Lucky Number Slevin review

 Number 504 on the top 1000 films of all time is Paul McGuigan's 2006 neo-noir thriller 'Lucky Number Slevin.'

Slevin Kelevra (Josh Hartnett) is a victim of mistaken identity. Believed to be his friend Nicky, he is thrust into a war between two mob bosses - the Boss (Morgan Freeman) and the Rabbi (Ben Kingsley.) This is all while Slevin tries to evade the ruthless hitman Goodkat (Bruce Willis.) Together with the love interest and coroner Lindsey (Lucy Liu.) Slevin has to survive however he can. But all is not what it seems.

The general problem with the noir and, by extension, neo-noir films is that they are so overly-convoluted. The Big Sleep is notorious for its incomprehensible plot. Lucky Number Slevin is no exception. Major spoilers lie ahead.

Things are all relatively straightforward until the film's conclusion where everything is explained in the most complicated way possible. Slevin has actually been playing both mob bosses against in each other. This is to take revenge for how they murdered his father when Slevin was a child. To top everything off, a corrupt cop Brikowski (Stanley Tucci) murdered Slevin's mother. And, of course, he is the cop investigating the Boss and the Rabbi. Naturally he comes under Slevin's radar too.

This was a contrivance too far. I don't see why they had any reason to connect Brikowski with the main pot. it was all so unnecessary. Plus Slevin was supposed to be killed at the same time at his parents. Carrying out the hit was none other than the ruthless Goodkat who spares Slevin as he is a hitman who has suddenly developed a conscience because of ... reasons. And then Goodkat becomes a mentor to Slevin helping him to take revenge.

And despite having some major acting talent, Kingsley and Freeman are both Oscar winners, none of the characters were particularly memorable. Maybe that's because the characters weren't particularly memorable.

Although the mistaken identity element did produce some funny parts earlier on, the overall convoluted plot and one-dimensional characters made this an unenjoyable watch.

The Squid and the Whale review

 Number 898 of the top 1000 films of all time is the independent comedy-drama 'The Squid and the Whale.'

Bernard Berkman (Ben Daniels) and his wife Jean (Laura Linney) are two academics going through a messy divorce. Caught in the middle are their two sons Walt (Jesse Eisenberg) and his younger brother Frank (Owen Kline.) Over the course of eighty minutes, we see this family attempt to move past this life-changing event.

This was certainly an interesting film. It portrayed a scenario which would be would be relatable to audiences worldwide. And it did it sympathetically.  But the characters weren't sympathetic. I liked the situation they were in, but I didn't like them at all. Neither Bernard or Jean are likeable at all. Bernard is arrogant, overly-proud and creepy - he stars a relationship with his far younger student Lili (Anna Paquin.) Meanwhile Jean has been unfaithful to Bernard for years on end. She is arguably the main reason that they're divorcing. It's no wonder their sons are so messed up.

Walt and Frank quickly take sides with Walt siding with his father and Frank with his mother. And both boys begin acting up in their own particular ways. As can be expected from boys that age. Even though the film tackles a difficult subject, there is still plenty of humour to stop things from becoming too serious. Any fancy special effects or big sets gave way to introspection and quiet character development. It was moving without being maudlin.

It was an entertaining watch, but more because of the setting and scenario and not because of the characters. 

Hugo review

 Number 698 on the top 1000 films of all time is Martin Scorsesee's 2011 historical drama 'Hugo.'

Hugo Cabret (Asa Butterfield) is an orphan who lives in the clocktower of the Parisian Gare Montparnasse railway station. Before his father (Jude Law) died in a fire, the two of them were restoring an automaton that they found in the back of a museum. In honour of his dad, Hugo resolves to finish fixing the robot by stealing parts notably from cantankerous toyshop owner Georges (Ben Kingsley,) while being aided by Georges' goddaughter Isabelle (Chloe Grace Moretz) and librarian Monsieur Labisse (Christopher Lee.) Meanwhile, Hugo has to avoid being caught by station inspector Gustave Daste (Sacha Baron Cohen) who will send him to the orphanage.

