Showing posts with label england. Show all posts
Showing posts with label england. Show all posts

Saturday, 29 June 2024

Top ten films too traumatic to watch again

 There are some films that are so bad or boring that you can never face watching them again. You can see my list of those films here. But there are also some films that are so traumatic or depressing or upsetting that it's far too painful to watch them again.

Most of the films I'm about to mention feature on the top 1000 films of all time. I'm watching and reviewing them here. This list is in no particular order.

Requiem for a Dream

This is the only film on this list that I've been brave enough to watch twice. The first time was in 2016. The second time was in 2022. I went six years between the first and second watch. And that was not enough time.

Jared Leto, Marlon Wayans, Jennifer Connelly and Ellen Burstyn give brilliant performances as drug addicts in New York. Darren Aronofsky's direction offers a brutal, unflinching look into this dark world. You will not find any happy endings here especially with Ellen Burstyn's character. Her performance was heart-breaking. I would count this film as one of my favourites of all time even if it is too traumatic to watch for a third time.

This is England

British white nationalism is as pervasive and dangerous now as it was back in 1982 where This is England is set. Following a gang of skinheads, we witness a horrific look into how they can brainwash the youth with their propaganda.

But what makes this film so scary is its realism. We're not talking zombies or demonic puppets, but real humans with real hatred in their hearts. Nowhere is that more present than with Stephen Graham who was magnificent as Combo - leader of the skinhead gang. He was so terrifying that he had trouble finding work after the film. I know I will have trouble watching the film again.

Precious

This is a powerful, but stark look into family abuse. It follows Precious (Gabourney Sidibe) a young black woman who was not only raped by her father, but also psychologically abused by her mother (Mon'ique.) Do you see what I mean about it being a rough watch?

Like This is England, it shows its villains as being incredibly cruel, but also incredibly human. It's horrible to watch, but you can't also look away. Mon'ique gave an Oscar-winning performance, but Mariah Carey was also surprisingly good in a supporting role. And, of course, Gabourney Sidibe was the star of the show. 

This is a film I won't be strong enough to watch again anytime soon.

Grave of the Fireflies

When you think of Studio Ghibli, you think of the adorable Totoro or the wonderful world of Spirited Away. You don't think of this heart-breaking tale of World War Two Japan.

Seen through the eyes of sixteen-year-old Seita and his little sister Setsuko, we see how they struggle to survive amidst the twilight years of the war. It is a tragic story that ends predictably tragically, but it is no less gut-wrenching. It made me cry after all.

It is also one of my favourite films of all time, but it is one of the few Studio Ghibli films that I won't be watching over and over again.

Amores Perros

If I were to describe why I wouldn't watch this film again, I would give you one compound word: dog-fighting.

This disgusting practice is central to the film's plot. It plays out in shocking detail. As an animal and dog-lover, this was distressing to watch. It's also difficult to root for characters who willingly enter their dogs into these fights.

Thankfully, Mexican director Alejandro Gonzalez Inarritu's later films: 21 Grams and Babel are far easier watches.

Blue Valentine

Although this film isn't traumatic in the sense of depicting violent subject matter, it is still one of the bleakest films I've ever seen.

We follow Dean (Ryan Gosling) and Cindy (Michelle Williams) as their marriage and relationship self-destructs. Cue lots of shouting and tears and very little reason to smile while watching this film. And very little reason why I would want to watch it again.

Manchester by the Sea

Similarly to Blue Valentine, Manchester by the Sea was depression personified. It stars Casey Affleck as a man trying to move on after a house fire kills his entire family. Affleck was well-deserving of the best Actor Oscar, but the film's tragic storyline would surely win the Oscar for most depressing film ever.

The Celebration

This Danish film made for a deeply uncomfortable watch. At a birthday party for the aging patriarch of the Klingenfeldt-Hansen family, we see the whole affair descend into chaos as the whole family goes to war with each other. Cue shouting, arguments, casual racism and nasty people being nasty to each other. It's not a celebration. And there was nothing comedic about it, despite it being labelled a black-comedy. I did not enjoy watching this at all.

Cat on a Hot Tin Roof

This American classic was also an uncomfortable watch for similar reasons to the above. It was so just relentlessly depressing. Paul Newman and Liz Taylor star as a couple who spend the entire film yelling at each other and everybody around them.

Homophobic attitudes of the time saw the removal of a key storyline that would have added much needed meaning to all the shouting. Otherwise this was an uncomfortable watch.

Midsommer

Ari Aster's horror film is too modern to feature on the top 1000 films of all time, but I still hated watching it. Florrence Pugh stars as Dani - a young woman attempting to get over the death of her family by holidaying in Sweden with her boyfriend and friends. There they find an idyllic cult, but everything is not what it seems.

While I can respect the craft, I found this film intensely disturbing. It freaked me out and I can never watch it again. I'm sure this is just me, as I have heard others say it is boring, dull and tame compared to some other horror films. I'm sure those same people would say I'm a wimp, which would be true. But this film still made me deeply uncomfortable.

None of this is to say these films are bad, but they were either so traumatic, upsetting or disturbing that I could never watch them again. Did I miss any films? Let me know in the comments.

Sunday, 28 January 2024

This is England review

 Number 599 on the top 1000 films of all time is Shane Meadows' 2006 British drama 'This is England.'

Shaun (Thomas Thurgoose) is a troubled twelve-year-old boy whose father has recently been killed in the Falklands' War. Bullied at school, he is taken in by a gang of skinheads led by Woody (Joe Gilgun) and his girlfriend Lol (Vicky McClure.) However, everything changes when the gang's volatile and racist member Combo (Stephen Graham) returns from prison.

Directors like Shane Meadows always have difficult jobs when it comes to films like 'This is England.' They can't be seen either out-right condemning or approving of their content; they have to portray an objective reality allowing the viewer to make their own decisions. And that's where Meadows succeeded. Without ever becoming too preachy, he provides a fascinating snapshot into skinhead culture.

But he cannot take all the credit. Much of that should be bestowed on the brilliant Stephen Graham. Before he became a household name, he was playing characters who were espousing the same nationalistic, jingoism that was just as relevant now as it was back in the eighties. And he did it with such nuance. It would be all too easy to play the role as a romping - stomping, red-faced gammon shouting at the top of his lungs, but Graham was smarter than that. He brought many layers to Combo showing his vulnerability. While never condoning them, you understand his actions.

All this was seen through the perspective of twelve-year-old Shaun. This was a clever decision, as it was a stark warning of how easy somebody can be brainwashed by ideology. Thomas Thurgoose was very good in his debut role. While many of his co-stars like Joe Gilgun and Vicky McClure have gone onto bigger and better roles, I can't say the same for Thurgoose, but I'm sure his time will come soon.

Granted, you could argue that there isn't much in the way of plot, but I don't think it was necessary in a slice-of-life film like this. It was a simple snapshot of skinhead culture. And that's all it needed to be. Plus it had the brilliant Stephen Graham as the lead. What more do you want? Just be warned, this is England is way too depressing to watch more than once.