Thursday 24 March 2016

Like A Sister

Emily Finch took a deep breath and stepped into her new sixth form college. She walked around the strange corridors with the strange rooms and strange faces. Already there were groups of girls and boys gathered in corners, their laughter and chatter at deafening levels. She clenched her sweaty palms and made her way to her form room.

In contrast to the rest of the school, the classroom was empty. As she stepped inside, Emily felt dwarfed by its vast expanse. She sat on one of the red plastic chairs, her fingers gripping the seat of it. She grimaced, as her fingertip brushed against what felt suspiciously like used chewing gum. Emily looked at the clock and watched the minutes trickle by. As it approached 9AM, Emily's classmates sat around her in their cliques. She remained apart from them, a small island cut off from the mainland. She looked at the other students and her gaze rested on a shrieking group of girls. If this was an American high-school teen drama, Emily thought they would be the cheerleaders. They were drop-dead gorgeous with their stylish make-up, sleek hair, long legs and toned bodies. Suddenly Emily felt very self-conscious in her skinny body with her small breasts and frizzy blonde hair. She had always been too lazy to wear make-up to school, but now she felt ugly. In her old school, she had been teased for looking like a boy.

The class quietened down as their form tutor walked in. He didn't look much older than them with his thin stubble and floppy blond-brown hair. However, his sky-blue eyes were friendly and his smile was warm.

Hello Class. I'm Mr Thomas. I know most of you from your English classes in the lower school and I'll be your form tutor for this year. With the exception of this young lady here,” he gestured to Emily, “most of you already know me.”

When everyone turned to look at Emily, her pulse quickened and her face reddened. Her glance shot down to the floor.

Why don't you stand up and tell us a little bit about yourself?”

Emily's eyes widened. She dreaded that this might happen. She stood up and pulled down her sleeves to ensure that nobody could see her wrists.

Hi everyone, I'm Emily Finch. I...urm like reading, video games...I used to go rock-climbing a lot with...”

Go on.” Mr Thomas encouraged.

I went with my dad. He was in the army. We moved around a lot, until he...he...” Emily felt her throat became itchy, as her fingertips traced over her wrists.

“Emily, I'm sorry. You can sit down now.”

Can I go to the bathroom please, sir?”

Mr Thomas nodded and Emily ran out of the classroom.

“At this time, I ask that you respect Emily's privacy. Please be sensitive and give her as much space as she needs.” Mr Thomas sat down at his desk and wondered how he could have been so stupid. He had already been briefed about Emily's past.

Sir?”

Olly, Trish, Lois? How can I help you?”

Could we go and see whether Emily is okay,” Olly asked, “since she's new here, I think we should look after her. Make her feel welcome.”

Mr Thomas smiled. “You're good kids. I think you all have similar timetables to her, so that would be a good idea.”

Olly nodded and led Trish and Lois to the girls' toilets.

Emily was sitting on the toilet and staring at her wrists. Could she do it here? Now? She wanted to. Just to feel happy again. Just to feel again. She reached into her bag and grabbed hold of a clear plastic case. Then the door knocked and she shoved it out of sight.

Emily, are you okay in there?”

Who is it?”

It's Trish and Lois. Our friend Olly is waiting outside. We're in your form class. Can you come out?”

Emily stood up and unlatched the door. She stared at the two girls and let her arms drop by her sides- her sleeves falling over her wrists.

One of the girls was mixed race with frizzy hair, like Emily, but brown instead of blonde. The other girl was a pale white with flaming auburn hair.

The girl with frizzy hair spoke first.

I'm Trish and she's Lois. Let's go outside.”

I'm Olly. Are you alright?” A boy with thick curly brown hair held his hand out. His eyes lying underneath horned-rimmed glasses were inviting and warm. When she took his strong grip, she felt something that she hadn't felt for a long time.

Emily, let's go to the common room.” Olly commanded. His voice was so encouraging that Emily could not help but obey. The four of them went there and sat down together.

Now, do you want to talk about what happened?”

Emily looked downwards and tugged on her sleeves. She clenched her eyes shut, but that didn't stop a tear falling out of them.

Hey, hey, it's alright. You don't have to tell us.” Trish put her arm around Emily's shoulders. Lois told the other students who were looking their way to mind their business.

Remember, how I said that my dad was in the army? Three years ago he was sent to Iraq and...well”

Oh God,” Olly exclaimed, “that's awful. I'm so sorry.”