If you had told me this was a Martin Scorsesee film, I would never have believed you. There's no mafia, no profuse use of the F word, no Leonardo Dicaprio and no Robert De Niro. Yet Scorsesee has still lovingly crafted a creative, engrossing story with lovely visuals and a great cinematography. At the end of the day, he is a film director and lover of film, so it's no surprise that he took to this film with such ardent fervour. And film is at the heart of Hugo. Upon fixing the automaton, Hugo stumbles upon a mystery that goes all the way back to the birth of cinema, tying together elements like the Lumiere Brothers, Georges Meliet and the famous film 'A Trip to the Moon.'

The ensemble cast were all very good together. Asa Butterfield has grown up a little from his leading role in the Boy in the Striped Pyjamas. Ben Kingsley is always great regardless of whatever he is in and Sacha Baron Cohen brought a frenetic energy and mischief to his role. The only one I was less sure about was Chloe Grace Moretz. As an American, she obviously had to put on a British accent, but it sounded very put on. Maybe because it was the stereotypical posh accent that Americans do whenever they're playing British characters.

Nevertheless, this was a very entertaining film. It was creative with a great cast and it serves as proof that Scorsesee can do a lot more than just mob films.

Gone Baby Gone review

 Number 561 on the top 1000 films of all time is the crime thriller 'Gone Baby Gone.' It was directed by Ben Affleck in his directorial debut.

Based on a Dennis Lehane novel, Gone Baby Gone follows two private investigators in Boston, Massachussetts Patrick Kenzie (Casey Affleck) and his girlfriend Angie Gennaro (Michelle Monaghan) are investigating the case of the missing four-year-old Amanda, but they soon uncover a much bigger mystery. Amy Ryan co-stars as Amanda's mother Helene Macready. Ed Harris and Morgan Freeman also star playing police officers DS Remy Bressant and Captain Jack Doyle respectively.

For a directorial debut, Ben Affleck did a very good job. Arguably better than some of his other films *cough cough* Argo. Gone baby Gone is a taut and tense thriller that keeps its audience on its toes. When Amanda goes missing, it's clear that she had a less than a happy homelife - her mother is a toxic, neglectful junkie. Enter Amy Ryan. The average viewer might not recognise that name, but she starred on NBC's sitcom 'the Office.' She does comedy well, but she did drama even better. I thought she was brilliant in this role. Well-deserving of her Oscar nomination. Helene is presented as an awful mother - only caring about her daughter once she goes missing, but she is a very sympathetic character.

Casey Affleck and Michelle Monaghan were very convincing as the two leads. Patrick Kenzie is dark, broody and doesn't play by the rules, yet he always has the calmer Gennaro to help him see straight. The two worked well together. And eight years later, Casey Affleck went onto win the Oscar for Manchester-by-the-Sea where he played another dark and broody character. And he does dark and broodiness very well. As a private investigator, he often finds himself torn between what is leally right and what is ethically right. And this is what leads to the conclusion that raises all types of interesting questions.

*Spoiler alert* Patrick and Angie discover that Amanda was actually at the heart of a massive conspiracy. Her uncle Lionel (Titus Welliver) and Ed Harris abducted her together to save her from her neglectful mother. They deliver her to Captain Doyle, who had previously lost a child, who will endeavour to give her the best possible life - a life far better than her mother who once forgot her for two hours in a boiling car.

Patrick wrestles over what is the right thing to do. Should he return her to her mother or leave her with Captain Doyle? Doyle would give her a loving home. Patrick picks the former leading to the disintegration of his personal and professional relationship with Angie. yet upon returning, Amanda home Patrick wonders whether he has made the right choice. Helene is nonchalantly going off on a date and leaves Patrick babysitting. She gives her daughter her favourite doll - Mirabelle. But Amanda later says the doll is actually called Annabelle. Her own mother didn't know the name of her daughter's favourite doll.

It's certainly no happily ever after, but it is an effective ending. it raises a number of different issues and questions. And this is what separates Gone Baby gone from other thrillers. Definitely worth a watch.

