Showing posts with label sean connery. Show all posts
Showing posts with label sean connery. Show all posts

Thursday, 13 November 2025

The Longest Day review

 Number 494 on the top 1000 films of all time is the epic historical war-drama 'The Longest Day.'

The Longest Day tells the dramatic story of the invasion of Dunkirk told from the perspective both the Allies and the Germans. It has a large ensemble cast with a whole host of famous stars like John Wayne, Henry Fonda, Sean Connery, Richard Burton, Robert Mitchum, Rod Steiger, Robert Wagner and Paul Anka.

There is no denying the the technical prowess behind The Longest Day. Shot as a docudrama, director Daryl F Zanuck deliberately chose a black-and-white colour scheme so he could really zero into the human element of the war. 

His cinematographers Jean Bourgoin and Walter Wottiz went onto the Best Cinematography Oscar for black and white. Znuck's special effects team led by Robert Macdonald and Jacques Maumont also won for Best Special effects. Neither of these were a surprise as the film was gripping from the outset, making a two and a half World War Two epic, a fast-paced thrilling watch. No doubt 'The Longest Day' influenced subsequent WW dramatisations like Saving Private Ryan, Dunkirk or Band of Brothers.

However, while the film looked great on-screen and was technically proficient, it fell down on its character work. Like I said, it had a massive supporting cast with many of its actors like Mitchum, Connery, Fonda and Burton being rendered to mere cameos. It was less immersing yourself in a different world and more spot the famous face. There wasn't a single protagonist or protagonists that you could follow throughout the film.

Nonetheless, the Longest Day was an entertaining dramatisation of one of the most important moments of not just World War Two, but world history.

Friday, 21 March 2025

The Untouchables review

Spoilers ahead 

Number 355 on the top 1000 films of all time is Brian De Palma's 1987 crime film 'The Untouchables.'

The Untouchables tells the true-life story of Elliot Ness (Kevin Costner) a prohibition agent who forms a team of untouchable, incorruptible men to bring down the era's biggest gangster and bootlegger Al Capone (Robert De Niro.) Ness' team consists of the veteran Irish-American cop James Malone (Sean Connery) young hot-shot George Stone (born Giuseppe Petri - Andy Garcia) and accountant Oscar Wallace (Charles Martin Smith.)

Firstly, let's address the Sean Connery in the room. Despite Malone being an Irish-American character, Connery's accent is neither Irish nor American. Like he does in every other role, he stubbornly played the role with his native Scottish accent. This was quite distracting to say the least, but what else can you expect from Sean Connery? He won the Best Supporting Oscar for his role and, despite the accent, I think it was a well-earned win. Malone acted as a mentor-cum-father figure for Ness helping to coach him on the best way to take down Al Capone. Connery played the role well bringing a great energy and life to the character.

The rest of the performances were fine, but none of them matched Sean Connery. Garcia was never really given the chance to exercise his acting chops - granted Stone IS a supporting character, but I don't think he was really fleshed out beyond being the best shot in his class. Charles Martin Smith was also good, but, alas, Oscar Wallace was the first of the Untouchables to prematurely die. It was a sad death as due to his accountant background he was the least suited for the way of life, but he still proved his worth for the team, being the one who suggests prosecuting Capone for tax evasion. 

Hell, I even liked Kevin Costner - Elliot Ness wasn't a character with a lot of depth, but he made for a good action hero and Costner played the role well. I was particularly surprised with Robert De Niro as Al Capone and I don't mean surprised in a good way. Considering I'm speaking about Robert FREAKING De Niro, I thought his portrayal of Capone was rather simplistic. There was none of the depth or complexity that I would expect from one of De Niro's roles. To paraphrase Capone himself, he was nothing but a receding hairline and a baseball bat.

Brian De Palma also played fast-and-loose with history often fictionalising or completely making up most of the film's key events. Ness's team had very little to do with Capone's tax evasion case and the train station shootout or the Canadian border raid never happened in real life. But that didn't matter as it all made for dramatic, entertaining viewing. The train station shootout was inspired by the Russian step scene in Battleship Potemkin with the parallels being obvious to see. Despite being pretty unbelievable/cheesy, it was still good fun to watch.

