A Few Good men review

 Number 682 on the top 1000 films of all time is Rob Reiner's 1992 legal drama 'A Few Good Men.'

At the Guantanamo Bay naval base in Cuba, Private William Santiago, a US marine, dies in mysterious circumstances. Soon afterwards, Lance Corporal Harold Dawson (Wolfgang Bodison) and Private Louden Downey (James Marshall) are charged with his murder. Upstart lawyer Lieutenant Daniel Kaffee (Tom Cruise) and Lieutenant Commander Joanne Galloway (Demi Moore) are assigned as their defence. But Galloway soon suspects a cover-up that goes all the way up to Colonel Nathan Jessop (Jack Nicholson.)

Before Tom Cruise became a larger-than-life character better known for his action-hero roles and dodgy connections to scientology, he wasn't a bad actor. It's something you wouldn't think of now, but it's true.

Daniel Kaffee is a great example of this. Cruise took him from an arrogant, obnoxious jerk into a likeable lawyer with a lot to prove. It was a good story-arc and Cruise played the different elements of Kaffee's character well. He was such an arsehole before that I didn't think I would ever come to like him, but I did.

But the true arsehole was Colonel Jessop played brilliantly by Jack Nicholson. Jessop is a man who takes his job seriously. So seriously that he is willing to bend or even break the rules to get the job done. His final speech where he argues that men like him are needed to do everybody else's dirty work struck home, thanks to Nicholson's excellent performance. 

In some ways, it is difficult to believe this is the same Rob Reiner who also directed the Princess Bride or the the Bucket List. While 'a Few Good Men' had a few funny parts, it was mostly a serious affair, but also very entertaining. Considering the film's explosive conclusion occurs in a courtroom, Reiner kept the tension and suspense high. Courtroom dramas can get bogged-down in an overly-dramatised, legalese affair, but that wasn't the case here. Of course, it helped you had Tom Cruise and Jack Nicholson giving great performances.

But there's more to this film than its men. I also enjoyed Demi Moore acting as the strait-laced Galloway - very much the complete opposite of Keffler. I was also relieved to see that their relationship was kept platonic. Both Reiner and screenwriter Aaron Sorkin were under pressure from studio executives to have Keffler and Galloway hook up, they refused saying it would have been little else but a cheap thriller. I couldn't have agreed more.

A Few Good Men had the potential to be a boring courtroom drama, but it was a thoroughly entertaining affair. 

The Bucket List review

 Number 869 on the top 1000 films of all time is Rob Reiner's comedy-drama 'The Bucket List.'

The blue-collar mechanic Carter Chambers (Morgan Freeman) and the grumpy old billionaire Edward Cole (Jack Nicholson) meet in hospital after both are diagnosed with terminal lung cancer. With only months left to live, the two embark on a trip to complete their own respective bucket lists.

This film had lots of potential. It had two great actors in the form of Jack Nicholson and Morgan Freeman. Between them, they share four Oscars. It's a fun plot-line with plenty of opportunity for laughs and tears. And it was very funny. Jack Nicholson was very good as the grumpy, old, misanthropic billionaire. It might be a overly-familiar role for him, but he does it very well. Much of this humour comes from his constant abuse of his poor valet Thomas (Sean Hayes.) But Nicholson and Freeman had very good chemistry with the characters being polar opposites of each other. I may also argue Freeman is now type-cast as the wise, old mentor, but again he is always great.

Yet despite all this potential, the film felt very lacking. I feel like they could have done a lot more. Its runtime is just under one hundred minutes and it spends most of that on the beginning and the ending meaning that the middle is rushed. Considering the middle is the characters fulfilling their titular bucket lists, I was expecting much more. Some key character beats were reduced to a simple montage. There were lots of funny moments like Chambers and Cole sky-diving, but it felt like a very small, unimportant footnote. An extra half hour or even twenty minutes might have helped to bring things together more. 

Also what was with the awful CGI? Obviously I wouldn't expect Nicholson and Freeman to really be on top of the great pyramids of Giza, but I also wouldn't expect it to look so fake either. Maybe Reiner spent the film's budget on Nicholson and Freeman's salaries?

The Bucket List isn't a bad film per se. There are good performances and plenty of hilarious and heart-breaking moments. But they could have done a lot more than they did.

As Good as it Gets review

 Number 539 on the top 1000 films of all time is James L. Brook's comedy drama 'As Good as it Gets.'

Melvin Udell (Jack Nicholson) is a bigoted, grumpy, mean-spirited writer with OCD living in New York City. His neighbour Simon Bishop (Greg Kinnear) is a gay, depressed artist. And Melvin's favourite waitress at his local cafe is Carol Connelly (Helen Hunt) is an over-worked, over-protective single mother. The three form an unlikely friendship when life throws them all together.

Every so often, I see a film that reminds me of why I have enjoyed working through this list so much. As Good as it Gets surely deserves being higher than number 539. It has a great tone, equally hilarious and heartbreaking. Much of the humour comes from James L. Brook's witty script. Considering he also produced the Simpsons, it's no surprise that it was so funny.

You could certainly argue that the characters and plot were nothing original - a bitter old man finds a new lease of life upon meeting an attractive younger woman. Yet in the hands of Nicholson and Hunt, the characters felt fresh and dynamic. Both of them won best acting Oscars and understandably so. Udell having OCD was a refreshing touch and Nicholson played the ticks well. I think you could argue that it would take more than the love of a good woman to make him better, but I can suspend my disbelief.

And Greg Kinnear's character of Simon Bishop was a great addition. He was effectively a plot device to help orchestrate Melvin and Carol's relationship, yet he always felt like a real character. While he is sketching a portrait, he is brutally beaten and loses his muse. But through Carol's help, he rediscovers his love for painting. His tempestuous relationship with Melvin Udell even improves and and the two become friends at the end. This was a great film. It deserves all the praise I can give it.