Capote review

 Number 891 on the top 1000 films of all time is the 2005 biographical-drama Capote.

Truman Capote (Philip Seymour Hoffman) was an American novelist who gained fame after the release of his 1961 book 'Breakfast at Tiffany's.' After the Clutter family are murdered in their Kansas home, Capote becomes fascinated with the case, so much so, he decides to make it the subject of his next book. Together, with his friend and confidante Harper Lee (Catherine Keener,) he begins interviewing the killers Perry Smith (Clifton Collins Jr) and Dick Hicock (Mark Pellegrino.)

As many of you will know by now, I don't care for biopics. I find them overly-long, vague, lacking in tension and bloated e.g The Aviator or Catch me if you Can. But Capote succeeded because instead of telling his life from start to finish, it narrowed in on a very specific part, and, arguably, the most interesting part.

From the off, we are thrust into murky territory as we see our hero Capote coming to form strong relationships with Perry Smith and Dick Hicock, the longer he gets to know them. He begins empathising with them. Although he claims that he just wants to document the facts, the more he investigates, the more there is the chance that he will discover something that could exonerate the pair. Or worse, he may deliberately sabotage the case, so the pair will go free. This conflict kept things moving on nicely. It stopped things from becoming too slow.

Philip Seymour Hoffman won the 2005 Best Actor Oscar for his performance as Truman Capote. It was well-deserved, as unlike his other roles it was wonderfully balanced. We saw many different sides of Capote: the flamboyant party animal, the duplicitous liar keeping the truth from Smith and Hicock, and the quiet, vulnerable man looking for support from his friend Harper Lee.

I have yet to see Hoffman in a role that I haven't liked. Many of the characters he has played have been very sleazy. There is nothing wrong with this; he plays the sleaze well, but I was wondering if he was becoming a one-trick pony. Capote proved this was far from the case.

Catherine Keener was also good as Harper Lee, often acting as Capote's conscience, telling him what he needs to hear, rather than what he wants to hear. Clifton Collins Jr was also good, but I think Mark Pellegrino was thoroughly under-used.

Nonetheless, this film pleasantly surprised me. Who knows? I might become a die-hard biopic fan?

Watchmen review

 Number 662 on the top 1000 films of all time is Zack Snyder's 2009 superhero film 'Watchmen.'

Set in an alternate dystopian 1985 with cold-war tensions running high, the film focusses on a group of retired superheroes called the Watchmen. When former member 'The Comedian,' (Jeffrey Dean Morgan) his team-mate Rorschach (Jackie Earle Healey) tries warning his former comrades Dr Manhatten (Billy Crudup,) Silk Spectre (Malin Akerman,) Niteowl (Patrick Wilson) and Ozymandias (Matthew Goode,) but instead he soon stumbles upon a greater and more dangerous conspiracy theory.

Many people credit Christopher Nolan's Dark Knight trilogy for giving a darker, grittier vision of superhero films. However, I would argue that Watchmen deserves a lot of credit for this too. As somebody got bored of superhero films by Age Of Ultron and who has never cared about the Marvel/DC debate, I thoroughly enjoyed Watchmen.

Not only did I enjoy the darker, grittier tone, but it felt more grounded and realistic than other superhero films. There were no stupid puns like the infamous Batman and Robin nor any fun and whimsy that you would expect from one of the million MCU films. Everything was grounded in real life. Nothing was played for fun. Nor should it have been.  Even in the eighties, the threat of nuclear annihilation was omni-present. It was a real fear, and Zack Snyder tapped into this fear well.

I was also impressed with Zack Snyder's direction. Having seen a few of his other films, I've noticed that the he prioritises spectacle over storyline, but he was remarkably subtle here. He also released a director's cut, which was also well-received.

Out of all the characters, Dr Manhattan is the only one with any powers which added another layer of realism. These aren't super-powered beings who became heroes, but simply everyday people.

Across the board, the performances were strong as well. Jeffrey Dean Morgan showed his early 'Negan' tendencies in his role as the slimy and smarmy 'Comedian. But Jackie Early Healy was the star of the show. Rorschach was a tortured soul, but Healy made him a sympathetic anti-hero.

Sure, it is relentlessly dark, but the next time you credit the Dark Knight Trilogy for reimagining the superhero genre, please also give Watchmen its due.