Wednesday, 9 September 2026

The Last Temptation of Christ review

 Number 659 on the top 1000 films of all time is Martin Scorsesee's epic religious-drama 'The Last Temptation of Christ.'

'The Last Temptation of Christ' is a semi-fictionalised retelling of the last days of Jesus Christ (Wilhelm Defoe) after he is betrayed by Judas (Harvey Keitel.) It portrays Jesus as battling against different temptations like love, sex and the devil himself.

Last Temptation felt like the wet fever dream of an American White Christian Nationalist. And Defoe's portrayal of Jesus Christ was like a crazed televangelist. Everything was just too surreal and bizarre to really take seriously. Although I enjoyed the original score which brought together traditional instrumentation and musicians from Pakistan, Egypt, Turkiye and Armenia, they sounded like something I would hear in the throes of a fever.

This was only exacerbated with Defoe's very peculiar portrayal of Christ, not as some benevolent saviour of humanity, but as a revolutionary who would bring about the revelation whether humanity was prepared for it or not. It was all very much this is my army and this is my revolution. I'm almost surprised that he didn't go all Pete Hegseth and start talking about holy wars, warriors and crusades. However, perhaps some of this might be down to the writing.

Last Temptation was based on Nikos Kazantzaki' book of the same name. It was adapted by screenwriter Paul Schrader. Despite how he received the credit, most of his script, including all the dialogue was rewritten by Scorsesee himself as well as fellow writer Jay Cocks. Perhaps that's why all of the dialogue seemed over-the-top.

The film was also over-long at almost three hours with the last part of the film acting as a superfluously long denoument/epilogue. Of course, Scorsesee is the same director who went onto to direct the marathon-long 'The Irishman,' so long films shouldn't be a surprise to me. Yet the length of Last Temptatin wasn't justified. And the ending just stretched on forever. 

It was a bit like LOTR with its ten endings. Don't get me wrong, LOTR will always be a GOAT of cinema, but did we need ten endings? Similarly here, did we need a fever dream ending on top of a fever-dream film? Too many dreams. Too much dreaming. It was like I was watching Inception again.

This isn't even getting into all of the controversy about the film. Last Temptation severely angered the Catholic church for portraying Jesus getting it on with Mary Magadelene, but just like the film itself, this review is becoming long and surreal. I'll finish it by saying I didn't care for this film at all.

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