The Bucket List review

 Number 869 on the top 1000 films of all time is Rob Reiner's comedy-drama 'The Bucket List.'

The blue-collar mechanic Carter Chambers (Morgan Freeman) and the grumpy old billionaire Edward Cole (Jack Nicholson) meet in hospital after both are diagnosed with terminal lung cancer. With only months left to live, the two embark on a trip to complete their own respective bucket lists.

This film had lots of potential. It had two great actors in the form of Jack Nicholson and Morgan Freeman. Between them, they share four Oscars. It's a fun plot-line with plenty of opportunity for laughs and tears. And it was very funny. Jack Nicholson was very good as the grumpy, old, misanthropic billionaire. It might be a overly-familiar role for him, but he does it very well. Much of this humour comes from his constant abuse of his poor valet Thomas (Sean Hayes.) But Nicholson and Freeman had very good chemistry with the characters being polar opposites of each other. I may also argue Freeman is now type-cast as the wise, old mentor, but again he is always great.

Yet despite all this potential, the film felt very lacking. I feel like they could have done a lot more. Its runtime is just under one hundred minutes and it spends most of that on the beginning and the ending meaning that the middle is rushed. Considering the middle is the characters fulfilling their titular bucket lists, I was expecting much more. Some key character beats were reduced to a simple montage. There were lots of funny moments like Chambers and Cole sky-diving, but it felt like a very small, unimportant footnote. An extra half hour or even twenty minutes might have helped to bring things together more. 

Also what was with the awful CGI? Obviously I wouldn't expect Nicholson and Freeman to really be on top of the great pyramids of Giza, but I also wouldn't expect it to look so fake either. Maybe Reiner spent the film's budget on Nicholson and Freeman's salaries?

The Bucket List isn't a bad film per se. There are good performances and plenty of hilarious and heart-breaking moments. But they could have done a lot more than they did.

United 93 review

 Number 632 on the top 1000 films of all time is Paul Greengrass' docudrama 'United 93.'

United 93 is based on the true story of the fourth plane that was hijacked during the 9/11 terror attack. The other three planes found their target. The fourth didn't due to the passengers and crew revolting and attempting to take back control resulting in the plane crash-landing which killed everybody on board.

Firstly, I have to salute the heroism of everybody on board the real-life United 93. They showed a bravery that I never could have done. These were people with lives of their own who had no intention on dying that day. But they died as heroes. You might notice that I'm speaking very generally, and, alas, I have to, as Paul Greengrass was similarly vague in his depiction of the passengers. He made the directorial decision to not reveal any of the names of the passengers. This was because he wanted to elevate the group heroism above any individual heroism. Plus aeroplane passengers wouldn't know each other's names. 

True, it probably wouldn't have been very realistic for Tom Burnett (Christian Clemenson) and Mark Bingham (Cheyenne Jackson) to shake hands and say their names for the audience, but I would have gladly suspended my disbelief. Keeping the passengers' identities deliberately vague kept me at arm's length. I felt somewhat detached from their struggles and problems, because I knew so little about them. And it also did a disservice to the actors playing them. I saw some great acting, but because I didn't know the characters' names, I can't match an actor to the character. I only know Christian Clemenson and Cheyenne Jackson, because I looked them up on Wikipedia, but I'm not entirely sure who Tom Burnett and Mark Bingham were.

Otherwise Paul Greengrass made a great film. It was brilliantly paced with handheld-camera helping to keep the tension at a high. I was already familiar with this story, so I knew how it ended, but even if I didn't, I would have been kept on the edge of my seat. I prayed that there would be a happy ending, although I knew it would be impossible. And that's what made this such a good film. It was horribly doomy, but also powerful and touching.

Tom Burnett, Mark Bingham, Todd Beamer, Jeremy Glick and to all the other crew and passengers of United 93, you never knew and I never knew you, but you all died as heroes.

Up in the Air review

 Number 827 on the top 1000 films of all time is the 2009 comedy-drama 'Up in the Air.'

Ryan Bingham (George Clooney) is the man you call when you want to fire somebody but you aren't brave enough to do it yourself. He flies around the US letting people go. However, his own job is threatened when his company hires young upstart Natalie (Anna Kendrick) who proposes the company moves to firing people via video-conferencing rendering Ryan obsolete.

Losing your job is a horribly relatable experience for many people, myself included. Thankfully, it didn't result in me losing much more than my job, but for some people it is much worse. Up in the Air succeeded in conveying a truly authentic experience. Part of that was down to the very good decision to invite real-life firees to play the characters that Ryan and Natalie terminate. They were told to react either how they did on the day or to say what they wish they had said at the time. And this helped to keep things very realistic. 

