Where Eagles Dare review

 Number 604 on the top 1000 films of all time is the WW2 epic 'Where Eagles Dare.'

Major John Smith (Richard Burton) and Lieutenant Morris Schaffer (Clint Eastwood) are leading a crack-team of commandoes to rescue the captured American General George Carnaby (Robert Beatty) who is being held hostage in a remote Nazi castle. However, not all is what it seems.

Where Eagles Dare was based on the book of the same name written by Alistair Maclean who also wrote the film's screenplay. Maclean had his share of critics with some deriding his plot as melodrama and his characters as cardboard. Considering Maclean also wrote the screenplay, those same criticisms also existed in this film.

Yet they didn't really matter, as the film was thoroughly entertaining. It had more twisters and turns than your average high-octane rollercoaster, as well as an endless supply of pyrotechnics, explosions and poor stunt-men being thrown around like sacks of potatoes. You definitely can't fault the film on its production level. It looked great on-screen.

Not sure if I can say the same for John Smith or Morris Schaffer. I've always said that Eastwood is a one-note actor doing little less than providing a sarcastic dry wit. Burton was similarly unimaginative in his portrayal of John Smith. But perhaps that's more a criticism of the characters themselves rather than the characterisations. Neither of them were particularly complicated.

Maclean also received criticism for his vapid female characters. This definitely did not come through on the film though with characters like Mary Ellison (Mary Ure) and Heidi Schmidt (Ingrid Pitt) - follow British undercover agents - more than providing a match for their male counterparts. They were not sex objects nor sacrificial lambs but tough soldiers not afraid to get into the action.

Where Eagles Dare is certainly not without its critics - some are fair in their criticism, yet the film is so entertaining, the criticisms aren't that important.

1984 (1984) review

 This adaptation of George Orwell's seminal 1984 failed to chart on the top top 1000 films of all time.

It tells the story of midlevel bureaucrat Winston Smith (John Hurt) who is living in a dystopian land ruled by the totalitarian government called Big Brother. Wanting to escape the tyrannical regime, he begins a relationship with a woman called Julia (Suzanna Hamilton) as they both join a resistance movement led by the mysterious O'Brien (Richard Burton.)

Considering 1984's impact on popular culture, I am surprised it doesn't feature on the top 1000 films of all time. Words like doublespeak, Orwellian and Big Brother have all since entered the cultural lexicon. In 1984, when Orwell originally penned 1984, you would have been called a tin-foil conspiracy theorist for claiming the government is spying on is. Now it's conspiracy fact. Not fiction.

Even Orwell himself has become a cultural icon - something he would have hated by the way. I don't think that 1984 would have been out of place on IMDB's top 1000 film list. It would be among good company, as similar dystopic films like Brazil or V for Vendetta also feature.

And 1984 is just a good if incredibly bleak film. John Hurt brings our hero Winston Smith to life with a world-worn cynicism that soon becomes an unlikely bravery, as he quietly looks for ways to undermine the oppressive regime that he is working for.

The whole film has a dirty, grimy, feel as we see a population going through the motions. This isn't a world where if you scratch below the idyllic service, you'll see the seedy underworld: in 1984, the people know they're living a miserable existence, they just don't care. They're thriving in apathy and indifference.

Just like Winston is until he begins an illicit relationship with Julia who was just as good as her co-star, but the true star was Hollywood heavy hitter Richard Burton. He was great as the villainous O'Brien. On the surface, he seems to be part of the resistance movement, luring in Winston and Julia, but he was just a trap to flush out traitors.

From here, the film rushes toward a conclusion that was too fast for my living. We definitely could have spent more time with Julia and Winston's relationship, before it inevitably self-destructs. For that reason, I wouldn't have ranked it highly on the top 1000 films, but I would rank it nonetheless.