Spellbound review

 Number 634 on the top 1000 films of all time is Alfred Hitchcock's psychological thriller Spellbound.

Dr Constance Petersen (Ingrid Bergman) is a reportedly icy and cold psychoanalyst at Green Manors mental hospital in Vermont. Upon the retirement of her old director, he is replaced by the far younger Dr Anthony Edwardes (Gregory Peck.) The two of them immediately fall in love, but then Dr Edwardes reveals that he is really an imposter who killed the real Dr Edwardes and is masquerading as him. Dr Petersen refuses to let this be the truth and two of them resolve to find the real killer.

In terms of Alfred Hitchcock thrillers, this wasn't one of his best. His thrillers are never the most believable - you can just look at Rope or the Lady Vanishes, and these types of films aren't supposed to be taken that seriously, but Spellbound was really pushing my suspension of disbelief to its absolute max.

The biggest problem? The central relationship between Doctors Petersen and Edwardes. Bergman and Peck didn't really have any chemistry together and neither of them had the charisma to lead such a big picture. I couldn't believe the two of them being together at all. This was strange for a number of reasons, least of all, as reportedly Bergman and Peck had an affair while filming. Obviously this off-screen chemistry didn't translate to the on-screen. 

Neither did the charisma or talent that Peck and Bergman showed in other films and performances. Peck was great opposite Audrey Hepburn in Roman Holiday and, of course, he went onto win an Acting Oscar for To Kill a Mockingbird. Meanwhile, Bergman was an accomplished actress in her own right starring opposite Humphrey Bogart in Casablanca. She went onto become just one of a handful of actors to win three Acting Oscars. Separately, Bergman and Peck were legends in their own rights. Together? They were boring.

Unfortunately, as their relationship was the centrepiece of the film, it didn't make for interesting watching at all. Everything was just so unlikely. It's a shame as Hitchcock is often known as the master of suspense. But there was little suspense here...I really wasn't invested in learning how everything turned out at all. And with a psychological thriller like this? That's a major faux pas.

The Sixth Sense review

 Number 190 on the top 1000 films of all time  is the psychological thriller 'The Sixth Sense.'

Dr Malcolm Crowe (Bruce Willis) is a child psychologist whose latest patient is the nine-year-old Cole Sear (Haley Joe Osment.) However, Cole is deeply troubled by his ability to see and speak with the dead.

This film kicked off M. Night Shyamalan's directing career and it's easy to understand why. He created a movie that uses atmosphere to scare its audiences. What Shymalan does so well is keeping the scares subtle and understated. There isn't any gratuitous gore or overused jumpscares, so when do we get scares, they're all the more effective. The film opens with one of Dr Crowe's patients shooting him in the stomach before blowing his brains out. yet the camera pans away and we only hear the gunshot. When Cole is around a classmate's house for a birthday party, he is scared of a particularly locked cupboard. We don't see what's inside it, but we hear a terrified voice screaming not to be put in the dark. Another of the ghosts that Cole sees has been shot in the head, but we don't see the violence itself; only the bloody wound in the back of his head. These allusions were far more powerful than seeing any outright violence.

Shymalan also brought a touch of tragedy to the horror. Cole's sixth sense leads to him being a social outcast while Dr Crowe has a difficult relationship with his wife. The two find a kindred spirit together. Willis and Osment were great opposite each other. In fact, Willis is so well-known for his action man roles, you would think he is little more than a big slab of meat. But this meat can act, and act well. Osment, at eleven-years-old, was equally good. No surprise that he was nominated for the Best Supporting Actor Oscar.

Toni Collette who played his mother also deserves some praise. She plays a woman under the incredible stress of raising her son by herself. On top of this, he also has a sixth sense that drives a stake between her and Cole. This all culminates in a tearful climax. Collette was also worthy of the Best Supporting Actress nod.

And, although, I won't spoil it here, the ending twist has to be one of the best in movie history, perhaps only second to Old Boy.

Although Shymalan might never have been able to replicate his early success, the Sixth Sense proved that he is a brilliant director who can craft a simultaneously tragic, but scary film.