The Proposition review

 Number 824 on the top 1000 films of all time is the 2005 Australian Western 'The Proposition.'

Charlie Burns (Guy Pearce) is the leader of a group of outlaws in 1880's Australia. After a gunfight with the police leaves all but he and his younger brother Mike (Richard Wilson) dead, Captain Stanley (Ray Winston) makes Charlie a proposition. Bring his older brother Arthur (Danny Huston) to justice or watch his younger brother Mike be executed.

This is an Australian film, filmed in Queensland, directed by Brisbanian John Hillcoat, written by singer and fellow Aussie Nick Cave and starring Geelong actor Guy Pearce. Just so we're clear, this film was set in Australia, directed by an Australian, written by an Australian and starring an Australian, so why did none of the principle cast have Australian accents? Guy Pearce and Danny Huston are Irish, for some reason. Meanwhile, Ray Winston, Emily Watson and John Hurt all use their native English accents.

The Western is such an Australian genre that it was a brave stylistic choice to relocate it to Australia even though there is no reason why it shouldn't work. However, this was a countermanded by the lack of Australian accents. It was a weird choice that didn't make sense.

However, the film's true weakness was its pacing. Some scenes dragged while others were rushed. The Proposition had some serious sagging middle-part syndrome. Charlie agrees to Captain Stanley's proposition and he goes to search for Arthur. Arthur finds him first and any narrative momentum just stops. Instead, the two exchange barbs, as we are introduced to the interchangeable members of Arthur's gang. 

The two then break Mike out of prison which is where Hillcoat started overcompensating for the sluggish middle with a rushed prison-break. The slow parts were too slow and the fast parts were too fast.

It didn't help that the actors lacked chemistry with one another. I had a hard time believing that Ray Winston and Emily Watson were husband and wife. Richard Wilson isn't afforded a single scene with Danny Huston. Plus, in his scenes, with Guy Pearce, he did little else but cry and whimper. That was it. We didn't get to see the two act like brothers.

Granted the Proposition had some gorgeous cinematography - it failed as a subversion of the Western genre with its cowboys and Indians being transplanted to Australia. It was mired by weird accents and poor pacing. 

The Count of Monte Christo review

 Number 572 on the top 1000 films of all time is the swash-bucking adventure 'The Count of Monte Christo.'

Based on Alexander Dumas' novel of the same name, 'The Count of Monte Christo' follows Edmond Dantes (Jim Caviezel,) a French sailor wrongly imprisoned due to a collusion between his so-called friend Fernand (Guy Pearce) and the corrupt magistrate Villefort (James Frain.) With the help of fellow prisoner Abbe Faria (Richard Harris,) Edmund swears revenge on all who wronged him.

I enjoyed this film a lot more than I thought I would. Before watching it, I had unfairly written it off as another tedious period drama, but I was pleasantly wrong.

This was an entertaining, fun-filled drama, albeit often straying into nonsense territory, but it was good fun nonetheless. Richard Harris only appeared in a supporting role, but he provided some much-needed light relief to what else could have been an overly-serious revenge story.

Guy Pearce was very good as the slimy Fernand. With friends like him, who needs enemies. And Jim Caviezel was likeable enough as our eponymous count. But can we just talk about his accent? I think it was supposed to be an English accent, but on many occasions it strayed back into his native American accent.

But both of them were far more convincing than Luis Guzman who played Dantes' loyal manservant Jacopo. He was completely out-of-place. He also stars in Narcos and Oz as gangsters and he was far more convincing there than here. Henry Cavill also plays Fernand's son Albert. And he was such a wet blanket, it's difficult to believe that Cavill is now one of the hottest men in Hollywood.

Nevertheless, the Count of Monte Christo was a fun, swashbuckling adventure albeit with awful accents and a miscast Luis Guzman.

The Hurt Locker review

 Number 667 on the top 1000 films of all time is Kathryn Bigelow's war drama 'the Hurt Locker.'

Sergeant First Class William James (Jeremy Renner) is the new team leader of a U.S Army Explosive Ordnance Disposal unit during the Iraq War. However, he is also a maverick and renegade, often playing by his own rules. This soon puts him into conflict with the rest of his team, most notably, his second-in-command Sgt. J.T Sanborn (Anthony Mackie.) Chris Carmago, Ralph Fiennes and Guy Pearce all co-star.

