Sunshine review

 Number 997 on the top 1000 films of all time is Danny Boyle's 2007 science-fiction film 'Sunshine.'

The year is 2057. With the sun dying, the only hope for mankind is to send a team of astronauts and scientists to detonate a bomb in the core of the sun. The team consists of physicist Capa (Cillian Murphy,) Captain Kaneda (Hiroyuki Sanada) engineer Mace (Chris Evans) navigator Trey (Benedict Wong) biologist Corazon (Michelle Yeoh,) pilot Cassie (Rose Byrne,) Doctor Searle (Cliff Curtis) and comms/first officer Harvey (Troy Garrity.) Chipo Chung and Mark Strong also star.

There is a lot of good about this film, so let's get the bad stuff out the way first. Notably the accents. To reflect the international nature of space missions, Danny Boyle chose a deliberately international cast. Cillian Murphy is Irish, Hiroyuki Sanada is Japanese, Michelle Yeoh is Malayasian, Benedict Wong is Chinese, Cliff Curtis is Maori, Chipo Chung is Zimbabwean, Mark Strong is English, and Australia is also represented with Rose Byrne.

You have this internationally diverse cast, so why were Murphy, Byrne, Curtis and Chung all doing American accents. And why was Mark Strong doing a South African accent? One of the producers said it was to appeal more to an American audience, so why were Yeoh and Wong not included in this? Either have all the characters do American accents or none of them. It was a strange choice.

Pinbacker definitely could have used some more fleshing out as a villain. We quickly understand that he has lost his sanity, but little else beyond that. Sunrise was written by Alex Garland who had originally included strong themes of religion which were edited out. Elements of this remained in Pinbacker's character, but he remained largely undeveloped and two-dimensional.

Harvey's character was also the least developed among the crew. It wasn't really until the halfway point where Garland realised he had a scene with no conflict, and so he had Harvey commit a random villainous act that completely came out of nowhere.

But these criticisms aside, I thoroughly enjoyed Sunrise. Unlike sci-fi *cough cough* Space odyssey, it doesn't prioritise its big themes over its characters. The aforementioned characters aside, the remaining cast was well-characterised. These were complimented by some good performances. I thought Benedict Wong gave a standout performance. But this isn't to discredit the rest of the cast either.

For a big ensemble cast, I was surprised to find myself caring about most of the characters even if Garland didn't really know what to do with Cassie.

Visually, the film looked stunning. There were so many lens flares I thought I was watching a J.J Abrams film, but otherwise the CGI was gorgeous. I am, of course, excluding the final section, which looked like it had been shot and edited by a group of teenagers. Way too much shaky-cam and distortion. Also how did Cassie and Pinback end up on the same part of the ship that Capa needed to get to?

Yes, Sunshine is pure hokum, scientifically speaking, but the film's technical advisor Dr Brian Cox said that some inconsistencies are to be expected. This is a film and not a documentary after all.

Overall, I really enjoyed Sunshine. It's a great example of sci-fi done right.

Little Miss Sunshine review

 Number 414 on the top 1000 films of all time is the tragicomedy road film 'Little Miss Sunshine.'

Olive (Abigail Breslin) is the youngest of the Hoover family - possibly the most dysfunctional family in the US. Her father Richard (Greg Kinnear) is failing motivational speaker, her older brother Dwayne (Paul Dano) is an angsty teenager who has taken a vow of silence. Her uncle Dr Frank Ginsburg (Steve Carell) has recently been released from a mental hospital after trying to commit suicide and Olive's grandfather Edwin (Alan Arkin) snorts heroin and swears every other minute. Rounding them out is Olive's mother Sheryl (Toni Collette) who is on the verge of a breakdown trying to get her crazy family from New Mexico to California so Olive can participate in a child beauty pageant.

Little Miss Sunshine is a brilliant feel-good film. It is hilarious, but heart-breaking. Tragic and touching. It engages with many difficult themes in a sensitive way. Least of all is the idea of body image and self-confidence. Olive is not your typical child beauty queen if there is such a thing. She is worried that she isn't pretty or skinny enough, but her grandfather is the first person to convince her otherwise. Olive and Edwin's relationship is at the heart of the film. Breslin and Arkin had a great chemistry and played well off each other. Arkin won Best Supporting Actor and deservingly so. True, you could argue that he is your stereotypical, grumpy un-PC baby boomer grandpa, but he played the part damn well. And it is his grumpy un-PC ways that provide a lot of the film's humour.

The rest of the supporting cast is just as good. As a comedy actor, I sometimes find that Carell can be quite over-the-top, but he played the role with a lot of restraint, while still being funny. Paul Dano is often cast as a moody outsider sic Prisoners or There Will be Blood. But he gave Dwayne some vulnerability and stopped him from being just another stroppy teenager. Perhaps you could argue the script short-changed Toni Collette as her character doesn't have the same eccentricities as the others, but she still acted as the glue that held the family together.

And I loved how directors Jonathan Dayton and Valerie Faris lampooned the grossly exploitative nature of child beauty pageants. This was intentional as writer Michael Ardnt wanted to portray the horribly competitive nature of these contests. They divide little girls into winners and losers often shattering their self-esteem in the process. Except for Abigail Breslin, all of the other contestants were real-life child beauty pageant winners. Or should I say little girls being exploited so their power-hungry parents can gain status.  

But when Olive performs an intentionally risque dance she is almost shut down, but her whole family quickly joins in. The whole notion of beauty pageants boils down to sexualising and disempowering little girls, but when Olive reclaims her power, she is punished. I loved how this hypocrisy was tackled head-on.

I did enjoy this film. There were great gags, but it also had a lot of heart. And Breslin and Arkin were fantastic together.