Thursday 29 June 2023

Les Miserables review

 Number 474 on the top 1000 films of all time is Tom Hooper's 2012 epic, period musical 'Les Miserables.'

Jean Valjean (Hugh Jackman) is a French former convict who has just been paroled after nineteen years in prison. His crime? Stealing a loaf of bread. But policeman Javert (Russell Crowe) refuses to believe he has changed and is determined to send him back to prison. Meanwhile. Valjean reforms and becomes a factor worker. When one of his workers Fantine (Anne Hathaway) dies, Valjean declares to take care of her impoverished daughter Cosette.

Les Mis is what's known as a sung-through musical. Unlike other musicals, which alternate between music and narrative, Les Mis is all but music. It's a bit like Sweeney Todd. And I've learned that I do not care for sung-through musicals. Watching them are a tedious affair. I know now that music is essential to a sung-through musical, but it was overwhelming. There was far too much singing.

I say singing...they were basically singing lines of dialogue. It hardly made for memorable songs. Obviously you have Anne Hathaway's famous I Dreamed a Dream, but the only other notable song was Look Down, which was sang by the convicts at the start of the film, before being later taken up as a protest song.

The film is also over 2 and a half hours long. It could have been far shorter if a lot of the musical numbers had been trimmed. in many cases, the songs became like exposition telling the viewer what was happening instead of showing them. When Javert and Valjean's paths cross after many years, Javert sings 'a thought stirs in my mind,' which was a rather ham-fisted line of dialogue. I also did not need a whole song where Eponine (Samantha Barks) declares her unrequited love for student revolutionary Marius Pontmercy (Eddie Redmayne.) This much was obvious through her longing looks. We did not need a whole song.

As for the performances, they were as good as you would expect from such a star-studded cast, which also included the likes of Amanda Seyfried, Helena Bonham Carter and Sacha Baron Cohen. Anne Hathaway deservingly won the Best Supporting Actress Oscar despite having a minimal amount of screentime.

I really did not like this film. It was a melodramatic, over-dramatic affair. And I know it was a sung-through musical, but there was far too much singing.

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