Number 423 on the top 1000 films of all time is David Fincher's 2011 remake of the Swedish 'The Girl with the Dragon Tattoo.'
Mikhail Blomkvist (Daniel Craig) is a Swedish journalist who has lost everything in a libel case brought against him businessman Hans-Erik Wennerstrom. Businessman Henrik Vanger (Christopher Plummer) offers him a chance of redemption if Mikhail can solve the forty-year old disappearance of his grandniece Harriet. Mikhail enlists the help of emotionally damaged hacker Lisbeth Salander (Rooney Mara.)
TGWTDT was the latest offering in the Scandi-noir trend that was dominating the airwaves in the late 2000s and early 2010s. Based on Stieg Larsson's book of the same name, TGWTDT joins the tradition along with Jo Nesbo, Henning Mankell, the Bridge and the Killing. So much of Scandi-noir is rooted in its Scandinavian setting. The mighty mountains, imposing glaciers and remote settings lend themselves well to grisly murders. Frosty temperatures and frostier attitudes all add to the Gothic horror.
And that's why I found the accents so weird. I understand this is an American remake, so I wouldn't expect the actors to be speaking in Swedish, but the accents were inconsistent. Christopher Plummer did well, but Rooney Mara and Robin Wright, who played Mikhail's editor and occasional lover, less so. Daniel Craig didn't bother with one at all. He chose to do this, as the thought it would sound silly otherwise. And it did. Either have all the actors do accents or none of them.
Daniel Craig received star-billing for this well-crafted thriller, but Rooney Mara was the true star. She received a Best Actress nod and it was well-earned. Lisbeth Salander - an emotionally shut down, misanthrope would be a difficult character to play. How do you make her likable without making her annoying? But Rooney Mara brought an excellent amount of vulnerability to the role. And, of course, we have to talk about the horrific scenes where Salander was raped and sodomised. These were brutal, intense scenes and Mara was fantastic.
If I were to criticise the film for anything, it would be the ending. *Spoiler alert* After the main mystery is solved, Plummer rewards Blomkvist by providing him evidence that will help him take down Wennerstrom. However, the evidence proves fruitless. So, Salander helps by hacking him and discovering he is laundering money for organised crime. She then empties his accounts. It was all good, but it seemed like a strange addendum that didn't match the rest of the film. I guess they were bringing everything full circle, but it seemed like Fincher was setting up a second film, rather than finishing this one.
Nevertheless, TGWTDT was an expertly-crafted thriller with a career-high performance from Rooney Mara.
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