And that is a good summary of this film. It is an incredibly loose retelling of historical events but was still a thrilling watch. The acting wasn't fantastic except for Sean Connery, yet it still earned its place on the top 1000 films of all time.

Wednesday, 18 September 2024

A Bridge too Far review

 Number 886 on the top 1000 films of all time is Richard Attenborough's 1977 epic war film 'A Bridge too Far.'

A Bridge too Far tells the true story of the Second World War operation Market Garden - an ambitious, if ultimately failed, attempt of the allies to create a salient in the Nazi-occupied Netherlands. The large ensemble cast includes James Caan, Sean Connery, Michael Caine, Anthony Hopkins, Laurence Olivier, Gene Hackman, Robert Redford and Maximilan Schell. 

Would it be fair to say that this film goes a "bridge too far?" At three hours long, some would probably have that judgement. It is a fair judgement to make. However, I think that compared to most three-hour long films it is paced incredibly well. Compared to some three-hour films, *cough cough* Gone with the Wind, it was engrossing from start to finish. 

Anybody who knows military history knows that Operation Market Garden was a massive failure that extended the war by another seven or eight months, yet it was still interesting seeing how the Allies' overconfidence proved to be their ultimate downfall.

One common flaw I find in war films with large ensemble casts is that the characters become indistinguishable from one another. They are all soldiers dressed in the same uniforms so they all look the same. things can become confusing after a while, but that wasn't the case here.

I think that was because the three-hour run time gave the film the time it needed to breathe. We didn't get any rushed character development. Instead, each character was given the time they deserved. And that allowed the actors to do the best they could. Also, let's talk about the incredible cast. There were no less than seven Oscar winners including Anthony Hopkins, Sean Connery, Michael Caine and Gene Hackman. And there wasn't a weak link in the cast. Gene Hackman was particularly good as the cynical and jaded Polish Major General Sosabowski - we just won't talk about his accent.

Only six years Richard Attenborough won an Oscar for directing Gandhi, but A Bridge Too Far displayed his early promise as one of the best film-directors of his generation. Contrary to many film critics, I quite enjoyed A Bridge too Far. I didn't find it too long or lacking at all.

Sunday, 14 July 2024

The Man who would be King review

 Number 385 on the top 1000 films of all time is John Huston's 1975 adventure film: 'The Man who would be King.'

Based on Rudyard Kipling's novella of the same name, the Man who would be King follows two former soldiers in 19th century Afghanistan. Peachy Carnehan (Michael Caine) and Daniel Dravot (Sean Connery) are two rogues seeking their fortune in Kafirstan. Telling their story is Kipling himself played by Christopher Plummer. Saeed Jaffrey and Shakira Caine co-star.

At its heart, the Man who Would be King is a cautionary tale about the dangers of greed. Carnehan and Dravot go seeking fame and fortune. They find it in Kafirstan by exploiting the fears of the locals. Instead of getting out while the going is good, they stick around as everything crumbles around them.

It's also difficult not to read this as a post-colonial narrative. The original story was acknowledged as an allegory of the British Raj. Kipling himself was born there. Carnehan and Dravot effectively colonise and take over Kafirstan by tricking, exploiting and manipulating the locals. They then both receive their just desserts.

Although they are both roguish characters, Caine and Connery played Carnehan and Dravot with enough charisma to make them likeable and entertaining to watch. Both of them have some of the most iconic voices and accents in the history of cinema.

We also can't forget Saeed Jaffrey who plays their translator Billy Fish. He received horrific racist abuse on set, but he brought a great life and energy to his role. Although he did come to an unlikely end.

The Man who would be King reminded me of John Huston's earlier 1948 effort: the Treasure of the Sierra Madre. Again, it has characters seeking fame and fortune, but are ultimately corrupted by their own greed. Originally, Huston wanted Humphrey Bogart and Clark Gable in the lead roles. If they had not died years earlier, we would have had a very different Carnehan and Dravot. Thankfully, it went to two British actors which made more sense, considering the historical context.

Like the Treasure of the Sierra Madre, the Man who would be King has some brilliant cinematography and morally-grey characters. It also showcased the dangers of greed.

The Man who would be King was another John Huston success. It was a thumping-good adventure film.