Ryan Bingham is a very superficial character. He lives a transitory experience with little concern about the people he lets go, as long as he gets his frequent flier miles. But he goes through a nice redemption arc partially thanks to Natalie, but also due to his casual lover Alex (Vera Farmiga) who convinces him that he wants something more than his superficial experience. Vera Farmigia is a much better actress than films like Running Scared gives her credit for. It's nice she is getting the recognition she deserves. In fact, she earned an Oscar nod as did Clooney and Kendrick.

Up in the Air was a surprisingly grounded portrayal of the human condition. It was sensitive toward those being fired, but it also made Ryan Bingham - a character that by all accounts we should hate, very likeable. Of course it helps when you have him played by an actor as charming as George Clooney. Natalie also had the potential to be annoying, but you can see she's just a misguided kid trying to make a difference.

Up in the Air was a very enjoyable film. It blended drama and comedy into an entertaining watch.

Flight Review

 Number 987 on the top 1000 films of all time is Robert Zemeckis' drama 'Flight.'

William 'Whip' Whitaker (Denzel Washington) is a pilot with a drinking problem. When the plane he is piloting malfunctions, he successfully performs a crash-landing resulting in only six deaths out of a complement of 102. But the subsequent investigation raises questions about his sobriety while on the job.

I often find Denzel Washington very over-the-top. Or maybe that's the roles he chooses to play. But I think that the character of Whip played to his strengths. He wasn't a larger-than-life character, but a tragic hero looking for redemption. Washington brought a wonderful amount of vulnerability to the role. It was a sensitive portrayal of a man who is desperately hiding from the world. And he does redeem himself when he ultimately does the right thing at the end.

It also surprised me to learn that it was Robert Zemeckis directing this film. I would argue that he is best well-known for directing comedies particularly the Back to the Future franchise. But he did make a very interesting drama film with well-rounded performances. It was well-paced and took us into some nice emotional depths. Although maybe this shouldn't be so surprising as he did win the Oscar for directing Forrest Gump.

But I was less convinced by Whip's relationship with prostitute/junkie Nicole (Kelly Reilly.) The two characters are very similar. They are both addicts. They are both looking for redemption. I don't want to take anything away from Kelly Reilly. She gave a sensitive portrayal of an emotionally damaged character. And her American accent was so good that I would never have guessed that she is actually a Londoner. But she and Whip were portrayed as star-crossed lovers. And I didn't see enough evidence to justify such a conclusion.

Yet this didn't stop Flight from being a very good film with a wonderfully understated performance by Denzel Washington.

Inside Man review

 Number 642 on the top 1000 films of all time is Spike Lee's crime-thriller 'Inside Man.'

Dalton Russell (Clive Owen) robs a bank in New York City. Keith Frazer (Denzel Washington) is the NYPD's hostage negotiator sent to deal with Clive. Meanwhile, the bank's owner Mr Case (Christopher Plummer) is harbouring a dark secret in one of the bank's security boxes. He sends fixer Madeline White (Jodie Foster) to stop this box getting into the wrong hands.

I thoroughly enjoyed this film. It was a clever take on the heist genre. I have seen a few other heist films on this list that made me wonder whether the genre was dead-and-buried, but that was not the case for Inside Man. It was a refreshing reinvention of the heist genre. But also a far deeper imagining of it.

While the money is obviously a bonus for Dalton, he is more interested in the artistry of creating the perfect bank robbery. And that made him an engaging character to watch. He and Denzel Washington were very good together as they play a deadly cat-and-mouse game. I find Denzel Washington very hit-and-miss, but he was very engaging as the maverick, rough-around-the-edges cop Frazer.

Yet underpinning this all is Mr Case and the mystery he was trying so hard to hide. *Spoiler alert* 

It's revealed that during WW2 he collaborated with the Nazis trading high-profile Jews in exchange for diamonds. It's a dark secret that he does not want coming to light. It added another layer of intrigue to this film.

While Owen and Washington were good together, I was less convinced by Washington and Foster. Both Frazer and Madeline were a similarly cat-and-mouse relationship, but thought there scenes were more on-the-nose with less imprecise dialogue.

And I know that Spike Lee's trademark is the dolly-tracking shot making it look like the MC is on a travellator, but I always thinks it looks a bit silly. I was also very confused as to why the theme tune was some late 80's Bollywood song. It was very out of place.

But these are minor criticisms of what was a very good film.

