of a film not landing properly for its audience. Its audience being me. Maybe a different audience would have appreciated this film more, but I found it overly-long, tedious and bloated. Perhaps that's because I had unknowingly watched the director's cut which is a good half-hour longer than the original version. But perhaps another reason is that the film was just boring with some strange casting choices.

I was a little puzzled as to why the very French Jean Reno was playing the very Italian Enzo Molinari (renamed from Enzo Maiorca.) Of course there is nothing wrong with an actor playing a character of a different nationality, but you would at least expect that actor to do the accent of their character. Jean Reno sounded as French as anything. It was like watching Sean Connery play the Italian Maiorca with his thick Scottish accent. Distracting to say the least.

The Big Blue reminded me a little of the film Rush. This film told of the rivalry between two famed racing car drivers: James Hunt and Nikki Lauda. Similar in plot to the Big Blue, but also similar in the annoyingness of the characters. Of course, it's impossible to become a champion of anything without having confidence in yourself, but there is a difference between confidence and arrogance. Hunt and Lauda, and, by extension, Molinari and Mayol definitely strayed into the arrogant territory. As their rivalry grew, so did their egos. And so did their unlikability as characters. True the producers did take lots of dramatic license, but it wasn't the best-employed.

All in all, the Big Blue was a pretty missable film. I don't think my life would have changed much if I hadn't seen it or its unlikable characters that I had no reason to care or root for.