Boogie Nights review

 Number 431 on the top 1000 films of all time is Paul Thomas Anderson's 1997 period comedy-drama 'Boogie Nights'

Set in 1970's San Fransisco, Boogie Nights follows high-school dropout Eddie Adams (Mark Wahlberg) who is scouted by porn producer Jack Horner (Burt Reynolds.) Eddie Adams soon becomes the biggest pornstar in the business, before it all comes down crashing down. Julianne Moore, Don Cheadle, John C. Reilly and Heather Graham all co-star.

I really didn't care for this film at all. It was long, tedious and repetitive. I understand it was about the Golden Age of Porn, so it would make sense that it looked like a seventies' porno. Unfortunately, it also had the acting and writing of a porn as well.

Much of this criticism is levied at Mark Wahlberg who was less than convincing as the main character. Granted Eddie Adams was never the most likeable protagonist, being obnoxious and arrogant, even before his career crashes and he gets hooked on drugs. But Wahlberg was not believable in the role. Even in the more emotional scenes, he resembled a crying tree.

The film's first half is slow and meandering where nothing happens. We get little hints of the lives these people live: fellow performer (Julianne Moore) has an estranged relationship with her children, porn producer Little Bill (William H. Macy) is being publicly cuckholded by his wife, but these segments were never taken seriously enough for me to care that much about. Little Bill's constant cuckholdry is largely played for laughs.

It is only in the film's second half, which explores the decline of the Golden-Age of porn in the eighties do things actually become interesting. We see how the negative stigma behind porn is affecting character's lives. Now a faded has-been, Eddie has become a coke addict, Buck Swope (Don Cheadle) is denied a business loan, because of his connections to the industry, and in one of the film's most shocking scenes, tired of being a cuck, Little Bill kills his wife and then himself in a murder-suicide. This was far more interesting, but I had almost lost interest at this point.

One thing I certainly did like was the soundtrack. Set firmly in the disco era, it featured some absolute classics of the time. Overall, I didn't like Boogie Nights. It was slow and boring. And I did not like Mark Wahlberg. In fact, I have yet to see him in anything I've liked. Boogie Nights was not the exception to the rule.

The World's Fastest Indian review

 Number 326 on the top 1000 films of all time is the New Zealand biographical drama: 'The World's Fastest Indian.'

Burt Munro (Anthony Hopkins) is an ageing speed bike racer from New Zealand. He travels tot he US to fulfill a lifelong dream: to race his bike on the Bonneville salt flats in Utah.

By all accounts, this is a film that wouldn't interest me. I know that I should review these films with an open mind, but motor bike racing has never been something that interested me. I thought this would be a film that would only appeal to other bike racers, but I was wrong. It was an incredibly watchable film.

And a lot of that is down to Anthony Hopkins' portrayal as Burt Munro. Munro is such a likable character that it's difficult not to root for him. He is charming, jovial and personable. To gain passage to the US, he works as a chef on a small ship. Upon reaching the US, he encounters many obstacles with the local bureaucracy, but he always manages to talk his way out of trouble. He even convinces traffic cops to let him go without a ticket.

He also quickly befriends people who help him on his journey whether this is a transvestite motel clerk or a second-hand car salesman. This pays dividends when the jobsworth racing officials deny him the opportunity to race because he hasn't pre-registered. But the other racers rally around him and he is eventually allowed to race where he goes onto break the land speed record.

The only thing I found weird was how Hopkins didn't speak with a Kiwi accent. Considering this is a New Zeland production that's set in New Zealand and constantly has Munro referencing he is from New Zealand, it was a really bizarre choice. Surely this was some weird director decision as an actor of Hopkins' calibre must be capable of doing a convincing Kiwi accent.

This was an entertaining film. It could have been a tedious adventure that would only appeal to a small audience, but instead it was a heart-warming tale about an old man fulfilling his lifelong dream.