Legends of the Fall review

 Number 846 on the top 1000 films of all time is the epic Western drama 'Legends of the Fall.'

Colonel William Ludlow (Anthony Hopkins) is a former army veteran who retires to a ranch in Montana. When his wife Isabelle leaves, he raises his three sons alone: the oldest Alfred (Aidan Quinn,) the middle son Tristan (Brad Pitt) and the youngest and most naive Samuel (Henry Thomas.) Also, on the ranch if William's Cree friend One Stab (Gordon Tootoosis,) as well as ranch hand Decker (Paul Desmon,) his Cree wife Pet and their daughter Isabelle Two.

Legends of the Fall is a sprawling narrative that encompasses a huge time period from the early twentieth century to World War One to prohibition and even the 1960's. Edward Zwick takes us through each era well. Although at times it felt very disparate which we will come to later.

When WW1 breaks out, Samuel and Alfred volunteer to fight. Trist also reluctantly volunteers. He has promised Samuel's fiancé Susannah (Julia Ormond) that he would keep him safe from harm. The war scenes were effective and well-shot. And Brad Pitt proved he's more than capable of doing quieter, character roles, as well as bigger, block-buster, action roles. Anthony Hopkins was also great. As the stresses of his life become too much, William suffers from a stroke, rendering him virtually mute and immobile. But Hopkins still generates a lot of sympathy for the character.

However, while the male stars and characters were great, I feel like the female characters were short-changed. Susannah didn't have much of a role beyond being the object of affection for all three brothers. Although she is initially Samuel's fiancé, when he *spoilers*

is killed in the war, she hooks up with Tristan, all while Alfred looks on in desire. When Tristan goes AWOL for years, Susannah marries Alfred. It was less than the most satisfying of characters.

When Tristan returns to the ranch, he finds that Isabelle Two has all grown-up. And the two promptly marry and start a family. Even putting the age difference aside, the brothers were all adults while Isabelle Two was still a little girl. I saw very little reason why she and Tristan would marry each other except they're both young and hot. At least you had Alfred acknowledging the oddity of the situation.

But returning to my point about the disparateness, while Legends of the Fall worked in little parts, the parts didn't coalesce well together. it was a massive film set across an expansive time period which encompassed a lot of genres. It began as a Western, flirted as a romance, turned into a War film and later on, during the Prohibition era, it even became a gangster flick. It seemed overly-ambitious. And I don't think it worked. Fewer elements explored in more detail would have been better.

Ultimately, I still enjoyed this film. The female characters weren't great, and it was overly-ambitious, but Pitt and Hopkins shone.

American Graffiti review

 Number 777 on the top 1000 films of all time is George Lucas' directorial debut and coming-of-age drama 'American Graffiti.'

Curt Henderson (Richard Dreyfuss,) Steve Bolander (Ron Howard,) John Milner (Paul Le Mat) and Terry 'Toad' Fields (Charlie Martin Smith) are four high-school graduates preparing to go their separate ways in life. Across one summer night, we see how they spend their last hours of adolescence.

It's hard to believe this is the same director who created Star Wars and produced Indiana Jones - two of the most action-packed, fun-filled, entertaining franchises in movie history. Francis Ford Coppola also produced this film. And he directed the legendary Godfather films. But American Graffiti was so boring. Once it gets going it's okay, but it takes so long to get going.

The first half of the film, which is roundabouts an hour, nothing much really happens. The four main characters spend most of the time just driving around Modesto, California. They all have their own personal goals: Curt is trying to find a beautiful girl he saw in passing while Toad schemes and plots to impress another girl called Debbie. But none of these goals were particularly interesting or relatable. And I think relatability is one of the most important parts of a coming-of-age drama. But American Graffiti was sorely missing this key aspect.

Once things do get going, there are moments of humour and poignancy, but these are few and far between. When Toad tries asking an older man to buy alcohol for him and his date, the man instead buys wine and sneaks out of the back of the store. A second man robs the store, but at least buys the alcohol for Toad. 

When Curt scratches the car of a group of greases, they coerce him into joining them for the night and force him to engage in petty crime like robbing arcade machines. If he refuses, they'll beat him up. It was entertaining if not the most realistic. Surely the greasers would just beat him up in the first place.

I also could have done without the ending epilogue revealing the fates of the different characters. These aren't real people. We don't need to know where they end up. That can be left up to the viewer to decide.

Although American Graffiti had its funny and touching moments, it was too slow and took too long to get going. How was this the same director who did Star Wars?

American Hustle review

 Number 614 on the top 1000 films of all time is David O'Russell's black comedy crime film 'American Hustle.'