The bell for first lesson rang. “Mr Thomas said you have art with me now. Come on. I'll show you the way. See you guys later.” Olly stood up and Emily smiled at the girls before following him out of the common room.

Trish shook her head. “Bloody hell. I never would have expected something like that.”

Lois nodded in agreement. “I know what you mean. Did you see her wrists? I saw them, despite how hard she tried to hide them.”

I saw them too. Do you think we could get Olly to talk to her about them?”

Emily's known us for like twenty minutes. What makes you think she will want to listen to Olly or any of us for that matter?”

Oh come on. Did you not see the way Emily was looking at him?”

What? You think she likes him? I repeat. She's only known him for twenty minutes.”

Trish shook her head. “God, you can be so bloody dense. Is it really that surprising? Olly's cute. He's kind and he's a leader too. He's the one who suggested that we should help Emily.”

Lois smiled. “It sounds like you like him now.”

I had a crush on him a few years ago. What? I was twelve years old. I didn't know anything! Anyway, it doesn't matter any more, but we should try and help Emily as much as we can.”

Emily was feeling much happier by the end of the week. Even though it had only been a week, she had made firm friends with Olly, Trish and Lois. Before they had left school on friday, they made plans to go rock-climbing at the weekend. When Emily got home, she walked past her mum who was sleeping on the sofa. This didn't surprise her. Ever since her dad had died, her mum had been accepting more and more work at the hospital. She worked during the night and slept during the day. It was her way of keeping busy, Emily guessed. Emily drew a blanket over her mum and headed up to her room. She stood in front of the mirror and took off her long-sleeved shirt and jeans. She started tracing the markings all over her body. Staring from her thighs, leading upwards to her wrists and arms, some old, some new. She smiled, as she realised that she hadn't touched the clear plastic case, since the beginning of the school week. She put on her pyjamas, picked up her diary and curled up in bed. Her dad had always said how important it was to show your emotions rather than bottling everything up. It was what made you human, he said. Emily picked up a pen and started writing.

Dear Dad,

I can't thank you enough for buying me this. It has helped me so much ever since you left. You'll be so proud of me. I haven't done it in over a week. I just started a new school and I'm loving it. I've made three great friends who you would have loved so much. There are two girls: Trish and Lois. They're great together. They have this great rapport and are like a comedy duo. They're both so pretty too. Trish has frizzy hair like me and Lois is a gorgeous redhead. They were really nice to me on my first day. I started thinking about you and I almost slipped, but they got me through it. Then there's Olly. I don't know what to say about him. I think he's the first boy who looks at me the way you used to. You had just been sent to Baghdad by that time, but the other boys at my old school always looked at me like I was one of their own. They never saw me as a girl. It sounds so stupid, but that's exactly how Olly sees me. He makes me feel pretty. God, now that really does sound stupid. I sound like one of those twelve year olds who thinks they've just found love. Dad, I miss you so much. Ever since you left, mum has started working so much. I barely see her anymore.

I love you, daddy.

Emily

Whilst Emily usually would have liked to sleep in on Saturdays, today she was awake bright and early. She left her mum sleeping away her night shift and walked down to the local climbing wall. Already waiting for her were Trish, Lois and Olly. Olly was in shorts and a t-shirt, whilst the girls were in sports leggings and vests.

Hey, Emily. Do you ever wear anything other than those long-sleeved shirts? You're going to boil in that.” Olly gestured to Emily's shirt.

I'll be fine. This is cotton. It's very light.”

Olly made a face. “Even so, cotton will just absorb your sweat. It will cool your body down faster. You'd be better off with what the girls are wearing.”

Yeah, Olly's right,” Trish agreed, “we'll take you shopping sometime and help you get one.”

Please don't bring me.”

Lois rolled her eyes. “Well, of course, if we're going shopping, we're not going to bring a whingebag like you with us. We already have Trish for that.”

Shut up, Lois.”

Olly chuckled. “Come on. Let's get kitted up.”

The four friends were standing in front of the walls warming up. Trish and Lois had partnered up and Olly would be with Emily. She was stretching her arms, when she noticed Olly giving her a strange look.

Sorry, I didn't mean to stare. You just have a nasty looking cut on your wrist.”

Emily's eyes widened, as she instinctively pulled her sleeves over her wrists.

“Nothing happened. I...I...just fell and scraped it. I'm a klutz.” Emily saw Olly nodding, but knew that he didn't believe her.

Are you ready, Emily? I'll race you to the top.” Trish was standing by her side.

