Top ten World Cinema films from the top 1000 films of all time

 Since I started working through the top 1000 films of all time, I have seen the best that World Cinema has to offer. Here are my top ten best World Cinema films.

City of God

There is a reason that this film is number 21 on the top 1000 films of all time. And there is a reason that it is on my list for the ten best films of all time. It is a breath-taking piece of cinema.

Detailing the lives of two boys growing up in the slums of Rio De Janeiro, it is an absolute roller-coaster. I have seen this film multiple times and each time it has been more thrilling than the last.

Oldboy

This Korean film comes in on number 82 on the top 1000 films of all time. Plus it also features on my top ten films of all time and for good reason. It is a powerful tale of revenge based on a Japanese manga.

This thriller follows Oh Dae-Su - a man who has been mysteriously imprisoned for fifteen years. After his sudden release, he goes on a self-destructive journey to find his kidnappers. It is brimming with gorgeous Korean proverbs, stunning fight sequences and one of the biggest plot twists in film history.

Rang De Basanti (Paint it Saffron)

Yes, you've guessed it. Rang De Basanti also features on the top 1000 films of all time at 34th. It is an Indian film. Critics of Indian cinema dismiss them as overly-dramatic with shoe-horned musical numbers. Yes, that is partly true, but Rang De Basanti is far more than that.

It tells the story of Sue - an English film-maker making a documentary about some of the early leaders of the Indian independence movement. However, the lines between reality and fiction soon begin to blur. It is a magnificent story about finding your place in the world. An absolute must-see for lovers of Indian cinema.

The Hunt

Director Thomas Vinterberg creates a gripping psychological drama that shows the witch-hunt following teacher Lucas (Mads Mikklesen) after he is falsely accused of molesting one of his pupils. This Danish film show-cased Mikklesen at his best. There is a reason that he won the Best Actor award at Cannes. But the entire film is a triumph. The tension never lets up for a minute. It is Danish cinema at its best. I much preferred it to Vinterberg's earlier effort of the Celebration, which is probably why The Hunt places 124 on the top 1000 films of all time. Fifty-five places higher than Vinterberg's earlier film.

My Neighbour Totoro

I had to include Japanese cinema on this list. And while it might have made sense to include Akira Kurosawa, I instead wanted to pay respect to the genre of anime. And there is no greater producer of anime than Hayao Miyazaki and Studio Ghibli.

I was so tempted to put Grave of the Fireflies on this list, but that heart-breaking affair has featured on other lists of mine, so I want to pay homage to another Studio Ghibli great: My Neighbour Totoro, which features at 137 on the top 1000 films of all time.

It would be all too easy to dismiss as a kids' film, but it is great for all the family to watch. Sisters Sasuki and Mai have just moved into a country home with their father while their mother is sick in the hospital. The young Mai then befriends the adorable Totoro who helps her through the process. This coming-of-age story is surprisingly poignant. Plus, I just love Totoro. He is the cutest thing ever. There's a reason he has become the mascot for Studio Ghibli.

Les Intouchables (The Untouchables)

This French film is the last time I'm going to mention my list of the top ten films of all time.

Les Intouchables features at 31 on the top 1000 films of all time. It tells the story of Philippe (Francois Cluzet) a billionaire quadriplegic and his unqualified, unprofessional carer Driss (Omar Sy.) Their unlikely friendship contributes to one of the feel-good films of the century.

Les Intouchables will make you laugh. It will probably make you cry too. Plus it's what launched Omar Sy to international stardom. If you've seen him in Lupin, do yourself a favour and go back and watch. You won't regret it.

Y tu Mama Tambien

We've come to Alfonso Cuaron and Mexico. This film really surprised me. Some of its critics have dismissed it as a Mexican American Pie, due to its frank depiction of sex, but this touching coming-of-age drama is far deeper than that. It places at 641 on the top 1000 films of all time.

It follows three characters: best friends Julio (Gael Garcia Bernal) and Tenoch (Diego Luna) and older Spanish woman Luisa (Maribel Verdu) as they try to find a mythical beach.

