Number 234 on the top 1000 films of all time is the Hong Kong art house romantic-drama Chungking Express.
Chungking Express tells two separate love stories which only interconnect where one ends and the other begins. The first sees a Hong Kong police officer He Qiwu (Takeshi Kaneshiro) trying to come to terms with the ending of a relationship, while growing closer to a mysterious, unnamed woman in a blonde wig (Brigitte Lin) who is trying to survive in a dark, criminal underworld. The second story sees another policeman only known by his serial number 663 (Tony Leung) as he grows closer to the cafe waitress Faye (Faye Wong) after another failed relationship.
Of the two stories, I much preferred the second one. I found the first to be more of a loose sketch rather than an actual story. He Qiwu was such a wet blanket of a character. I get it. I've been him, moping around after a bad break-up. I'm sure I was an absolute misery to be around. What fun is somebody who is always feeling sorry for themselves? While it was realistic, it didn't make for a very compelling protagonist.
His female co-star had a more interesting story, but she wasn't afforded enough time to tell it. We see that she has been wronged in this criminal underworld and she is trying to take revenge on everybody who screwed her over. Yet her story was left incredibly vague and unexplained. Her actions certainly didn't have a lot of clarity. Although maybe this was because of the intentional motion blur that director Wong Kar-Wait used. And who knew there was such a big Indian minority in Hong Kong? Evidently not me who didn't realise the real Chungking estate does indeed host a whole bunch of Nepalese and South Asian immigrants.
Overall, the first story took itself too seriously. Not so for the second which was more light-hearted. It helped you had the comic relief character of the cafe manager played by Chan Kam-Cheun. He was constantly pushing 663 to move on. And it also helped that Tony Leung's character had more backbone than the other copper. Rather than moping around in self-despair, he's trying to get on with his life - if not actively moving on.
One way he's doing this is by frequenting a cafe where he starts getting friendly with the waitress Faye - who plays California Dreamin' by the Mamas and Papas on repeat. She is immediately smitten with him and her attempts to get closer to him - like cleaning and organising his flat when he isn't there - usually leading to some comic moments. It's quite a charming little story.
And Chungking Express is a charming enough film. It's actually two films in one with the second story being a lot better than the first.
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