You'd probably win. I haven't really been climbing since dad left.”

Trish winked at her. “You'll be great.”

On your marks, get set, go!” Olly and Lois called out together.

Even though, Emily hadn't been climbing in years, she quickly fell back into it. Using hand and foot, she propelled herself up the wall. She was going strong, until halfway up when she had to take a break.

Take a load off, Emily. I've got you.” Olly called up.

“Come on, Trish! You're losing to someone who hasn't climbed in three years.” Lois called next to him.

Shut up, Lois” Trish called down.

Emily smiled and sat back in her harness, trusting in Olly. She looked upwards and plotted a route to the top. She flexed her wrists and powdered her sweaty palms with chalk. She looked downwards and saw that Trish was gaining on her. This catalysed Emily into action and within minutes she had reached the top. Once there she sat back in her harness and walked her way down the wall. Once she was back on solid ground, she turned to Olly.

Did you see me get all the way to the top?”

Yeah you did great, Emily.” Olly hugged her and Emily felt enveloped in his protective embrace. Reluctantly, she let go of him. Behind her Trish touched down.

Why the hell did you lose that, Trish?”

You know what, Lois?”

Olly chuckled. “You guys never stop, do you? Anyway, next weekend, my parents are having a barbecue and you're all invited.”

Before Emily knew it another week of school had flashed by. It was Saturday morning and she was so excited for the barbecue. This was a time for Olly to see her in a social setting. She wanted to wear something nicer than her boring skinny jeans and plain long-sleeved shirts. She had virtually turned her wardrobe inside out finding something to wear. Finally, she had found a yellow sun dress that she hadn't seen in years. It had been a going-away present from her father and she had always meant to wear it when he came home. Emily smiled. She would wear this. She put it on and realised that it left her marked arms and legs exposed. She put on a jacket to cover her arms and a pair of black tights to hide the worst of her legs. Now to do something about her frizzy blonde hair. She sat down at her desk and straightened it. Afterwards she put on a little make-up. The whole process took about two hours, but Emily wanted to look her best for Olly.


Emily arrived at Olly's house at 1pm sharp. When Olly opened the door and Emily almost died at what she saw. Olly's hair looked gorgeous. He had straightened it and it was now rich and flowing. In one ear was a piercing that she had never seen before. He was wearing chinos and checked t-shirt.

You alright?” He asked.

Emily realised that she had been staring. “Yeah...yeah you just look really good.”

Thank you. You look very pretty of course. Anyway, come through. Trish and Lois are already here. I'll introduce you to everyone.”

Emily followed Olly to his garden, where Trish and Lois were standing by the barbecue. Using tongs, Olly picked up four burger patties and put them in buns. The girls helped themselves to everything else. Emily enjoyed the next two hours. Olly was the perfect gentleman. He introduced his friends to everyone at the barbecue. Trish and Lois soon wandered off, but Emily stuck fast to Olly. She hoped she wasn't being too clingy. She liked the way he laughed, the way he could carry a conversation. At half three, there was a cheer and Emily could see a large crowd gathering around a man with thinning hair and a sizeable gut.

That's my dad! Come on, I'll introduce you. Careful though, he's larger than life.” Olly led Emily to his father.

Hey! It's my genius son, Olly,” the man bellowed out, “he's always getting top grades and the ladies love him.”

Olly smiled away his embarrassment. “How's it going, dad?” He held his hand out.

What? Are you too embarrassed to give your old man a hug?” He said, before pulling his son in a crushing embrace. The crowd laughed, whilst Emily thought she heard bones crunching.

Olly, you haven't introduced me to your pretty friend.”

Emily giggled and held her hand out. “Hi, Mr Bellamy. I'm Emily Finch.”

Good to meet you and call me John. Cor Olly, you didn't tell me your girlfriend is such a looker.”

Dad! Emily's not my girlfriend. She's like a sister to me.”

Emily's smile collapsed, as her gaze hit the floor. She sniffed and clenched her eyes shut. Before she lost control, she ran into the house.

Olly glanced around and grabbed Trish and Lois, before going to find Emily.

Emily was sitting on the toilet dabbing her eyes. So this was how he really felt? How could she have been so stupid? She didn't care anymore. She took off her jacket and took out the clear plastic case from her handbag. She found a patch of unmarked skin on her shoulder. She unfolded her penknife and pressed it into her skin.

“Emily! I'm sorry if I said something that upset you. Please come out.”

