Shadow of a Doubt review

 Number 323 on the top 1000 films of all time is Alfred Hitchcock's psychological thriller 'Shadow of a Doubt.'

Charlotte "Charlie" Newton (Teresa Wright) is a young woman who lives with her family in Santa Rosa, California. Bored with her life, she is overjoyed when her uncle Charles "Charlie" Oakley (Joseph Cotten) visits. Little does she realise is that Uncle Charlie is a serial killer on the run from the police. 

I've watched at least ten Hitchcock films in my time and I would count this as one of my least favourites. This is in stark contrast to Hitchcock who thought this was one of his best films. Sorry, Mr Hitchcock, but we shall have to agree to disagree.

I found Shadow of a Doubt to be overly-theatrical. It was stagey with an excess of dialogue. Some of this dialogue was attributed to side characters like a waitress in a diner. I was confused as to why she was speaking so much considering that she wasn't a major character.

Charlotte had two younger siblings, who were, quite possibly, two of the most annoying characters ever seen on screen. Christ, they were insufferable. They very much embodied the pompous, stuck-up little brats that you see too often on film.

And the sound-mixing was strange too. Maybe I was watching a bad bootleg, but I struggled in hearing some of the dialogue. It didn't help that the characters spoke over one another. At times, Charlotte's speech had a distinct echo.

Finally, the ending wasn't convincing at all. *Spoilers*

Upon hearing that Charlotte has discovered his secret, Uncle Charlie tries pushing her out of a moving train, only for her to get the upper hand and push him from the train instead. I just didn't find that believable at all.

Overall, this was not a film I cared for. 

The Adventures of Tintin review

 Number 925 on the top 1000 films of all time is Stephen Spielberg's 2011 computer-animated adventure film 'The Adventures of Tintin.'

Based on the Belgian comic of the same name, the Adventures of Tintin follows the titular detective as he solves crimes. Tintin (Jamie Bell) buys a model ship to later discover a clue hidden inside. An interpol agent comes to investigate and later ends up dead. This is when Tintin realises he has stumbled upon a bigger mystery. With the help of drunken ship Captain Haddock (Andy Serkis,) Tintin aims to solve the mystery before the villainous Sakharine (Daniel Craig.) 

I thoroughly enjoyed this film. It had all the adventure, whimsy and action that you would expect from a Stephen Spielberg film mixed in with some gorgeous animation. The animation was so life-like; it looked lovely. And the script had enough humour in it to stop things from becoming too serious. Although this was of no surprise, as Stephen Moffat, Joe Cornish and Edgar Wright penned the script. Edgar Wright also wrote the Cornetto trilogy which are very funny films.

Speaking of the Cornetto trilogy, Simon Pegg and Nick Frost offered some great comic relief in their roles as bumbling police officers Thompson and Thomson. Andy Serkis was enjoyable as well, but he is always good in animated or motion-capture roles.

I have to admit that I was a little disappointed with Daniel Craig. As James Bond, he has huge charisma, but this charisma didn't come through the medium of animation. Or maybe Sakharine wasn't a particularly memorable villain. Regardless of the reason, this wasn't one of Daniel Craig's most memorable performances.

Nonetheless, I thought this film was great fun. Although a sequel has been announced, it has been stuck in development hell for years. Hopefully, it will reach the big screen soon.

Source Code review

 Number 839 on the top 1000 films of all time is Duncan Jones' science-fiction thriller 'Source Code.'

Captain Colter Stevens (Jake Gyllenhaal) is a soldier who becomes an unwilling participant of a scientific programme called Source Code. He is repeatedly sent into an alternate reality where he has the chance to stop a domestic terrorist from blowing up a commuter train and killing everybody on board. Stevens assumes the identity of one of the other passengers and soon forms an attraction to a young woman called Christina Warren (Michelle Monaghan.) Vera Farmiga plays Captain Goodwin - the soldier guiding him through the reality and Jeffrey Wright plays Dr Rutledge - the scientist who created Source Code.

I find a lot of science-fiction very pretentious. It's overly-intellectualised made by people who are not only smarter than me but like to rub that in my face. Or maybe I'm just stupid to realise their big, philosophical points. However, Source Code was not like that at all. And that's what I enjoyed the most: its simplicity. The storyline is easy enough to follow: Captain Stevens must identify a domestic terrorist to stop him from not only blowing up the commuter train but the city of Chicago as well. He has only eight minutes to do this otherwise the programme resets and he must start all over again.

The film has real heart too. Although, I thought that at first, Gyllenhaal and Monaghan didn't have the best chemistry, by the end, I thoroughly warmed to their relationship. I was rooting for the two of them to live happily ever after. But there are moral quandaries abound in Source Code. It is revealed that Colter Stevens, for all intents and purposes, has died in battle and his body is being kept alive in a life-support chamber. His mind is being stimulated within the Source Code programme. And Captain Goodwin must decide whether it is morally ethical to keep him alive or to let him die.

