The Good
the Bad and the Ugly
SPOILER
ALERT
Next up on the list of Hollywood
Classics, as well as films with epic theme songs is the Good, the Bad and the
Ugly. Why am I reviewing this film?
Well, it’s a standout classic in the Spaghetti Western genre and again it’s one
of those films that you’re supposed to see.
What’s it about? Against the backdrop of the American Civil
War, three gunslinging cowboys emerge: the rugged, lone wolf, anti-hero Blondie
(the Good) the ruthlessly pragmatic antagonist Angelface (the bad) and the
clumsy, meandering, yet dangerous and clever Tuco (the ugly.) All three
gunslingers are looking to find some hidden gold buried in a graveyard, leading
to Blondie and Tuco forming an uneasy alliance against Angelface.
The Good: I really
loved the camerawork in this film, especially the usage of close-ups and
longshots. The long-shots showing the
vast expanse of the Wild West in contrast to the solitary cowboys were done
perfectly. The close-ups, from shots of
bootspurs to hands reaching for guns, all served well to build the film’s
tension. Whilst, I think Sergio Leone
did overdo the tension building at times, which I’ll come to later, in other
places, the tension-building was brilliant.
This was most notable in scenes, where instead of dialogue, there was
the film’s iconic theme tune or silence.
I also felt that Clint Eastwood was very convincing as Blondie, from his
rugged, weathered looks to his cold and remote demeanour.
The Bad: The film
dragged on longer than it should have done.
Not because it was particularly boring, but because Sergio Leone
over-did the tension building. Two of
the most noticeable examples include Tuco running through the graveyard and the
world’s longest Mexican Standoff. By
this point, I was beginning to lose interest in the film. Through the sheer extent of how drawn-out the
tension-building was, I felt that this countermanded its effect.
The Ugly: Blondie’s
scarred, sun-burnt face is always a reminder to stay protected whilst in the
sun.
Rating: Awesome
A wholly thrilling action-filled
two and a half hour ride. While the
ending drag in places, the rest of the film moved along seamlessly. And even though Tuco, at the film’s conclusion,
might not have had a great escape, he certainly had a lucky one.
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