Number 310 on the top 1000 films of all time is Lars von Trier's musical psychological tragedy 'Dancer in the Dark.'
Selma Jezkova (Bjork) is a Czechian immigrant living in the US. Suffering from a degenerative eye condition, that she has passed onto her son, she ekes out a meagre living from her factory job. She is saving up all her money to pay for an operation that will save her son's eyesight. Catherine Deneuve co-stars as Selma's friend Kathy. Peter Stormare plays Selma's love interest Jeff. David Morse and Stellen Skarsgard also star.
*Spoilers to follow*
I have written a few listicles detailing the films too traumatic to watch again. Dancer in the Dark would be one such film. It is a soul-crushing, gut-wrenching thoroughly depressing film. Part of that was down to tis realism. Trier shot is like a documentary with low-quality cameras and plenty of close-up shots. Trier pioneered a cinematic style called Dogma 95, and even though Dancer in the dark isn't true Dogma 95, it still retains that some authenticity and intimacy.
The performances were also great. I've seen Bjork act before, and probably never will say again, due to the horrific time she had shooting Dancer in the Dark - to say the least, there was no love lost between her and Trier - but she was brilliant in the lead role.
Granted, she was also difficult to work with - often going AWOL, but she brought the tragic Selma to life - a character who despite the best of intentions is treated awfully in life. Like many of the best people in life, she is given an absolute rotten hand.
Nowhere is this more apparent than with David Morse who plays a policeman and Selma's landlord. Having his own money problems, he asks Selma for a loan. When she refuses, he steals the money she ahs been saving for her son's operation. After she finds out a struggle ensues where she accidentally shoots and kills him. Selma is tried and sentenced tod eath.
It is no surprise that she was given the death sentence, because she was given an awful lawyer who made no effort to defend her from a prosecutor played by Zeljko Ivanuk. As a quick sidenote, I have seen Ivanuk play a few roles as a slimy authority figure. He always plays the part well.
But I found it strange how Selma's lawyer never objected to the prosecutor's evisceration of her client. Especially when Kathy and Jeff get Selma's case reopened with an actual competent lawyer who tears apart his predecessor. It was like Trier was openly admitting and criticising his own mistake.
However, Kathy and Jeff's efforts go to waste as Selma refuses to take the lawyer's help when she realises that his fee will be paid out of the money that she was saving for her son's operation. It all seemed like a pointless, unnecessary way to inject conflict.
Speaking of her son, Gene, despite his importance to the plot, he was never anything more than just a plot device.
I also didn't like the musical numbers. Selma loves musicals and even acts in a Sound of Music production. Of course, you can't have Bjork starring in your film without having her sing, but these songs seemed rather strenuous to the plot. Jeff declares that he doesn't like musicals because he finds it strange when people spontaneously break into song and dance. That's what happened here and I agreed it was weird.
Nevertheless, this was still a powerful if heart-breaking film. It's definitely not one I will be watching again in a hurry. Too sad for that.
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