Emily ignored Olly's voice behind the locked door and edged the knife across the shoulder. A trickle of blood rose to the surface. She smiled, but tears still stung her eyes. She found another patch and began pressing the knife down again.

Whatever you're doing, just stop.”

Leave me alone!”

“We just want to help!”

Leave me alone!” Emily whipped the knife across her skin leaving a fierce burning. She liked how it felt. Her tears rolled into her fresh wounds making them sting. Emily found an old scar and started digging the knife in. There was a sudden crashing noise, as Olly kicked the door open. He took the knife out of Emily's hands.

Come with us. We want to help.”

Emily looked down at her arms with all of her old and new scars. She looked up at her friends with concerned expressions on their faces. Before she could cry anymore, she stood up and ran out of the house.

Dear daddy,

I'm so sorry I let you down today I cut myself twice it would have been three times if Olly hadn't taken the knife of me but he doesn't know that I have more oh dad I was so wrong about Olly he doesn't like me like that I feel like such a fool I know you always said that there's nothing wrong with showing your emotions but I feel like an idiot for feeling like this for complaining about it for sounding like a pre-teen who thinks they know what it feels like to have their heart broken. What makes it worse is how I've pushed everyone away Olly Trish Lois everyone I don't know what to do daddy I miss you so much I wish you were with me now I could really use your help.

Love Emily

On Monday morning Emily felt like she had started a new school. The faces she knew had become cold and hostile. The once familiar corridors felt distant and barren. Emily stayed away from Olly, Trish and Lois and it hurt that they stayed away from her too. This was why she was so surprised when Trish invited her to her house on Saturday.

On Saturday, Emily was sitting on Trish's bed opposite her and Lois.

I'm surprised you guys wanted to see me. We haven't spoken all week.

We thought it best we give you some space,” Trish sighed, “have you...urm..cut yourself any more?”

Emily subconsciously rubbed her forearm under her sleeves.

Trish bit her lip. “We're worried about you. Please next time you feel like doing that, call or text one of us instead.”

Lois nodded in agreement. “We think that you should tell someone about this, your mum or Mr Thomas or someone.”

Emily chuckled. “I've barely spoken to my mum since dad died. And Mr. Thomas, what can he do?”

Why not Olly then? His dad works for a charity that helps people like you.”

Now Emily was annoyed. “If you wanted me to talk to Olly, why isn't he here now?”

Trish and Lois looked at each other and shared a mental dialogue.

We know how you feel about him.”

I don't know what you're talking about.” Emily mumbled.

Come on, Emily. It's pretty obvious by how much you stare at him. I mean, he's cute, but he's not that cute.”

Emily shook her head. “It doesn't matter now, does it?”

It does matter,” Lois disagreed, “you should tell him.”

I can't, not after what happened.”

You can and you should.”

I can't! Did you hear what he said about me at the barbecue? He said I'm like a sister to him!”

Lois growled, before she slapped Emily. “Jesus Christ, are you just going to sit there and cry or are you going to do something about it?”

Emily ran out of the room in shock.

Bloody hell, Lois. What the hell is wrong with you? She cuts herself.” Trish whispered the last part.

Lois ignored her and went to the bathroom, where she could hear Emily sobbing.

I'm sorry, I did that, but it's what you needed to hear. The way I see it, you have two choice. You could just complain like an annoying boy or you could do something about it.”

There was a brief pause as Emily unlatched the door. She saw Trish standing next to Lois.

Whilst Lois might have been a bit extreme, she is right. As perfect as Olly might be, he is still a boy and therefore completely clueless. Seriously, you could be dropping the most obvious hints and he would still be oblivious.”

Emily smiled. “You guys are right. My dad always said to take every opportunity you can. To seize the day. I'll do it.”

Trish and Lois squealed in excitement. “I'll invite Olly around tomorrow and you can tell him then. We'll back you up.

Thanks guys. I think I'm going to head home now.”
You're not going to-”

No. You know what,” Emily reached into her handbag and drew out the clear plastic case. She held it over the bin and dropped it in, “I don't need it anymore.”

Sunday lunchtime and Emily was back in Trish's bedroom. Whilst she and Lois were making lunch, Emily was waiting for Olly to arrive. She was rehearsing what she would say to him. What had kept her up all night long.

You can do this. Do it for dad. Do it for you.”

“Are you talking to yourself?”

Emily shrieked. “I didn't hear you come in.”

Olly laughed. “How are you doing?”

I'm alright. Sorry about the barbecue, what I did to your bathroom door.”

