About Time review

 Number 439 on the top 1000 films of all time is Richard Curtis' romantic-comedy with a science-fiction twist 'About Time.'

Tim Lake (Domnhall Gleeson) has just turned twenty-one. His father James (Bill Nighy) informs him that all the men in their family upon turning twenty-one develop the ability to change their past. Rather than using it to find fame or fortune, Tim uses it to find love working as a lawyer in London. Cue the beautiful American Mary (Rachel Mcadams.)

Richard Curtis is well-known for his romantic comedies from Notting Hill to Four Weddings and a Funeral to Love Actually - all starring the who's who of British acting royalty, as well as the odd American or two. In many ways, About Time retreads the familiar beats we would expect from romantic comedies: a naive, bumbling but ultimately good-hearted young man navigates the difficulties of love and life before finding his special one.

However, Richard Curtis kept things fresh by adding a sci-fi twist. Tim discovers he has the ability to change the past and like many of us he uses it to fix all his mistakes until he discovers that it's the mistakes that make us human. It's not the most revolutionary of revelations and the time travel mechanics aren't the clearest, but that's not really important.

Perhaps that's because the film had plenty of laughs from Tim's foot-in-mouth syndrome to his father James' foul-mouthed playwright friend Harry Chapman (Tom Hollander) to brilliant cameos from Richard Griffiths and Richard E. Grant. There were plenty of laughs to balance out all the sentimentality of which there was a lot. What else would you expect from a romantic comedy?

Domnhall Gleeson made a for a charming leading man. He fit the role of Tim well with all the requisite charisma, but also plenty of space to grow. Rachel Mcadams was also good as she continued her string of rom-com successes. I do wonder if that's why she went onto to star in True Detective as the emotionally damaged Antigone Bezzerides. But the true star was Bill Nighy. He was the source of much of the film's comedy and pathos.

If I were to criticise anything, it would be Margot Robbie's brief inclusion. She played, I think, an early English love interest of Tim. I say "I think," as her accent varied between her native Australian and an upper-class English. But this was early on in her career.

I really enjoyed About Time. Yes, it was overly-sentimental but it had a great cast and brilliantly used a sci-fi twist to keep everything fresh. 

Before Sunset (2004) review

 Number 272 on the top 1000 films of all time is Richard Lintlaker's romantic-drama 'Before Sunset' - sequel to the 1995 Before Sunrise.

Jesse Wallace (Ethan Hawke) is an American writer on the last stage of his European book tour in Paris. he is promoting the book that he wrote about a fleeting romance he had with French lady Celine (Julie Delphy,) whom he met in Vienna nine years prior. The events of which constitute the plot of Before Sunrise. Little does he know that we will soon re-unite with her in Paris.

I absolutely loved Before Sunrise. It is low in spectacle, action and budget, but high in authenticity and romantic chemistry between its two leads. I loved the original so much that I couldn't wait to watch the sequel. It was reminiscent of the beginnings of relationships where everything is exciting, new and fresh. Did Before Sunset live up to the hype? Not quite.

It was still a highly entertaining film, but it lacked the spark that the first one had. In many ways, it was a rehash of the first one. Only this time, Jesse and Celine are in Paris, instead of Vienna, and instead of an entire night together, they only have an hour before Jesse has to return to America at sunset.

Considering it's been nine years since their last encounter, Jesse and Celine have as much chemistry, as they did before. The same can be said for Ethan Hawke and Julie Delphy who co-wrote the film along with Richard Lintlaker. If you told me that the pair were dating in real life I wouldn't have been shocked as they were brilliant together. Obviously they weren't as Ethan Hawke was finalising his divorce with wife Uma Thurman. Anyway, Jesse and Celine's dialogue sparkled. And the film had a fantastic air of authenticity. It didn't just feel real. It was real.

Yet the film still lacked something. It is only a paltry eighty minutes long, but it still felt longer than it should have been. On the surface, it seems that Jesse and Celine are picking up where they left off - even though they're both in new relationships - Jesse is married with a son, but we soon learn that they never truly recovered from their fateful encounter. Jesse is trapped in a loveless marriage while Celine never sees her photojournalist boyfriend. They're still both deeply in love with each other. While Before Sunrise showed the excitement of the beginning of the relationship, Before Sunset, seemed to focus more on the relationship after the honeymoon period has worn off.

This all culminates in a tearful confrontation at the film's climax. But this should have come sooner. I couldn't see what this film was building to - I wonder if it would have been similar to how Before Sunrise ended. But *spoilers*

it ended on a less ambiguous, but equally hopeful note. 

Richard Lintlaker captured lightning in the bottle with Before Sunrise. He couldn't quite do the same with Before Sunset, but it was still a great film nonetheless.