Gandhi review

 Number 217 on the top 1000 films of all time is Richard Attenborough's epic biopic 'Gandhi.'

This biopic focusses on the life of historical figure Mohandas 'Mahatma' Gandhi - the man who led India to independence from the British Empire. Ben Kingsley plays the man himself from his humble beginnings as a lawyer being thrown off a train in South Africa to the Jallianwala Bagh massacre to gaining Indian independence to his eventual assassination.

This was a difficult film for me to review. While I'm no expert on Gandhi, I certainly know his reputation. He is a veritable hero in India - well not to everybody, but we won't get into that now - some will go so far to call him the Father of the Country. There is no denying that Gandhi tackles the important subject matter of what was in effect the beginning of the end of the British Empire. For his expansive and comprehensive perspective, Richard Attenborough won the Best Director and the Best Film Oscars. This is no surprise really. The Academy loves a biopic, especially an epic biopic. 

Through his direction and Ben Kingsley's Oscar winning performance, they helped to demystify the legendary figure of Gandhi. Gandhi kicks off with the titular character being racially discriminated against. Despite having a first-class ticket, he is kicked off a train in South Africa for no other reason than the colour of his skin. This injustice ignites a fire inside of him and he starts non-violent protests for all Indians in South Africa. His protests win many important rights for his compatriots and later he heads home to join other Indian revolutionaries in gaining independence. 

Despite its significant subject matter, the film struggled to hold my attention. And that isn't a fair criticism of the film itself, but it's my own personal preference. I don't care for period dramas. And I certainly don't care for epic period dramas that exceed three hours. They don't grip me and they don't hook me in. There's no denying that Kingsley isn't a talented actor. There is a reason he won the Oscar. But perhaps Attenborough could have been a bit choppier with the pacing. I think it was a little inconsistent. At times, it blistered along, most notably with the Jallianwala Massacre, but at others it was slow especially toward the ending. 

I think everything came a bit bogged down in the denouement. Gandhi is building toward Indian independence. But when India gets its independence, there are further problems with the Partition of India. While this is important to set up, Gandhi's death, I think it could have been shortened and simplified.

So, like I said, I had trouble in reviewing this film. I think I should have liked it more than I did. There's no doubt that it tackles difficult subject matters, I just bloody hate three-hour long period dramas.

The Secret Life of Walter Mitty review

 Number 755 on the top 1000 films of all time is the adventure comedy-drama 'The Secret Life of Walter Mitty.'

Walter Mitty (Ben Stiller) works a tedious office job at Life magazine. To help escape the boredom, he zones out imagining fantastical scenarios. After Life Magazine is bought out, Walter's job is threatened unless he can track down a negative still sent to him by legendary photojournalist Sean O'Connell (Sean Pean.) Kristen Wiig stars as Mitty's colleague and love interest: Cheryl Hiloff.

What followed was a funny, charming and relatable tale. Who hasn't zoned out at work imagining a ridiculous scenario that would never happen in real life? Walter Mitty has even entered the cultural lexicon meaning to take flights of fantasy. Mitty was also a fun character who undergoes a true hero's journey. Stiller played him perfectly. He was pathetic enough to be a nerd, but not enough to be unlikeable. In many ways, he is an everyman working hard to please a corporate boss who couldn't give a damn about him.

And a quick shoutout to Adam Scott who plays Mitty's boss, Ted Hendricks. Scott excelled at playing the slimy, callous, corporate boss who couldn't give a damn about his employees. You could argue his ignorance about his staff or company was unrealistic, but I think it's a damning indictment of capitalist America. Hendricks' obvious disdain for Life magazine provided a lot of the film's humour.

And Mitty goes through a great hero's journey. Mitty starts as a bumbling, sadsack who is afraid of his own shadow. Despite having an eharmony profile, it is largely blank as he hasn't travelled anywhere or done anything. This is why it was so funny seeing him pushed to the edge of his comfort zone from jumping out of a helicopter into shark-infested waters to trying to outdrive an erupting volcano.