No worries. Trish said you wanted to tell me something.”

Emily nodded and rubbed her scarred wrists. “This isn't easy to say, but I...I...like you.” Emily looked up to see Olly's pained expression.

Oh Emily, I'm sorry. What I said at the barbecue is true. I...I just want to be friends.”

Emily nodded. Only one or two tears fell from her eyes.

“It's nothing to do with you. You're great. I'm just not looking for that now.”

It's alright. I understand.” And strangely enough, she did.

“I best leave now. See you tomorrow?”

Emily nodded and was surprised to find herself smiling. Soon after Olly left, Trish and Lois entered the room.

“How did it go?” Trish asked.

Not well, I'm afraid.”

Oh, I'm sorry. Are you okay?” Lois gave Emily a hug.

Funnily enough, I think I am. I'm glad I did it, you know. I'm glad it happened. I'm going to head home. See you tomorrow.”

Dear Daddy,

you would have been so proud of me these last couple of days. I threw away my knives. That's right. I'm not going to cut myself anymore. I don't need to. And that's because I told Olly how I felt today. He didn't feel the same way, but I'm not too upset. I expected it and I'm ok. I took your advice and I seized the day. Sure it didn't work out, but I still did it. You always said that life is too short to worry about things you can't control. And you know what? You're right. That's enough now. It's time to move on. It's time to move on. It's time to move on.

I love you Daddy,


Emily

Author's Notes:

So I had three main reasons for writing this story.

1) I wanted to see whether I could still write.  This is the first piece of prose that I have written in over a year and I wanted to see whether I could still pen something worth reading.  I mean to start writing my novel Reset very soon, so I thought that this would be a good practice run.

2) As you might have noticed by my article and performance poem, I have become really interested in the concept of the friendzone and I wanted to write a story about it.  I also wanted to write it from a female perspective, as firstly I generally write from a male perspective and I thought it would be a challenge, but I also thought that in these situations you never really hear the girl's side of the story.  It is always the male who is complaining, so I wanted to give a voice to girls in this situation.

3) I wanted to write a "conventional" love story.  The three love stories I wrote prior to this: Lip RingSpring and Summer and For a Drive are quite unconventional, so I wanted to write something a little closer to the norm.  Whatever the norm is.

I quite like "Like a Sister," as a title, but if anybody thinks they have a better suggestion then please let me know.  Thanks to Catherine, Lerisa and Arvie for beta-reading this.  

Tuesday 22 March 2016

Stand by Me Review

SPOILER ALERT


Here I am taking break from chronologically following the top 1000 films of all time to watch number 209 on the list: Rob Reiner's 1986 Stand By Me.   I have just recently finished reading the Stephen King novella of which the film is based on, so I decided to rewatch it and see how the two compared.

Set in 1959, Stand by Me follows the story of four best friends: the quiet and reserved Gordie Lachance (Wil Wheaton,) the group's leader Chris Chambers (River Phoenix) the flamboyant and mentally unhinged Teddy Duchamp (Corey Feldman) and the timid Vern Tessio (Jerry O'Connell) When Vern Tessio hears here the body a recently deceased local body Ray Brower might be, the four friends resolve to find the body and bring him home.

This is arguably the ultimate film of childhood innocence, discovery and exploration.  It is a great film in how it can make audiences long for childhoods where you had no responsibility and had the freedom to whatever you wanted.  it made me think back to when I was twelve years old and I was off exploring with my friends.  Even if I didn't realise it those were the best days of my life.

Stand by Me also perfectly captures what a group of young boys are really like.  Throughout the film, the four boys are constantly mocking each other, whether that be calling each other retards or making jokes about their mothers.  Again this makes me think of how what groups of boys are really like.  We express affection for friends by teasing each other.

It is also a powerful film in how the boy's mission to find Ray Brower is merely a subplot to how each boy is forced to confront their own personal demons.  All four boys come from dysfunctional families with neglectful.,d drunken or abusive fathers.  The boys help each other with these conflicts.  Gordie confides with Chris about how he has always had to live in the shadow of his older brother.  Int urn. Chris tells Gordie that due to his family's bad reputation, he is never going to amount to anything.  In a great performance by River Phoenix, Chris Chambers explains that after he stole the milk money at school, he felt guilty and tried to return it.  However, the teacher he returned it to, embezzled it and ratted him out.  River Phoenix's expression says volumes of about the pain that his character is feeling.  He tried to do the right thing, yet a teacher- an upstanding, law-abiding citizen still betrays him.

