Ne Le dis a personne (Tell no one) review

 Number 753 on the top 1000 films of all time is the 2006 French adaptation of Harlan Coben's thriller of the same name.

Dr Alexandre Beck (Francois Cluzet) is a paediatrician in Paris who is slowly recovering from the murder of his wife eight years prior. However, when he discovers that his wife might actually be alive, he is hurtled into a dangerous and mysterious world.

This is the second adaptation of Harlan Coben's work that I have seen after Netflix's Safe. The two both have a doctor protagonist investigating the disappearance of a loved on. Both adaptations are incredibly complicated I wonder if it's fair to describe Coben as one of those crime writers who's too clever for their own good.

Don't get me wrong - I did enjoy Ne le dis a personne, as much as I understood it. And I'm not just talking about the fast-spoken French, but the complicated plot line that often took precedence over the characters especially the female characters.

Beck has a number of different women in his life from his sister to his sister-in-law to his lawyer, but they all blended into one with no distinguishable features. I also found it unlikely that a middle-class doctor like Beck would have an unexpected friend/ally in the local gangster Bruno who feels indebted to Beck after he treated his haemophiliac son. Whenever Beck is in trouble Bruno is the deux ex machina come to save the day. Honour among thieves, I guess?

I think I just about understood everything by the end of this fast-paced crime thriller. Perhaps convoluted, overly-complicated plots is just the nature of the genre and I best get used to it.

The 400 Blows review

 Number 174 on the top 1000 films of all time is Francois Chauffert's 1959 coming of age drama 'The 400 Blows.'

Antoine Daniel (Jean-Pierre Lenard) is a school boy growing up in Paris. Plagued by behavioural problems, he acts up in schools and causes trouble at home.

The 400 Blows is considered to be one of the best French films of all time, but I am at a loss to why. Partly based on Chauffert's own troubled childhood, The 400 Blows did remind me of Ingrid Bergman's work. Granted it wasn't as nearly as abstract or surreal, but the same themes of introspection and a misunderstood character rebelling against a tyrannical system were present. 

Now I have no problem with character-driven films that study characters in depth. But for these to work, the characters in question have to be interesting and empathetic. Antoine Daniel was neither of these. He is barely even a rebel. Stealing type writers and writing on school walls hardly makes him a rebel without a cause. On that note Rebel Without a Cause explores similar themes and does it so much more effectively, mainly because of James Dean's brilliant performance. I really believed the alienation and isolation he was feeling.

Not so with Jean-Pierre Lenard. I just didn't care about him. Later on, upon trying to return the typewriter, he is arrested. His despairing parents send him to a psychiatric institution where it's revealed that he was an illegitimate child born to a mother that didn't want him. While this goes some way to explaining his behaviour, I think it came too late in the film. I had just stopped caring at this point. Plus Antoine reveals how his mother would shout at him, but I saw little evidence of this. Rather, his parents seemed to resort to bribes to control his behaviour as opposed to violence.

Honestly, I thought Antoine was just another poxy little kid causing trouble for the sake of it and the 400 Blows was a pale imitation of its far superior predecessors.