A Few Good men review

 Number 682 on the top 1000 films of all time is Rob Reiner's 1992 legal drama 'A Few Good Men.'

At the Guantanamo Bay naval base in Cuba, Private William Santiago, a US marine, dies in mysterious circumstances. Soon afterwards, Lance Corporal Harold Dawson (Wolfgang Bodison) and Private Louden Downey (James Marshall) are charged with his murder. Upstart lawyer Lieutenant Daniel Kaffee (Tom Cruise) and Lieutenant Commander Joanne Galloway (Demi Moore) are assigned as their defence. But Galloway soon suspects a cover-up that goes all the way up to Colonel Nathan Jessop (Jack Nicholson.)

Before Tom Cruise became a larger-than-life character better known for his action-hero roles and dodgy connections to scientology, he wasn't a bad actor. It's something you wouldn't think of now, but it's true.

Daniel Kaffee is a great example of this. Cruise took him from an arrogant, obnoxious jerk into a likeable lawyer with a lot to prove. It was a good story-arc and Cruise played the different elements of Kaffee's character well. He was such an arsehole before that I didn't think I would ever come to like him, but I did.

But the true arsehole was Colonel Jessop played brilliantly by Jack Nicholson. Jessop is a man who takes his job seriously. So seriously that he is willing to bend or even break the rules to get the job done. His final speech where he argues that men like him are needed to do everybody else's dirty work struck home, thanks to Nicholson's excellent performance. 

In some ways, it is difficult to believe this is the same Rob Reiner who also directed the Princess Bride or the the Bucket List. While 'a Few Good Men' had a few funny parts, it was mostly a serious affair, but also very entertaining. Considering the film's explosive conclusion occurs in a courtroom, Reiner kept the tension and suspense high. Courtroom dramas can get bogged-down in an overly-dramatised, legalese affair, but that wasn't the case here. Of course, it helped you had Tom Cruise and Jack Nicholson giving great performances.

But there's more to this film than its men. I also enjoyed Demi Moore acting as the strait-laced Galloway - very much the complete opposite of Keffler. I was also relieved to see that their relationship was kept platonic. Both Reiner and screenwriter Aaron Sorkin were under pressure from studio executives to have Keffler and Galloway hook up, they refused saying it would have been little else but a cheap thriller. I couldn't have agreed more.

A Few Good Men had the potential to be a boring courtroom drama, but it was a thoroughly entertaining affair. 

The Last Samurai review

 Number 576 on the top 1000 films of all time is Edward Zwick's period-war drama 'The Last Samurai.'

Captain Nathan Algren (Tom Cruise) is a celebrated American civil-war hero. While his exploits of killing native-Americans has earned him a fiercesome reputation, it has also left him with severe PTSD. Sensing the prospect of future trade deals with Japan, his superiors send him to Japan to train Emperor Meji's (Shichinosuke Nakamara) army, so they can defend themselves against the rebellions led by the eponymous last samurai: Katsumoto (Ken Watanabe) and his men. Billy Connelly, Timothy Spall and Hiroyuki Sanada co-star.

The Last Samurai strongly reminded me of Kevin Costner's 'Dances with Wolves.' Both films star an American protagonist befriending and fighting alongside the enemy they're supposed to be fighting. Both films have the protagonists keep diaries as a narrative device. The difference is that the Last Samurai didn't bore me to the core. It was everything Dances with Wolves should have been.

It helped that the Last Samurai was directed by Edward Zwick who also brought the brilliant film Glory to life. Yes, he did use too much slow-motion at times, but he also presented an entertaining, watchable film that portrayed a country at war with itself. Should Japan modernise with Western traditions, clothing and, most importantly, guns, or should they stay true with their own tradition of the samurai. This is the question Zwick answers. 

It was also refreshing to see Tom Cruise in a different type of role. Yes, this isn't a million miles away from Ethan Hunt in Mission Impossible, but Nathan Algren had more depth than some of Cruise's more action-oriented roles. He is a man looking for redemption. And Cruise brought this tortured soul to life.

But the true star was Ken Watanabe. He received his only Oscar nod for this role. It was well-deserved. I thought he was brilliant as the samurai so desperately clinging onto the honour and tradition that he holds so dear. At times, it was a subtle, delicate performance, at others it was explosive, but it was always entertaining.

The cinematography and world-building was also well-textured and detailed. New Zealand stood in for Japan which explained the gorgeous cinematography.

My main gripe was with Billy Connelly who was doing some weird accent that was a hybrid between Irish and his native Scottish. It was like if they had asked Sean Connery to act with an Irish accent.