Walter Mitty's zoning out had every potential to become a repetitive gimmick, but it was used well. Although it happened a lot to start with, as Mitty becomes progressively more adventurous, they begin to reduce. Once an integral way for him to escape, he no longer needs them. This was a nice way to stop the trope from becoming overused.

I also enjoyed how the missing still was more than just a Macguffin. I thought that, while being the launching of Mitty's adventure, we the audience, would never get to see what the negative contains. However, it is vital that Mitty recovers it, as Hendricks wants to put it on the cover of the final edition of Life. At the end, it is revealed that it is a photo of Walter Mitty accompanied by the caption "Life, dedicated to those who made it." This was a heartwarming way to end the film.

If I were to criticise anything, it would be Walter and Cheryl's relationship. It is at the heart of the film, but I didn't like them getting together at the ending. This was too easy and obvious. Walter Mitty's journey and transformation from a meek-mannered man into somebody who is comfortable in himself is so important that it should be something he accomplishes by himself.

All in all, this was a thoroughly enjoyable film. It balances comedy and emotion with a great, lead performance by Stiller. Now, if you'll excuse me, I'm going to have a Walter Mitty of my own.

The Town review

 Number 729 on the top 1000 films of all time is Ben Affleck's crime-drama 'The Town.'

As well as directing, Ben Affleck stars as Douglas "Doug" Macray, a bank-robber who is looking to go straight. After his latest heist goes wrong, where his crew Jeremy "Jem" Coughlin (Jeremy Renner,) Albert "Gloansy" Macgloan (Slaine) and Desmond "Dez" Elden (Owen Burke) take bank manager Clare Keesey (Rebecca Hall) hostage before releasing her later, Doug begins keeping track of her. The two eventually fall in love. But for Doug to escape the life completely, he has to do one last job as ordered by local crime boss Fergus "Fergie" Colm (Pete Poselthwaite.)

What followed was a largely generic and banal action-thriller spearheaded by a largely wooden performance by Ben Affleck. Since starting this list, I've seen him in a few films, like Argo, which he also directed. And I would argue he is better as a director than an actor. It doesn't matter whether the role is a rough-round-the-edges hero or a bad boy turning good, he isn't very expressive. He just always seems to have a permanent scowl on his face. And there isn't a whole lot of emotion there. There are plenty of emotional scenes, or scenes that should be emotional, but Affleck couldn't really carry them off.  And since I wasn't invested in him as a character, I wasn't really invested in the storyline. Although he was nominated for Best Actor Bafta for his role in Argo, so what do I know? 

Affleck's lack of chemistry with Rebecca Hall didn't do much to help things either. Also a brief note on Rebecca Hall's accent. What was up with that? She's English, but at times it sounded like she was switching back and forth between English and Bostonian.

Much more convincing was Jeremy Renner. He plays Doug's childhood best friend and fellow bank-robber Jem Coughlin. Unlike his friend, he has no desires of leaving the life behind which sets up some nice conflict between the two. Renner was far more charismatic to watch and his storyline was more compelling. And it's a shame Poselthwaite was so under-used. He's a great actor so he should have had a far greater screen-presence. 

This wasn't a film I enjoyed very much if you didn't already guess. Sure it was watchable enough, but Affleck's wooden performance stopped it from achieving any true greatness in my eyes. 

House of Sand and Fog review

 Number 656 on the top 1000 films of all time is Vadim Perelman's psychological thriller 'House of Sand and Fog.'

Kathy Nicolo (Jennifer Connelly) is a recovering addict who is evicted from her San Fransisco house by the country office. She maintains the county has made a mistake, but her home is repossessed nonetheless. Moving are the Iranian Behrani family led by patriarch former Colonel Massoud Amir Behrani (Ben Kingsley.) Kathy is determined to get her home back by any means necessary.

This was an intense, psychological thriller that doesn't let up for a minute. It is taut and gripping with a whole host of morally dubious characters. I enjoyed the deep characterisations. No character was simply black or white - they are all complicated with their own troubled pasts. But these complexities are what made them so fascinating to watch.

