Gone Baby Gone review

 Number 561 on the top 1000 films of all time is the crime thriller 'Gone Baby Gone.' It was directed by Ben Affleck in his directorial debut.

Based on a Dennis Lehane novel, Gone Baby Gone follows two private investigators in Boston, Massachussetts Patrick Kenzie (Casey Affleck) and his girlfriend Angie Gennaro (Michelle Monaghan) are investigating the case of the missing four-year-old Amanda, but they soon uncover a much bigger mystery. Amy Ryan co-stars as Amanda's mother Helene Macready. Ed Harris and Morgan Freeman also star playing police officers DS Remy Bressant and Captain Jack Doyle respectively.

For a directorial debut, Ben Affleck did a very good job. Arguably better than some of his other films *cough cough* Argo. Gone baby Gone is a taut and tense thriller that keeps its audience on its toes. When Amanda goes missing, it's clear that she had a less than a happy homelife - her mother is a toxic, neglectful junkie. Enter Amy Ryan. The average viewer might not recognise that name, but she starred on NBC's sitcom 'the Office.' She does comedy well, but she did drama even better. I thought she was brilliant in this role. Well-deserving of her Oscar nomination. Helene is presented as an awful mother - only caring about her daughter once she goes missing, but she is a very sympathetic character.

Casey Affleck and Michelle Monaghan were very convincing as the two leads. Patrick Kenzie is dark, broody and doesn't play by the rules, yet he always has the calmer Gennaro to help him see straight. The two worked well together. And eight years later, Casey Affleck went onto win the Oscar for Manchester-by-the-Sea where he played another dark and broody character. And he does dark and broodiness very well. As a private investigator, he often finds himself torn between what is leally right and what is ethically right. And this is what leads to the conclusion that raises all types of interesting questions.

*Spoiler alert* Patrick and Angie discover that Amanda was actually at the heart of a massive conspiracy. Her uncle Lionel (Titus Welliver) and Ed Harris abducted her together to save her from her neglectful mother. They deliver her to Captain Doyle, who had previously lost a child, who will endeavour to give her the best possible life - a life far better than her mother who once forgot her for two hours in a boiling car.

Patrick wrestles over what is the right thing to do. Should he return her to her mother or leave her with Captain Doyle? Doyle would give her a loving home. Patrick picks the former leading to the disintegration of his personal and professional relationship with Angie. yet upon returning, Amanda home Patrick wonders whether he has made the right choice. Helene is nonchalantly going off on a date and leaves Patrick babysitting. She gives her daughter her favourite doll - Mirabelle. But Amanda later says the doll is actually called Annabelle. Her own mother didn't know the name of her daughter's favourite doll.

It's certainly no happily ever after, but it is an effective ending. it raises a number of different issues and questions. And this is what separates Gone Baby gone from other thrillers. Definitely worth a watch.

The Town review

 Number 729 on the top 1000 films of all time is Ben Affleck's crime-drama 'The Town.'

As well as directing, Ben Affleck stars as Douglas "Doug" Macray, a bank-robber who is looking to go straight. After his latest heist goes wrong, where his crew Jeremy "Jem" Coughlin (Jeremy Renner,) Albert "Gloansy" Macgloan (Slaine) and Desmond "Dez" Elden (Owen Burke) take bank manager Clare Keesey (Rebecca Hall) hostage before releasing her later, Doug begins keeping track of her. The two eventually fall in love. But for Doug to escape the life completely, he has to do one last job as ordered by local crime boss Fergus "Fergie" Colm (Pete Poselthwaite.)

What followed was a largely generic and banal action-thriller spearheaded by a largely wooden performance by Ben Affleck. Since starting this list, I've seen him in a few films, like Argo, which he also directed. And I would argue he is better as a director than an actor. It doesn't matter whether the role is a rough-round-the-edges hero or a bad boy turning good, he isn't very expressive. He just always seems to have a permanent scowl on his face. And there isn't a whole lot of emotion there. There are plenty of emotional scenes, or scenes that should be emotional, but Affleck couldn't really carry them off.  And since I wasn't invested in him as a character, I wasn't really invested in the storyline. Although he was nominated for Best Actor Bafta for his role in Argo, so what do I know? 

Affleck's lack of chemistry with Rebecca Hall didn't do much to help things either. Also a brief note on Rebecca Hall's accent. What was up with that? She's English, but at times it sounded like she was switching back and forth between English and Bostonian.

Much more convincing was Jeremy Renner. He plays Doug's childhood best friend and fellow bank-robber Jem Coughlin. Unlike his friend, he has no desires of leaving the life behind which sets up some nice conflict between the two. Renner was far more charismatic to watch and his storyline was more compelling. And it's a shame Poselthwaite was so under-used. He's a great actor so he should have had a far greater screen-presence. 

This wasn't a film I enjoyed very much if you didn't already guess. Sure it was watchable enough, but Affleck's wooden performance stopped it from achieving any true greatness in my eyes. 

Argo review

 Number 445 on the top 1000 films of all time is the historical, dramatic-thriller, Argo, produced, directed and starring Ben Affleck.

Based on the true story of the Canadian Caper, Argo follows CIA agent Tony Mendez (Ben Affleck) as he launched a daring scheme to rescue six escapees of the 1979-1981 Iran hostage crisis. He is aided by his boss Jack O'Donnell (Bryan Cranston,) Oscar-winning make-up artist John Chambers (John Goodman) and movie bigwig Lester Siegel (Alan Arkin.)

Right from the start, we knew this was going to be an intense film. Argo opens with supposed archival footage of the real storming of the US embassy in Iran. The footage wasn't real, but it didn't make it any less scary. The fear was palpable as the employees desperately shred paperwork and wait for the police who we know aren't coming. When the Iranians eventually storm the embassy, I was wondering whether they would just shoot everybody. Obviously, I know that this didn't happen in real life, but that fear was always at the back of my mind. In the chaos, six of the diplomats escape.

Enter Tony Mendez who suggests extracting the diplomats under the guise of filming a science-fiction movie called Argo and having the escapees pose as crew members. To help him, he enlists Chambers and Siegel. Goodman and Arkin played well off each other and provided a lot of much-needed comic relief. While Argo was intense, Goodman and Siegel stopped it from becoming too dark.

Everything culminates in an extremely dramatic if over-exaggerated ending. At the airport, Mendez and the others are pulled aside and interrogated by security. The Iranians call to verify their story and Chambers does so, right at the last minute. They allow the Mendez and co to board the plan, but then realise their mistake and they send the army chasing after them. Just when it looks like they could be caught, they escape just in time. Interestingly, none of this happened in real life. The employees boarded the plane at 5.30am without much incident. But I guess this wouldn't make as much of a thrilling ending.

I may argue that Affleck was better at direction than acting. Mendez wasn't a character with a lot of depth. He's your run-of-the-mill dark, brooding hero with a drinking habit, a divorced wife and a kid he sees once a year. beyond that, there isn't a lot more to him and Affleck added little else to the part.

Yes, the ending with the medal ceremony and deafening ending was pretty cheesy, but this was an enjoyable view. Just wear your seatbelts as it's a hell of a ride.