Nonetheless, I enjoyed the Last Samurai. Along with Glory, I can count it as another Edward Zwick success.

Minority Report review

 Number 639 on the top 1000 films of all time is Steven Spielberg's 2002 science-fiction action film Minority Report.

Set in 2054, the Precrime police programme has virtually eliminated all pre-meditated murders in Washington DC. Three clairvoyant humans named 'precogs' including Agatha (Samantha Morton) receive psychic impressions of homicides and are able to alert the police who can stop the crimes before they even happen. One of these police is the Precrime police department chief John Anderton (Tom Cruise,) whose six-year-old son was abducted and never found. When DOJ agent Danny Witwur (Colin Farrell) audits the system, Anderton receives the disturbing news that he is about to kill Leo Crow - a man that he has never met. He quickly goes on the run, as the system he has fought to up-hold slowly turns against him.

Generally, I'm not a fan of science-fiction films. I find that they can be overly-intellectual and pretentious, with their writers being more concerned with showing off how clever they are rather than writing a comprehensible film. However, I think Minority Report struck the balance between intelligent social-commentary and thrilling action. It definitely helped that it had Stephen Spielberg directing it. Minority Report had all the excitement of his most famous blockbusters like Jaws, Jurassic Park and Indiana Jones, but also the thoughtfulness like some of his quieter works such as the Colour Purple.

Perhaps it helped that Minority Report spanned multiple genres. It wasn't just science-fiction, but also a psychological thriller. Sometimes science-fiction can be insufferably dull, slow and boring *cough cough* the remake of Solaris, but the chase element kept this film moving along nicely. John Anderton is against the clock to solve the predicted murder of Leo Crow, before the authorities find and punish him. 

Tom Cruise is well-known for his action-roles which made him the perfect fit for John Anderton. Anderton is your cut-and-dry hero - he is a handsome, law-abiding man accused of a crime that he hasn't committed yet. It isn't the most original of characters, but it didn't have to be. And Cruise did it well.

But no actor is a vacuum and Cruise did have a strong supporting cast. You had Farrell as the slimy villain-turned-unlikely ally Danny Witwur, but also Samantha Morton as the lead precog Agatha. As we learn more about her, we learn all about her tragic past and Morton did well in bringing this tragedy to life. Max Von Sydow was particularly menacing as the precrime director Lamar Burgess and Peter Stormare brought a wonderfully chaotic energy to the sleazy Dr. Solomon Eddie.

Minority Report was certainly an entertaining film. I enjoyed watching it as it perfectly balanced the big questions of science-fiction with the edge-of-the-seat action of a psychological thriller.   

Collateral review

 Number 723 on the top 1000 films of all time is Michael Mann's 2004 neo-noir crime thriller 'Collateral.'

Max (Jamie Foxx) is an LA taxi driver with a simple dream of owning a limousine business. But his life spirals out of control when he accepts Vincent's (Tom Cruise) fare. For Vincent is a hitman who is a hitman with a number of contracts to complete.

Collateral was certainly an entertaining thriller if entirely unbelievable. Despite being a contract killer, Vincent is very careless. He exposes himself when he shoots his first victim leading to him falling out of a window onto Max's cab, partially destroying it. But surely a contract killer would be more careful than this. Vincent has hired Max to drive him around for the whole night. How is he supposed to do that when his windscreen has been near-shattered?  And they go on to put the victim's body in the trunk of the car. And they drive it around the whole night. Surely, this would attract unwanted police attention which later does happen. And Vincent even tells Max off about the dangers of unwanted attention. 

And when it comes to Vincent's final target, he (spoilers) hesitates long enough for Max to come and save a day. One, a contract killer would never hesitate like this. Two, we've seen Vincent kill remorselessly before. It made no sense for Vincent to hesitate now. Finally, he is very blaise about Max knowing his true identity. Surely, it would be in his own best interests to keep this a secret. There is less chance of Max panicking and doing something stupid. But I guess this wouldn't have made a very interesting film.

Despite these plot chasms, I did enjoy Collateral. At first, I wasn't convinced by Tom Cruise. I'm so used to seeing him as a hero that it was difficult seeing him as villain, but he was pretty damn good. Jamie Foxx was also great as Max. Max is your everyman whose whole life was turned upside down. And he goes through a very satisfying character arc from burned-out taxi driver to an unlikely hero. Foxx earned his Best Supporting Actor nomination.

Sure Collateral is unbelievable rubbish, but a film doesn't always have to be 100% believable to be entertaining.