When Kathryn Bigelow won the 2008 Best Director Oscar, she made history by becoming the first woman to have done so. I would argue it was a worthy win. Within 'the Hurt Locker,' she portrayed a harrowing, nuanced and gritty portrayal of war. This wasn't an overly-simplistic "Americans are good and rest of the world is bad," it was far more complicated and realistic than that. Part of that realism comes from how 'the Hurt Locker' was shot in Jordan - close to the Iraqi border. Reportedly, she had wanted to film in Iraq, but it would have been too dangerous. Although, the cast and crew were shot at on multiple occasions, so ... but by filming on location, Bigelow brought a brilliant authenticity to the film. This wasn't just some Hollywood sound stage, but a reality for the many poor people who live and suffer here. 

As is inevitably the case in war films where all the characters are dressed alike and there are lots of explosions and gunfire, things do become chaotic and confusing. But, as such, is the nature of war. It's a frenetic and hectic environment where danger lies around every corner. This type of high-octane risk was enough to keep me glued to the screen.

Although, I would question the nature of James' character. Renegade, mavericks who don't play by the rules maybe great characters with lots of agency who push stories along, but I wonder how realistic they are in real life. Surely, in high-discipline environments like the military where obedience is key, a character who constantly breaks the rule would never be allowed to thrive like James does. Every decision you make not only impacts whether not only you, but also your teammate, come home alive or in a body bag. Okay, so James is good at his job and always gets results, but he is repeatedly putting his comrades in danger. James repeatedly clashes with Sanborn. And later, James' reckless actions lead to one of his men becoming badly hurt and having to be airlifted home. These rogueish actions might make great watching and great conflict, but I don't think it's realistic at all.

The film ends with the conclusion of James' rotation where he returns to the US and struggles to adapt to civillian life. There is a gulf between his wife and daughter, and he quickly decides to return to Iraq. This was such an important theme to explore, but I feel it was a little short-changed. So many veterans struggle to reassimilate to everyday life as they don't receive the support they need. It's horrible to see. However, I don't think this was explored in enough depth. We didn't see enough of James' family to feel any type of emotional connection. I cared about him as a soldier, but not as a family man. Bigelow didn't give me enough to care about. Perhaps if the film was book-ended with scenes of his wife and daughter, things might have been better.

Nevertheless, this was a taut and gripping war drama that earned Kathryn Bigelow a well-deserving Best Director Oscar. And congratulations for being the first woman to receive that illustrious prize.

Once review

 Number 349 on the top 1000 films of all time is the Irish musical romantic comedy Once.

A busker in Dublin only known as Guy (Glen Hansard) meets a Czech lady (Marketa Irglova) who is a musician as well. Through their shared love of music, they start a budding relationship.

I know that in my  'the Notebook' review that as a rule I don't like romance films. Once is the exception to that rule. The main reason is its simplicity. Cillian Murphy was originally set to play Guy, but after he pulled out, so did most of the film's investors. Director John Carney had little choice but to produce this film on a shoestring budget. He gave his salary to Hansard and Irglova, filmed at friends' houses, used natural lighting and filmed in Dublin's busy streets without a permit.

Seeing this simplicity was refreshing compared to the standard American high-budget production. And it gave the film a lovely sense of authenticity. These are struggling musicians and it makes perfect sense that they would do everything on a budget. Further, everything felt more natural. As Hansard was filming in Central Dublin without a permit, he had to use a long lens. This often led to Hansard and Irglova forgetting that they were being filmed, allowing them to adlib and feel more natural with each other.

A great example of ad-libbing comes when Guy and Girl are on a bus. Guy sings a joke song explaining why he and his ex girlfriend broke up. Hansard improvised the expletive-filled ditty and you can see the other passenger's genuinely amused reactions.

Hansard and Irglova were great as the two leads. They had great on-screen chemistry, probably due to how they dated while filming, and that made Guy and Girl's relationship all the more believable. They were adorable together especially when Girl tells Guy "Miluji Tebe," but coyly refuses to translate what she means. Although I think it's pretty obvious. This was another ad-lib, this time completed by Irglova.

Both Guy and Girl were estranged from their previous partners and it seemed like the two of them would end up as a couple. There were multiple moments where I thought a kiss was on the cards, but it wasn't to be. Once ends with Guy flying too London to win his girlfriend back and Girl reuniting with her husband. Both of them have happy endings, just not with each other. And I liked this. Having the two end up together would be too obvious and predictable and I'm glad they went their separate ways.

Having said that, the film was far from perfect. I know Once is about music with most of the storytelling done through singing, but the musical numbers dragged on for a bit. I would also argue that at times Hansard's singing bordered on screechy, but, then again, I'm tone deaf. It also made no sense that they were still using cassette tapes. This isn't the eighties, it's 2007 where CDs were in full swing with digital streaming and downloads not far behind. On a similar note, why were the characters using payphones and not mobiles? This was strange too.

But, ultimately, I did enjoy Once. The simplified, stripped-back story made for a refreshing and sweet watch.