Showing posts with label liu. Show all posts
Showing posts with label liu. Show all posts

Friday, 19 January 2024

Lucky Number Slevin review

 Number 504 on the top 1000 films of all time is Paul McGuigan's 2006 neo-noir thriller 'Lucky Number Slevin.'

Slevin Kelevra (Josh Hartnett) is a victim of mistaken identity. Believed to be his friend Nicky, he is thrust into a war between two mob bosses - the Boss (Morgan Freeman) and the Rabbi (Ben Kingsley.) This is all while Slevin tries to evade the ruthless hitman Goodkat (Bruce Willis.) Together with the love interest and coroner Lindsey (Lucy Liu.) Slevin has to survive however he can. But all is not what it seems.

The general problem with the noir and, by extension, neo-noir films is that they are so overly-convoluted. The Big Sleep is notorious for its incomprehensible plot. Lucky Number Slevin is no exception. Major spoilers lie ahead.

Things are all relatively straightforward until the film's conclusion where everything is explained in the most complicated way possible. Slevin has actually been playing both mob bosses against in each other. This is to take revenge for how they murdered his father when Slevin was a child. To top everything off, a corrupt cop Brikowski (Stanley Tucci) murdered Slevin's mother. And, of course, he is the cop investigating the Boss and the Rabbi. Naturally he comes under Slevin's radar too.

This was a contrivance too far. I don't see why they had any reason to connect Brikowski with the main pot. it was all so unnecessary. Plus Slevin was supposed to be killed at the same time at his parents. Carrying out the hit was none other than the ruthless Goodkat who spares Slevin as he is a hitman who has suddenly developed a conscience because of ... reasons. And then Goodkat becomes a mentor to Slevin helping him to take revenge.

And despite having some major acting talent, Kingsley and Freeman are both Oscar winners, none of the characters were particularly memorable. Maybe that's because the characters weren't particularly memorable.

Although the mistaken identity element did produce some funny parts earlier on, the overall convoluted plot and one-dimensional characters made this an unenjoyable watch.

Wednesday, 7 December 2022

Detachment review

 Number 570 on the top 1000 films of all time is the 2011 drama 'Detachment.'

Henry Barthes (Adrien Brody) is an emotionally closed-off substitute teacher who drifts from job to job. But in his latest assignment to a failing inner-city school, he forges strong connections with three young women - fellow teacher Sarah (Christina Hendricks,) a sex worker Erica (Sami Gayle) and troubled student Meredith (Betty Kaye.) These personal relationships soon have him questioning his professional detachment. 

There is no denying that there is an teaching crisis in the US. There is a shortage of 300,000 teachers with more an d more teachers leaving due to burn-out, massive class sizes and woefully inadequate funding. Covid brought a whole new set of challenges. And a lot of teachers feel unsupported by their superiors. Hell, some teachers are resorting to crowd-funding or paying for supplies out of their own pocket. It's just ridiculous.

I'm UK-based, but things are little better here. I have an SEN-teacher friend whose students come from broken families. Their parents are drunks and junkies who couldn't care less about their kids. I knew another teacher who taught over the pandemic and had virtual parents' evenings where the parents would turn up drunk or high. At school, I can attest we were little shits to our teachers with them storming out or having breakdowns on the regular. As an adult, I respect teachers so much. I could not do that job.

Detachment takes all of these issues and treats them with great sensitivity. We see everything through the eyes of substitute teacher Henry Barthes - he is a wounded man who is carrying around the trauma of seeing his mother's suicide as a child. He is also a lonely man with no family. Despite this, he refuses to give up on any of his students and encourages them all to achieve their potential. True none of them perform a full 180, but you can definitely a see a chance from the start to the end of the film.

A lot of that is down to Henry Barthes. You repeatedly tell a student he's always going to be a failure, he may start to believe you. But if you believe in them, they may believe in themselves. That's what the best teachers do. I very much enjoyed Brody as Barthes and Hendricks as Sarah. There is one particularly touching scene where she helps one struggling student with his maths work. He brought an authenticity to the character. Perhaps some of that is down to Carl Lund's script. He was a teacher so he was able to bring a lot of realism to the writing especially in how the teachers interacted and related to each other.

Many of the issues presented here seemed painfully realistic. From the unruly children to the parents blaming teachers for their children's failures - Sarah has one mother scream in her face after her daughter is expelled - to the government officials blaming the teachers for their under-achieving students. Isiah Witlock Jr had a small, but great role as government official Mr Mathis. He is there to help the school achieve its potential, but insults the teachers by implying their failings is making the whole area look bad. Very quickly the veneer slips and he quietly threatens the school principal. He reminded me of every pompous, holier-than-thou nit-picking jobsworth who only cares about money or reputation. He was thoroughly unlikeable, smarmy and malicious character.

Lucy Liu also had a small role, but she was also great as guidance counsellor Dr Parker who has a mental breakdown after trying her best to help her students, only to have them throw it back in her face.

My sister has been a teacher most of her life and she has said that teachers are expected to do so much more than the 9-5. They're expected to work in their free time and on weekends. But more than that, they're expected to be mentors and surrogate parents. That is very much what Henry Barthes is with the sex worker Erica and the troubled student Meredith. It is heavily implied that Erica is under-age and Henry takes her in and becomes a surrogate father to her. The two of them open up to each other, and with Henry's guidance, Erica starts to take more personal responsibility. Sami Gayle brought a lot of vulnerability to the role and this makes her ultimate fate all the more tragic. Feeling he is becoming too close, he calls social services to take Erica away.

But the true tragedy lies with Meredith whom Henry also becomes a surrogate father for. She is badly bullied by her classmates and has an abusive relationship with her father. Her only creative outlet is her photography which she uses to express her emotions. Henry and Meredith begin connecting more deeply until he realises that he may be crossing his own personal boundaries and he pushes her away. This ends horrifically with Meredith committing suicide. But this storyline highlights a conflict that most teachers go through. How do you stay professionally detached from somebody who is in your care? Especially somebody as young and as troubled as Meredith.

However, with so much going on in one film, it was unfortunate that some story-lines were short-changed. Henry and Sarah have a small romantic relationship, but this wasn't explored in enough detail to have truly been effective. I think this was a shame as Sarah's influence would have helped Henry reconnect with his emotions. Yet we didn't focus on this enough for it to have any major impact on his character. The film is just over an hour-and-a-half long, but I think an extra twenty or thirty minutes would have helped to round out this subplot.

But nevertheless, this was a great film that would have otherwise flown under my radar. And every respect to teachers. I tip my hat to you.