Showing posts with label tim burton. Show all posts
Showing posts with label tim burton. Show all posts

Monday, 5 May 2025

Ed Wood review

 Number 378 on the top 1000 films of all time is Tim Burton's 1994 biographical comedy-drama 'Ed Wood.'

Ed Wood (Johnny Depp) tells the real-life story of the film-maker Ed Wood and his ascension through the Hollywood ranks to become affectionately known as the "Worst Director of All Time." The film portrays his personal and professional relationships including with Dracula actor Bela Lugosi (Martin Landau) and drag queen John "Bunny" Breckinridge (Bill Murray.) Sarah Jessica Parker plays Ed Wood's first girlfriend Dolores Fuller, but when their relationship deteriorates he starts anew with Kathy O'Hara (Patricia Arquette.)

Tim Burton is well-known for gothic horror and dark fantasy films being the director of such films like Sleepy Hollow, Corpse Bride, Edward Scissorhands and Beetlejuice. Yet Ed Wood was an interesting mixture of the real and the fantasy. Being a biopic, the story was founded in truth. It portrayed the life of famed B-movie director Ed Wood, but did so through a fantasy lens. The use of black-and-white gave the film a timeless element - although it was depicting the 50s it could have been set anywhere. Martin Landau and Johnny Depp's performances were suitably surreal too.

Johnny Depp has become well-known for playing off-the-wall eccentric characters. We've already talked about Edward Scissorhands, but there's also Sweeney Todd, Willy Wonka and of course, his most famous role, Captain Jack Sparrow. I would argue that Ed Wood was just as off-the-wall and as eccentric as any of these characters. He soon became known for his unconventional production techniques such as providing little direction for his actors, only shooting one take and filling any gaps with stock footage. Having said that, George Lucas was also notorious for only saying "faster" and "more intense" to his actors, so maybe that point isn't that unconventional, but I digress. 

And, most eccentrically of all, there was also Ed Wood's transvestism. Yet despite all this, Johnny Depp gave a three-dimensional and well-rounded portrayal of the ill-celebrated director. Granted both and he and Burton admitted to being overly-sympathetic side to Wood. Reportedly, the real-life director suffered from alcoholism so bad it was the true reason why Dolores left him. These scenes were not included in the film.

Finally, let's talk about Martin Landau who won the Best Supporting Actor Oscar for playing Bela Lugosi. In the fifties, Bela Lugosi's best days were long behind him. Similar to Ed Wood he also had his own alcohol problems. Yet his collaborations with the ill-famed director saw a minor resurgence to his career. Just like Depp, Landau brought a vulnerability and tenderness to the damaged character.

Ed Wood was an enjoyable enough film. It had all the surrealism and eccentricity you would expect from a Tim Burton film and it also had Johnny Depp in one of his trademark off-the-wall roles. 

Friday, 20 December 2024

The Nightmare Before Christmas review

 Number 292 on the top 1000 films of all time is Henry Selik's stop-motion animated musical-fantasy the Nightmare Before Christmas.

Produced by Tim Burton - often being more associated with him than Selik, the Nightmare before Christmas focusses on Jack Skellington (Chris Sarandon) the king of Halloween Town. Becoming sick of the annual Halloween celebration, he is looking for a change. That change comes when he discovers Christmas and he aims to hijack the holiday for his own goals with disastrous consequences.

I was really looking forward to this film. Being well-versed with Burton's other work like Corpse Bride, with its trippy visuals, memorable songs and creative storyline, I had high hopes for a Nightmare Before Christmas, but the end result left me feeling more dead than alive.

While the actual labour that goes into stop-motion animation will always be impressive with the assorted animated characters being spooky and creative, it wasn't at the eye-popping level I was expecting. Instead of vivid colours, we were treated to a bland and lifeless colour palette. Rather the visuals were dull, even in Halloweenland. It made the trademark surrealism that we have come to expect from Burton fall flat. The visuals didn't contribute anything to the film from either a story or a visual perspective.

The musical numbers were lacking and uninspired. None of them were memorable. I watched this film only two nights ago and if I really scratch my head, I think I can remember the "this is Halloween" song and that's it. The songs were composed by frequent Burton collaborate Danny Elfman, but like the surreal animation, I'm not convinced the songs added much to the film. In some cases, it seemed to stray into song-musical territory like Sweeney Todd. The songs in that film were painfully mundane. The same can be said for the Nightmare Before Christmas.

Any storyline was buried underneath the lifeless visuals and banal songs. I'm not sure how well I can explain the narrative. This un-dead king is going through a mid-death crisis and falls through this trap door into some Christmas land where he decides to bring Christmas to his home, but, for some reason, also kidnaps Father Christmas and goes onto impersonate him. For some reason, there's a weird gambling monster made out of bugs and a  Dr Frankenstein-esque character who has created some Bride of Frankenstein who becomes Jack's love-interest.

I didn't care for this film too. I had high-hopes, but I was left disappointed.