It's a story about growing up. It's a story about change. It is under-stated, but also really sexy. You just might not want to watch it with your parents.

IP Man

Although I'm generally not a fan of wuxia/kung-fu films, I would make an exception for IP man. It tells the true-life story of IP Man (Donnie Yen) a Kung-fu master who navigates the dangers of living in Hong Kong during the occupation of Japan. IP Man places at 215 on the top 1000 films of all time.

Unlike other Wuxia films, IP Man stays grounded in the real-life. Plus the kung-fu sequences are brilliantly choregraphed. Donnie Yen also gave a charismatic performance. I wasn't as keen on the sequel, but I still think IP man is the best that the Wuxia genre has to offer.

Zwartboek (Black Book)

We're returning to Europe with this excellent Dutch film that centres on the Dutch resistance movement during World War Two. Black Book is 435th on the top 1000 films of all time.

Where director Paul Verhoeven succeeded is by highlighting the different shades of grey that comes with warfare. No matter what Hollywood says, things are never black and white. This is a fast-paced affair with twist after twist. Its film-making at its best.

Das Boot 

We remain in World-War-Two for this excellent West German film that focusses on a German submarine crew who are under attack. And that film is Das Boot. It places 70th on the top 1000 films of all time.

Tight camera angles result in a claustrophobic, suffocating affair that highlights what it would be like to be on a submarine during battle. It also does great character work especially in how it explores how war can affect men. It certainly isn't perfect, but it is still an intense affair that doesn't let up for a minute.

It was difficult to nail this list down to just ten film. And there were many films and directors that did not make the cut: Fellini, Kurosawa, Bergman, Lang etc. Have I missed any other films? Let me know in the comments below. 

Elite Squad: The Enemy Within review

 Number 206 on the top 1000 films of all time is the Brazilian crime-drama 'Elite Squad: the Enemy Within.'

Lieutenant-Colonel Robert Nascimento (Wagner Mourra) is in charge of quelling a riot at the notorious Bangu prison. However, when his efforts to regain control end in disaster. The rioters die, and he is at risk of losing his job. But when the state secretary of Rio De Janeiro realises that Nascimento has become a folk-hero to the public, he instead promotes him to become a high-ranking intelligence officer. But there Nascimento quickly discovers the true corruption of the justice system.

Elite Squad was penned by Braulio Mantovani who also wrote City of God. And the similarities are apparent from the stark, gritty depiction of violence to the engrossing narration to a shared cast: Seu Jorge appeared as the prison-gang leader here and as Knockout Ned in City of God. In this sense, Elite Squad is just as good as City of God, and many of my readers know this is one of my favourite films ever.

Elite Squad has also been compared with HBO's hit TV series 'The Wire.' The comparison is easy to see. Whereas the first Elite Squad focussed on drug dealers and the gangs themselves, its sequel instead concentrated on the corrupt justice system that governs over these gangs. Or rather how it's supposed to govern over these gangs, but instead feeds the self-serving, corrupt politicians. It peels back another layer of an inherently flawed system.

The characters are great with returning favourites from its predecessor like Nascimento's former protege Mathias and the morally corrupt Fabio, but also morally-depraved officers like Major Rocha who soon forms a militia extorting the residents of the Favela. He was a truly despicable character, but, sadly, there are many power-hungry men like this in the world.

However, this film wasn't quite as cohesive as its predecessor. There is a four-year time jump that is quite disjointed - in this time, it is implied that Nascimento has divorced from his wife who has gone onto marry the liberal, human-rights activist and legislator Varga. This relationship was rushed and could have used more grounding.

My second criticism, which also applied to its predecessor, was that Mourra was criminally under-used. Sure, he narrates the film with his trade-mark charisma, but he doesn't appear on screen enough. This is only diluted by how he has been removed from the front lines and relegated to an office. The film seemed more interested on focussing on Varga and the corrupt officials governing Rio. Sadly, and this was of no fault of Mourra, but Nascimento largely faded into the background, when he should have been the star.