Irving Rosenfeld (Christian Bale) and Sydney Prosser (Amy Adams) are two con-artists who are enlisted by FBI agent Richie Dimaso (Bradley Cooper) to entrap corrupt politicians like Mayor of Camden, New Jersey, Carmine Polito (Jeremy Renner.) Jennifer Lawrence also stars as Irving's emotionally unstable wife Rosalyn.

While this film has some great acting talent, especially from a cast involving Christian Bale, Bradley Cooper and Jeremy Renner, I think that the female co-stars majorly outshone their male counterparts. Amy Adams was very good as the con-woman Sydney Prosser. She effortlessly switches from her British persona, complete with accent, of Lady Edith Greensly, to her native American accent. But the love triangle between her, Irving and Rosalyn eventually comes to a head, leading to a very effective and powerful confrontation.

Jennifer Lawrence was also very good as Rosalyn. I think she brought a quiet power to a vulnerable role. She really helped to bring her character to life. And Robert De Niro was very effective in his cameo role as a Florida mob boss.

Unlike some other directors, David O'Russell actively encouraged improvisation on set with much of the dialogue being ad-libbed. At times, this led to some strangely, long pauses as the actors weren't sure what they were going to say next, but at others it led to an authentic and realistic portrayal. After all, American Hustle is partially based on the true story of the FBI's abscam investigation.

This was definitely a good film. Although Bale, Cooper and Renner might be arguably bigger names, I think Amy Adams and Jennifer Lawrence were the true stars.

Moneyball review

 Number 720 on the top 1000 films of all time is the biographical sports drama 'Moneyball.'

Billy Beane (Brad Pitt) is the general manager of the Oakland Athletics baseball team. After a disappointing season, and with a minimal budget, he is on a mission to rebuild a bigger and better team. He enlists the help of Yale economics graduate Peter Brand (Jonah Hill) who uses special formulae to determine the best players to buy. This puts Beane in conflict with the other scouts and head coach Art Howe (Philipp Seymour Hoffman.)

Some critics have said that Moneyball is an enjoyable film even if you're not a baseball fan. I am a Brit, so I am most definitely not a baseball fan. Yet, I didn't enjoy Moneyball at all. But, of course, that's because I wasn't interested in the content rather than any fault of director Bennett Miller. The film held no importance or meaning to me. I didn't really understand what the characters were talking about.

Billy Beane used to be a baseball player himself. But after years of under-performing, he goes into management. He is haunted by his past failures which is revisited in odd flashbacks. This was supposed to flesh out his character, but I don't think enough time was spent on it to be effective.

I much preferred the quieter scenes where we see Billy trying to establish a connection with his estranged daughter Casey particularly when they're in a guitar shop and she sings The Show. This was very touching. I wish we had more scenes like this.

The actual performances weren't anything special either. Philip Seymour Hoffman was highly underused. While Jonah Hill's performance earned him a best supporting actor nod, I'm not sure whether his performance really merited it.

If you're a baseball fan, you'll probably love this film. And if you're not like me, you'll think it's a 153 minute snoozefest.

Ip Man 2 review

 Number 719 on the top 1000 films of all time is the Hong Kong martials art film and sequel to Ip Man, Ip Man 2.

Set after World War Two, Hong Kong has returned to British control. The Japanese are gone and Ip Man (Donnie Yen) tries to navigate life in this new world. He begins teaching Wing Chun earning the ire of the martial arts matters who think he is disrupting the local system. But a new enemy arrives when the corrupt British police begin setting up Western Boxing matches to compete against Chinese martial arts.

I enjoyed the first Ip Man far more than I thought, as there was a strong story running behind the spectacular martial art sequences. yet, I don't think the story was as strong here. Things start promisingly enough. After the Japanese occupation has ended, Ip Man is questioning his place in life. When he tries setting up his own dojos, this puts him in opposition with the other martial art masters. And this leads to a series of spectacularly choregraphed, but overlong fight sequences.

But things start feeling overfamiliar when the British are involved. The storyline is re-hashed from the first film. The British have replaced the Japanese, and boxing has replaced karate. And the great Japanese actors have been replaced by less than convincing English ones. I guess it didn't help their character were rather two-dimensional. There was nothing particularly memorable about the British boxing champion Twister (Darren Shahlavi) who was little else than your standard brash, arrogant and overly-shouty villain.

And as the story was so similar, it was very predictable. I could easily guess how things would end. And I was right. While Ip Man 2 might have had some fantastic martial arts sequences, it was too familiar to its predecessor to have been truly enjoyable for me to watch.