Fear and Loathing in Las Vegas review

 Number 555 on the top 1000 films of all time is Terry Gilliam's black-comedy 'Fear and Loathing in Las Vegas.'

Raoul Duke (Johnny Depp) is a journalist sent to Las Vegas to cover an important motorcycle race. He is joined by his friend and laywer Dr Gonzo (Benicio Del Toro.) Once there, they get high on every drug doing and get into all manner of chaos.

Terry Gilliam is well-known for his surreal, incomprehensible films like Brazil and Twelve Monkeys. However, while those films had some semblance of a storyline 'Fear and Loathing' was an exercise in excess. 'Brazil was about a civil servant looking for love in a hellscape world while Twelve Monkeys focussed on trying to reverse an apocalypse. Sure these films were weird, but I think there was at least supposed to be a point. Or for Twelve Monkeys anyway. Like Brazil, Fear and Loathing seemed to be weird for the sake of weird.

The antics of Raoul Duke and Dr Gonzo soon became tiresome especially as Dr Gonzo is a pretty nasty psychopath. It didn't help that neither Depp or Del Toro were particularly memorable in their roles. And this is saying something considering the calibre of the actors: Del Toro went onto win a Best Supporting Oscar for Stephen Soderbergh's Traffic a few years later. Depp also has a few Oscar nods under his belt. Yet he was just boring lacking any of the usual charisma he brings to a role. And I didn't like Dr Gonzo so I didn't care for Del Toro's performance.

In terms of comedy, it didn't make me laugh very much. Sure, the situations are black and we're supposed to be laughing at and not with the characters, but I spent much of the film rolling my eyes rather than laughing out loud. None of the psychadelic visuals or quirky camera angles could do anything to make the film more interesting.

Instead this was a tedious, overly-indulgent affair which was about two hours too long. I was very glad when the credits started rolling.

American Gangster review

 Number 468 on the top 1000 films of all time is Ridley Scott's 2007 biographical crime film 'American Gangster.'

Based on the true story of Harlem crime kingpin and drug lord Frank Lucas (Denzel Washington) American Gangster explores how this once lowly crook rose to become of the biggest drug traffickers in US History, as well Newark Detective's Richie Roberts' (Russell Crowe) efforts to catch him.

Ridley Scott really likes his overlong films, doesn't he? Black Hawk Down was far longer than it needed to be, and the same could definitely be said for American Gangster which burgeoned on three hours. It was bloated and could have been excised. The obvious example would be Richie Roberts' storyline. He is supposed to be the only honest cop in a department of crooked cops like corrupt NYPD detective Nick Trupo (Josh Brolin) who regularly accepts bribes and robs criminals of their drugs only to go on and sell them himself. 

Richie is also locked in a bitter divorce battle with his ex-wife. Although he is straight in his work, he is not in his personal life. As we learn, he is a serial womaniser. This was a massive subplot which didn't deserve the amount of screentime we spent on it. I really couldn't have cared less. Richie's wife Laurie (Carla Gugino) was little more than a scorned woman. And due to Richie being so straight, he wasn't the most interesting character to watch. We like maverick detectives who aren't corrupt, but they play by their own set of rules. This is what sets them apart from every other police officer out there. And this subplot also did a disservice to Russell Crowe who is a good actor.

If we didn't spend so much time on this subplot, I would have enjoyed American Gangster much more than I did. Frank Lucas was the superior and more interesting character. It was fascinating seeing his journey from his former boss' driver and bodyguard to, effectively, the Harlem Pablo Escobar. Although the historicity of the film's events have been questioned, it's amazing to see how he cut out the middle-man and dealt directly with heroin producers in South-East Asia. He smuggled the drugs back into the country by putting them in the coffins of American soldiers returning home from Vietnam.

Ultimately, I would say this is a good film. It just didn't need to spend so much time on Richie Roberts.