That notwithstanding, Elite Squad: The Enemy Within was still a terrific if uncomfortable watch.

Elite Squad review

 Number 256 on the top 1000 films of all time is Jose Padilha's Brazillian crime drama 'Elite Squad.'

Captain Nascimento (Wagner Moura) is a police officer in BOPE - an elite squad of police who patrol Rio De Janerio's drug-fuelled favelas. Burned out and with a baby on the way, he is searching for a replacement. And his two best choices are the impulsive Neto (Caio Junqueira) or the more measured and restrained Matias (Andre Ramio.)

Elite Squad reminded me of the fantastic City of God. Both stylistically and content-wise, the two films were very similar. Whereas City of God focussed on the drug dealers that ruled the ghetto, Elite Squad focused on the police who have to catch them. It presented a raw, gritty and unflinching look at a brutal reality. The camera work was intimate with plenty of close-ups that make you feel you're right alongside the characters. No punches are pulled. Nothing is romanticised. We see the ruthlessness of the drug gangs as well as the police who catch them. it is an intense non-stop rollercoaster.

However, I would criticise Elite Squad for its portrayal of Captain Nascimento. Despite being the main character, he felt like a secondary character. Although he narrates, he has very little on-screen presence in the film's first half. This was because he was always intended to be a secondary character with Neto and Matias acting as the protagonists. During post-production, Jose Padilha's realised Wagner Moura's on-screen charisma and edited the film to make him the main character.

This was a major oversight and it showed. His retrospective editing did nothing to help things. Wagner Moura's considerable acting ability largely went to waste. Don't forget this is the man who went onto star as Pablo Escobar in Netflix's series Narcos.

Despite Wagner Moura being completely squandered, Elite Squad was still a great film if a tough watch at times.

Brazil review

 Number 299 on the top 1000 films of all time is Terry Gillam's dystopian black comedy drama Brazil.

Sam Lowry (Jonathan Pryce) is a low-level bureaucrat in an unnamed dystopian future. He frequently dreams of saving a mystery woman from death. When a typing errors results in the erroneous death of cobbler Archibald Buttle, instead of rogue heating engineer Archibald Tuttle (Robert De Niro) Lowry tries to undo the mistake which brings him into contact with the woman he has been dreaming about.

Surreal? Arthouse? Experimental? A satirical look at the modern world? However you look at it, there is no denying that Brazil is a weird film. Made by Terry Gillam and co-starring Michael Palin, it was a bit like a twisted Monty Python misadventure. Rather than one cohesive narrative, the film jumped from surreal scene to surreal scene - we have Sam Lowry dreaming of being a winged warrior saving a woman from falling to her death, the next we jump to Archibald Buttle being arrested and sentenced to death and then Sam is fighting this massive robotic samurai. It really was just bizarre and after a while the weirdness all became a bit much. I just don't have the patience for it. Maybe if there was an obvious deeper meaning than I would get it, but it just seemed like it was being weird for the sake of being weird.

Having said that, Terry Gillam was inspired by 1984, despite having never read it. Gillam was also highly inspired by Fellini and I could see his influence here. Brazil was like a grotesque parody of both Fellini's work and of 1984. Lowry is the stand-in for Winston Smith, another low-level bureaucrat stuck in a totalitarian system. It's not Big Brother and Emmanuel Goldstein, but it is dystopic nonetheless. The origins of this world are not explored in any great detail, but there is an over-reliance on technology which usually malfunctions. And *spoiler alert* just when it looks like Lowry has escaped and will live happily ever after, it was all a torture-inspired hallucination.

And I know this was in the eighties, but the special effects looked awful. From the tinny explosions to the flamethrowers that were obviously painted paper, they really looked like they were from a cheap B-film. Terry Gillam has referred to this as the second in his trilogy of imagination, and it was nominated for best original screenplay. There is no doubt that this was an original, imaginative film. Confusing, surreal and abstract, but definitely original. I can safely say that I haven't seen anything like it before.