Kathy is adamant to regain her house and deliberately disobeys her lawyer to directly confront the Behranis. She is a deeply troubled woman whose drug-addled past has estranged her from her family and husband. Her house is the only thing she has left. Conversely, rather than sticking to the past, Massoud Behrani is determined to make a fresh start for his family in the US. He is a proud man who refuses to show any weakness in front of his wife and son.

Ben Kingsley is brilliant in the role taking us through the journey of a broken man trying to start again. having once commanded considerable respect, he is forced to work menial jobs to make ends meet. Kingsley's star was so bright that he even blotted out Jennifer Connelly. This is no disrespect to Connelly, but I don't think her writing was anywhere as compelling as Kingsley's.

She lacked the same agency as Massoud had - much of her battles are fought by her self-styled knight in shining armour - sheriff's deputy Lestor Burden (Ron Eldard.) As the narrative momentum built, Kingsley's story took over. This culminated with Connelly being all but absent in the final act. A failed suicide attempt sees her lose consciousness and, instead, the final confrontation takes place between Massoud and Lester. Jennifer Connelly receives star billing and Kathy is the protagonist, but she is somewhat relegated to a side character.

Also a quick shoutout to Eldard. He was great as the sheriff's deputy Lestor Burnham. You could argue his over-protective nature of Kathy was a little over-the-top - he even leaves his family to start an affair with her. But when everything goes wrong at the end, he is more than happy to pay the price for his crimes. This did help him go through a redemption arc of sorts.

This is a tragic, but a thrilling film. It was a great watch with a masterful performance of Ben Kingsley. it's just a shame that Connelly wasn't afforded the same chance to shine.

Argo review

 Number 445 on the top 1000 films of all time is the historical, dramatic-thriller, Argo, produced, directed and starring Ben Affleck.

Based on the true story of the Canadian Caper, Argo follows CIA agent Tony Mendez (Ben Affleck) as he launched a daring scheme to rescue six escapees of the 1979-1981 Iran hostage crisis. He is aided by his boss Jack O'Donnell (Bryan Cranston,) Oscar-winning make-up artist John Chambers (John Goodman) and movie bigwig Lester Siegel (Alan Arkin.)

Right from the start, we knew this was going to be an intense film. Argo opens with supposed archival footage of the real storming of the US embassy in Iran. The footage wasn't real, but it didn't make it any less scary. The fear was palpable as the employees desperately shred paperwork and wait for the police who we know aren't coming. When the Iranians eventually storm the embassy, I was wondering whether they would just shoot everybody. Obviously, I know that this didn't happen in real life, but that fear was always at the back of my mind. In the chaos, six of the diplomats escape.

Enter Tony Mendez who suggests extracting the diplomats under the guise of filming a science-fiction movie called Argo and having the escapees pose as crew members. To help him, he enlists Chambers and Siegel. Goodman and Arkin played well off each other and provided a lot of much-needed comic relief. While Argo was intense, Goodman and Siegel stopped it from becoming too dark.

Everything culminates in an extremely dramatic if over-exaggerated ending. At the airport, Mendez and the others are pulled aside and interrogated by security. The Iranians call to verify their story and Chambers does so, right at the last minute. They allow the Mendez and co to board the plan, but then realise their mistake and they send the army chasing after them. Just when it looks like they could be caught, they escape just in time. Interestingly, none of this happened in real life. The employees boarded the plane at 5.30am without much incident. But I guess this wouldn't make as much of a thrilling ending.

I may argue that Affleck was better at direction than acting. Mendez wasn't a character with a lot of depth. He's your run-of-the-mill dark, brooding hero with a drinking habit, a divorced wife and a kid he sees once a year. beyond that, there isn't a lot more to him and Affleck added little else to the part.

Yes, the ending with the medal ceremony and deafening ending was pretty cheesy, but this was an enjoyable view. Just wear your seatbelts as it's a hell of a ride.