In terms of how the film compares to the book, it quite faithful.  Upon seeing it for the first time, Stephen King left the theatre in shocking saying it is the best adaptation of his work that he has ever seen.  The plot and its major events are largely the same, as is its characterisation of its protagonists.  One major difference is how the film's antagonists arepotrayrd.  Ace Merrill (Kiefer Sutherland) leads a group of older boys who are also trying to find Ray Brower.  Whilst in the novel, they are little more than a vague presence showing up at the beginning and the end, thy are much more threatening in the film.

Their menace is felt by their hobbies of playing mailbox baseball and scarring themselves.  The other major difference comes at the film's end.  Whilst in both versions, Gordie's group find Ray Brower first and successfully face off Ace's group, in the novella Ace's group later beats up Gordie's group in retribution.  This doesn't happen in the film.  Secondly, whilst only Chris dies in the film, Chris, Teddy and Vern all die in the book.  Of the two endings, I much prefer the ending of the film.  I feel that it correlates better with the nostalgic tone of the movie.

I think this is a great film that engages brilliantly with the themes of nostalgia and sentimentality whilst touching upon deeper themes such as abusive fathers.  The final line of the film is spoken by an adult Gordie Lachance and is my favourite: "I never had friends later on like the ones I had when I was twelve.  Jesus, does anyone?"

Amelie Review

SPOILER ALERT


Number 62 on the top 1000 films of all time is the French romantic comedy Amelie.

Amelie is a shy and introverted young women.  Amelie has a lonely childhood, as he mother dies when she is a little girl and her father barely touches her.  She moves to Paris and becomes a waitress in a cafe ran by eccentrics.  When one day Amelie stumbles upon a time capsule in her apartment, she resolves to return it to its original owner.  Upon witnessing how happy this makes him, she aims to make everyone happy, one act of kindness at a time.

Amelie is a heart-warming film with two key moral messages- take happiness in the little things in life and whilst it is important to make other people happy, it is just as important that you are happy as well.  Amelie explores both of these themes in earnest.

Beginning with returning a time capsule to its owner, to helping a blind man cross the road or punishing a shopkeeper who is unjustly mean to his employee, Amelie's acts of kindess lead her to meet a number of odd characters.  All of the odd people that she meets was one of the most entertaining parts of the film for me.  From the ex-boyfriend of one of Amelie's colleagues who spends his days stalking her and comically speaking into a dictaphone to Amelie's love interest- a man who collects discarded photos from a passport photo machine, Amelie's world is populated with no shortage of weird people.  This made think of what the world is really like: bursting to the brim with all kinds of strange people who all have their own stories to tell.

I also really enjoyed the film's visual style.  Certain scenes especially the ending scene were shot in something similar to stop-motion.  This strongly reminded me of snapshots and vignettes, which gave the film a nostalgic feel.  It made me think of the film's key theme of happiness and how it is such a fleeting concept.  You have to make the most of it before it disappears.

Amelie is a charming, feel-good film focusing on the importance of being happy.  This is a film to watch when you're feeling down.  It is a reminder that happiness is all around us and it is up to us to go and find it.

A Separation Review

SPOILER ALERT


Number 60 on the top 1000 films of all time is this 2011 Iranian family-drama: A Separation.

Set in Iran, A Separation focuses on a family living in Tehran.  The mother Simin wants to move abroad to provide better opportunities for her daughter Termeh.  When her husband Nadeh refuses to, she files for divorce.  When the court rejects her application for divorce, Simin leaves Nadeh and returns to live with her parents.  This leaves Nadeh at a loss over who will take care of his father suffering from Alzheimer's disease, when he is working at the bank.  He hires the lower-class Razieh to fill this role.  Complications raise when he accuses her of stealing from him and she accuses him of causing her miscarriage.

The thing I've enjoyed most about this challenge is that I have gotten to watch the best films that other countries have had to offer.  From India to Brazil to Iran, I have watched some great films.  A Separation is very much a character-driven drama about the personal destruction of a family.  It is a sensitive exploration of the stresses that taking care of a relative with Alzheimer's can bring.  This is explored best through the character of Termeh, who is perhaps the only likeable character.  At twelve years old, she is already at a confusing time in life, which is only worsened by her parents' arguments.  She is obviously an intelligent young woman and she is completely aware of the situation around her.  She knows why her parents are arguing and she knows of her grandfather's condition.  This is what makes watching her journey so painful and powerful.  Caught in between her parents' arguments, she is very much the victim of the film.