Source Code comes in at just over an hour and a half. A lot of science-fiction goes on far longer than it should, but Duncan Jones picked the right length. It didn't need to be any longer. As the storyline revolves around a time loop, there was a real danger of Source Code becoming monotonous and repetitive, yet this was never the case. 

I might argue that if the film could have been expanded anywhere it would have been with the villain. Derek Frost is a domestic terrorist who thinks that society is sick and should be rebuilt from rubble. But there has to be rubble at first. Perhaps an extra ten minutes or so developing his motivations would have been nice, but then again, I don't think it was that necessary. You can argue that Dr Rutledge was a more obvious villain keeping Stevens in an eternal torment, because he has been the only subject compatible with the Source Code programme. Jeffrey Wright played the villain well with his velvety tones doing little to gloss over his odiousness. 

True, a timeloop story is hardly the most imaginative, I've seen it plenty of times in Star Trek, but the execution of Source Code is what made it such a thrilling and enjoyable watch.

The Princess Bride review

 Number 176 on the top 1000 films of all time is Rob Reiner's fantasy drama 'The Princess Bride. Although this film is on the aforementioned list, that's not why I'm reviewing it. It recently appeared on my top ten movie list so I will give my thoughts here.

A young boy (Fred Savage) is sick and tucked up in bed. To cheer him up, his grandfather (Peter Falk) reads him the book ' The Princess Bride.' The book tells the story of the true love between Westley (Cary Elwes) and Buttercup (Robin Wright) who have been separated by fate. When Westley seemingly dies, Buttercup becomes engaged to Prince Humperdink (Chris Sarandon) but she is then kidnapped before the wedding can take place. Mandy Patinkin, Andre the Giant, Wallace Shawn and Billy Crystal all co-star.

This film has always been one of my favourites so I wondered whether it was blind nostalgia that influenced me to add it to my top ten list. However, upon a recent rewatch, it most definitely holds up. Firstly, it is hilarious. I must have seen it a hundred times, but it still had me in fits of giggles. Sure at times it was cheesy and unbelievable but by the same admission it's supposed to be. It's a fantasy fairy-tale after all. Further, the meta-narrative helps to combat some of the cheesiness whenever things get too lovey-dovey between Westley and Buttercup, we always cut back tot he grandson pleading that he doesn't have to hear the kissing scene.

We see the metaness continue with the subversion of traditional fairy tale tropes. Our supposed Prince Charming seemingly dies soon into the film, the ginormous Fezzik turns out to be a gentle giant rather than a mindless killing machine and even the albino who tortures Westley just has a frog in his throat. We might also expect Westley and Prince Humperdink to fight to the death but instead Westley outbluffs the prince and spareshis life. In fact, the big climatic scene takes place between Inigo Matoya and Count Rugen which I'll come to in a moment. 

And these subversions is what made this film so fun to watch. Although Buttercup did fall a little too neatly inoto the damsel in distress trope. other than screaming and getting into trouble, she was pretty useless. She wasn't exactly and Ellen Ripley or sarah O'Connor.

But the Princess Bride also had real heart. And I don't mean the cheesy true love story between Westley and Buttercup. Rather I am speaking about the Inigo Montoya subplot where the Spaniard is on a quest to avenge his father's killer - the villainous Count Rugen who was played brilliant by Christopher Guest. Guest was just the perfect amount of stone-cold severity.

The film climaxes with Inigo duelling Rugen where the former finally gains his revenge. Reportedly Mandy Painkin's father died of cancer shortly before filming. Patinkin took the role of Inigo as he connected with the character. When he kills Rugen, he imagined, he was killing the cancer that killed his father. This led to one of the film's most badass lines: "I want my father back, you son of a bitch."

    The music was also great Every composition matched up perfectly with its corresponding scene. in Westley and Inigo's duel, the music punctuates fight choreography brilliantly. The same goes for Inigo and Rugen's duel.

   Finally I have to acknowledge the amazing supporting cast who stole every scene they were in. We've already talked about Andre the Giant who stopped Fezzik from being sheer comic relief. Wallace Shawn was also great as the villainous Vizzini. He was delightfully over the top without being pantomimy. And of course we have Billy Crystal and Carol Kane who provided some of the film's funniest scenes as Miracle Max and his wife Valerie. reportedly, director Rob Reiner had to leave the set when filming as his laughter kept ruining the takes.

This film is a timeless classic that has stood up for over three decades. It's hilarious with real heart and iconic dialogue. I shall end on one of the film's most recognisable lines: "hello. My name is Inigo Montoya.You killed my father. Prepare to die."