The film's most powerful scene comes at its conclusion. When Nadeh and Simin return to court to once again file for divorce, Termeh is asked to pick which parent she wants to live with.  Instead of giving an answer, she quietly breaks down.  The film ends on Nadeh and Simin waiting outside separated by a glass partition.  It is here where the film's title takes on a metaphorical, as well as a physical meaning.

Being set in Iran, A Separation is set against an Islamic backdrop.  As a Western viewer, it was interesting to not only watcha  family crumble, but a family so obviously influenced by Islamic values.  Razieh's traditionalist husband Hodjat is prepared to fight to the death to protect his wife's honour, whilst Nadeh has to keep reprimanding him for being insulting.  Razieh does not tell Hodjat at first that she is working for a single man, as she knows that he wouldn't approves.  When it becomes obvious that Nadeh's father is incontinent, Razieh phones up a religious hot-line to check whether it would be acceptable for her to change him.  These cultural differences add a different dimension to the film and made it new and refreshing to watch.

This notwithstanding, the film is not perfect.  The constant location changes from the courtroom to the hospital to Nadeh's house lead to the film being less grounded and difficult to follow at times.  Also the characters, with the exception of Termeh, are all fundamentally unlikeable, due to how dishonest they are.,  The missing money which kickstarts the film's central conflict was actually taken by Simin to pay moving men.  Does she say anything about this? No.  Nadeh initially denies knowing anything about Razieh's pregnancy, which is a lie.  Razieh accuses Nadeh of throwing her down a flight of stairs, thus causing her miscarriage.

 I had a hard time believing this lie.  What I think happened was that Nadeh got a little carried away when he was telling Razieh to leave his home.  Upon forcing her leave, he got a little rough and unintentionally pushed her, not threw her, out of his house, thus causing her fall.  Razieh later admits that her miscarriage could have been more likely caused when she had been by a car earlier.  Even Termeh, the one morally good character, is forced to lie to protect her father.  If these characters had just been honest about their actions, they would have saved themselves a lot of trouble and would have been much more likeable in the process.

Ultimately though this is a powerful and understated film about the crippling effects of Alzheimer's Disease.  Told from an Islamic viewpoint, it is subtle, but poignant.  If you have never watched an Iranian film before, like me prior to watching this, I would definitely recommend watching A Separation.

Sunday 13 March 2016

Paths of Glory Review

Number 56 on the top 1000 films of all time is Stanley Kubrick's powerful anti-war film Paths of Glory starring Kirk Douglas.

Paths of Glory is set in WW1 France.  General Mireau-a General Haigesque character, who lacks in any type of military strategy decides that the best way to take a German anthill is to throw waves of men at it.  When machine-gun fire stops their advance and they begin to retreat, General Mireau (George Macready) orders for his own artillery to open fire on them to stop them from retreating.  Thankfully, the artillery commander staunchly refuses to in the first of many acts of bravery.  To disguise his own incompetence, he puts three innocent soldiers on trial for cowardice to disguise his own in competence.  In their trial, their commander Colonel Dax (Kirk Douglas) fights to acquit them of the accusations.

Cowardice is the central theme of this film. Kubrick's exploration of this theme is the key reason why this film works so well.  Paths of Glory engages sensitively with the condition known as Post-Traumatic Stress Disorder or Shellshock.  During WW1, it was not recognised as a medical condition and those soldiers who suffered from it were accused of cowardice.  Some were tried and executed.  Unfortunately, the same thing happens in this film.  When General Mireau inspects the men, one of them breaks down upon realising that he he may never see his wife again.  Mireau immediately demands that this coward be removed from his army.  This was a subtle, but powerful way of engaging with a controversial subject.

Out of all the characters, Colonel Dax is undoubtedly the bravest.  He is most privy to General Mireau's incompetence.  When the three soldiers are on trial for cowardice, Dax fights tooth and nail to have them acquitted, despite the obvious bias of the court.  Douglas' passionate portrayal of Dax contrasted well with Macready's malevolent portrayal of Mireau.  It also showed that in war, there are always heroes and villains on both sides.  One man's good is another man's evil.

The film builds towards a bittersweet conclusion.  Due to the corrupt nature of the court, the three men are sentenced to execution.  Firstly, seeing the three men's reaction their fate was very interesting.  One of them breaks down in tears, another faces it stoically and the third takes his frustration out on the reverend who has come to read them their last rites.  These images are made all of the more powerful, due to how unjust they are.  None of them are cowards.  They just have the misfortune to serve under a general who would rather execute his own men than admit that he is wrong.  And this is exactly what happens.  I was half-expecting some deux ex machina to save all three men, but I'm glad it didn't.  It made their deaths all the more tragic.

The film's most poignant image comes at its ending.  The night before Lax's company are due to go back to the front, they are all gathered in a tavern laughing, drinking and watching a stand-up comedian.  The comedian brings out a pretty German girl leading to heckling, cat-calls and jeering.  For a second, I was scared that the girl would be taken advantage off.  However, what actually happened was far more powerful.  The girl started singing a German ballad and one by one the soldiers start singing with her.  This is the strongest example of the collective identity that soldiers share, as well as the loyalty that have towards each other.

All in all, this is a powerful film that is told succinctly.  It is understated, but heavy-hitting. It engages well with extremely sensitive subjects.  However, most importantly, it explore the separation  that exists between a man's courage and his cowardice.

The Lives of Others Review

Click here to read my previous review of Jurassic Park

Number 55 on the top 1000 films of all time is this intriguing German political thriller, the Lives of Others (Das Leben Der Anderen.)

Set in East Germany, five years before the fall of the Berlin Wall, Hauptmann Gerd Wiesler (Ulrich Muhe) is a high-ranking officer in the East-German secret police-the Stasi.  He is told by his superiors to conduct surveillance on a prominent German playwright Georg Drayman (Sebastian Koch), who is suspected of authoring anti-government propaganda.  However, Wiesler's loyalties become compromised when he begins empathising with Drayman, ultimately leading him to make a decision which costs him everything.

This was an interesting watch for me.  Beyond the living conditions, 1980's Germany is not a time period that I know a lot about.  However, its depiction here is bleak, poignant and striking.  Audiences have praised this film for its realism, which I would agree with.  From the muted colours to the dull costumes, this film successfully conveys the horrible living conditions that East Germans were living under.  What made this better was how subtle the film was.  Everything was quiet and understated.  I expected this film to be brutal, maybe on 1984 levels, but it wasn't and I think it was all the better for this.  Rather than pyrotechnics and explosions, good writing fuelled this film and pushed it forwards .  There were many layers of political intrigue to uncover and I enjoyed picking each one apart.

Honestly, I didn't know what to expect and this film did surprise me.  Whilst it wasn't the easiest to follow, it was gripping and engaging.  At heart, it is a character drama and a great exploration of how these political systems can destabilise a person's psyche.  Nowhere is this more obvious than the the brilliantly written Gerd Wiesler.  He is very much a character looking for redemption.  He begins the film as a dedicated state official, but as he becomes closer to Drayman, his faith in the system is shaken.

 In the end, he helps him to escape detection at the expense of his own career.  Under the guise of a new play, Drayman and a few other authors are planning to write an expose of the oppressive political system.  When Wiesler discovers this, he tries his best to hide it for as long as possible.  When his superiors eventually find out and order for his apartment to be searched, Wiesler gets there first and hides the expose.  His internal torment at lying to his government is one of the most touching and poignant themes of the film.  It was a stark reminder of how men are capable of change.  Some men are victims of their government and will try to redeem themselves for their past act.

At the other end of the scale, you get Drayman's ambitious girlfriend Christa-Marie.  She rats Drayman out to advance her acting career.  Whilst Wiesler is a bad character who redeems himself, Christa goes the opposite direction.  For her own purposes, she betrays her boyfriend.  This is another example of how well this film works as a character drama.  The primary characters are developed well, all with fatal flaws.  They are soft humans in an incredibly tough system.  It is interesting that after Christa-Marie rats out Drayman, she then kills herself, as she cannot cope with the guilt.  In contrast, Wiesler is demoted to the worst-possible job for doing the "right" thing.  Both characters are influenced by guilt to do different things.  Wiesler starts to identify more and more with Drayman and feels that by betraying him, he will be persecuting an innocent man.  Christa-Marie cannot live with the guilt of her betrayal and kills herself.

All in all, this is an understated, but powerful drama.  Its exploration of East Germany is subtle, but poignant.  It is a great character drama with lots of twists and turns, which do make it a little difficult to follow at times.  Although, I think this is what makes the film so awesome.  Perhaps not on the same scale, but at some point, everyone would have had their loyalties divided.  The film ends with the unification of East and West Germany, which laid the paths of glory that Germany has followed.