The Proposition review

 Number 824 on the top 1000 films of all time is the 2005 Australian Western 'The Proposition.'

Charlie Burns (Guy Pearce) is the leader of a group of outlaws in 1880's Australia. After a gunfight with the police leaves all but he and his younger brother Mike (Richard Wilson) dead, Captain Stanley (Ray Winston) makes Charlie a proposition. Bring his older brother Arthur (Danny Huston) to justice or watch his younger brother Mike be executed.

This is an Australian film, filmed in Queensland, directed by Brisbanian John Hillcoat, written by singer and fellow Aussie Nick Cave and starring Geelong actor Guy Pearce. Just so we're clear, this film was set in Australia, directed by an Australian, written by an Australian and starring an Australian, so why did none of the principle cast have Australian accents? Guy Pearce and Danny Huston are Irish, for some reason. Meanwhile, Ray Winston, Emily Watson and John Hurt all use their native English accents.

The Western is such an Australian genre that it was a brave stylistic choice to relocate it to Australia even though there is no reason why it shouldn't work. However, this was a countermanded by the lack of Australian accents. It was a weird choice that didn't make sense.

However, the film's true weakness was its pacing. Some scenes dragged while others were rushed. The Proposition had some serious sagging middle-part syndrome. Charlie agrees to Captain Stanley's proposition and he goes to search for Arthur. Arthur finds him first and any narrative momentum just stops. Instead, the two exchange barbs, as we are introduced to the interchangeable members of Arthur's gang. 

The two then break Mike out of prison which is where Hillcoat started overcompensating for the sluggish middle with a rushed prison-break. The slow parts were too slow and the fast parts were too fast.

It didn't help that the actors lacked chemistry with one another. I had a hard time believing that Ray Winston and Emily Watson were husband and wife. Richard Wilson isn't afforded a single scene with Danny Huston. Plus, in his scenes, with Guy Pearce, he did little else but cry and whimper. That was it. We didn't get to see the two act like brothers.

Granted the Proposition had some gorgeous cinematography - it failed as a subversion of the Western genre with its cowboys and Indians being transplanted to Australia. It was mired by weird accents and poor pacing. 

The Thin Red Line review

 Number 694 on the top 1000 films of all time is Terrence Malik's 1998 epic-war film 'The Thin Red Line.'

During the World War Two battle of Mount Austen, a group of US Army infantry soldiers are tasked with taking a key position of the Guadalcanal campaign which could be the turning point of the war in the Pacific.

I've watched a lot of war films and I don't think I've seen one as slow, badly-paced and boring as the Thin Red Line. It was a blocked, drawn-out affair with an overly-large cast.

I would say it takes a while to get going, but it never truly does. For the first ten minutes, we are introduced to Private Witt (Jim Cavizel) who is frolicking with the Melanesian locals, but we don't have any reason to care about them at this point. It is only after the ten minute mark do we see any whisper of conflict where Sergeant Welsh (Sean Penn) tells off Witt for going AWOL.

Thirty minutes later, the soldiers go to the war. Seriously. It's a war film and we don't see any war until well over the forty-minute mark. It's a far-cry from the storming of the beaches in Normandy depicted at the start of Saving Private Ryan.

The Thin Red Line also suffered from a severe lack of main characters or any characters to root for. Sean Penn received star-billing as Sergeant Welsh, so you would think he's the protagonist, but the he only appears in a handful of scenes. But Private Witt is the first character we're introduced to, so you might be forgiven for thinking he's the main character, but then he goes AWOL for much of the film.  

Private Fife (Adrian Brody) was originally scripted as a key-player, but much of his dialogue was edited out. He only had two or three lines. And while the cast was dominated by high-profile names like George Clooney, John C. Reilly, John Travolta and Woody Harrelson, their roles were little more than cameos. It was all very distracting and it certainly didn't make me care for their characters, which was problematic when they were in battle. I didn't care if they lived or died. If anything I cared more about the poor Japanese soldiers they were killing.

The two most memorable and best performances came from Nick Nolte as Lt. Colonel Gordon Tall and Elias Koteas as Captain James Staros. Having been passed over for promotion multiple times, Colonel Tall sees one last chance for glory by telling Staros to capture a bunker by full-front al assault. However Staros realises the position is heavily guarded and he refuses to send his men to die, leading to a huge confrontation between him and Tall. Although their conflict only lasts for a few scenes, it was one of the most interesting and dramatic.

Much of the rest was spent hearing random voiceovers of random characters all philosophising about the meaning of war. It all became very pretentious especially since there's no rhyme or reason as to why these characters are giving voiceovers at that particular time.

Terrence Malik was ruthless with his editing, not only vastly reducing Adrian Brody's role, but also cutting out other roles completely - Mickey Rourke was supposed to appear, but only does so in deleted scenes. I do think the film was overly-edited; it is an incohesive mess of random scenes and characters thrown together without any clear storyline.

Big surprise. I did not care for the Thin Red Line. Not only was it pretentious and bloated, but it was also something a film should never be and that's boring.

The Adventures of Tintin review

 Number 925 on the top 1000 films of all time is Stephen Spielberg's 2011 computer-animated adventure film 'The Adventures of Tintin.'

Based on the Belgian comic of the same name, the Adventures of Tintin follows the titular detective as he solves crimes. Tintin (Jamie Bell) buys a model ship to later discover a clue hidden inside. An interpol agent comes to investigate and later ends up dead. This is when Tintin realises he has stumbled upon a bigger mystery. With the help of drunken ship Captain Haddock (Andy Serkis,) Tintin aims to solve the mystery before the villainous Sakharine (Daniel Craig.) 

I thoroughly enjoyed this film. It had all the adventure, whimsy and action that you would expect from a Stephen Spielberg film mixed in with some gorgeous animation. The animation was so life-like; it looked lovely. And the script had enough humour in it to stop things from becoming too serious. Although this was of no surprise, as Stephen Moffat, Joe Cornish and Edgar Wright penned the script. Edgar Wright also wrote the Cornetto trilogy which are very funny films.

Speaking of the Cornetto trilogy, Simon Pegg and Nick Frost offered some great comic relief in their roles as bumbling police officers Thompson and Thomson. Andy Serkis was enjoyable as well, but he is always good in animated or motion-capture roles.

I have to admit that I was a little disappointed with Daniel Craig. As James Bond, he has huge charisma, but this charisma didn't come through the medium of animation. Or maybe Sakharine wasn't a particularly memorable villain. Regardless of the reason, this wasn't one of Daniel Craig's most memorable performances.

Nonetheless, I thought this film was great fun. Although a sequel has been announced, it has been stuck in development hell for years. Hopefully, it will reach the big screen soon.

Hotel Rwanda review

 Number 169 on the top 1000 films of all time is the 2004 drama Hotel Rwanda.

Hotel Rwanda tells the real-life story of Paul Rusesabagina (portrayed by Don Cheadle) and his wife Tatiana (Sophie Okonedo). Paul is the manager of the Hotel Des Milles Collines during the Rwandan genocide. He becomes a reluctant hero as he and his family begin sheltering Tutsi refugees against the Hutu militias who want to kill them all.

Claudia Puig of USA Today described this film as an African Schindler's List - a comparison that was running through my mind as well. Like Oskar Schindler, Paul Rusesabagina, despite being Hutu and in a position of respect and influence, does everything in his power to protect the oppressed Tutsis. However, unlike Schindler's List and The Pianist which detailed an unflinching portrayal of the Holocaust, Hotel Rwanda is far more understated. While sometimes it is better to depict a genocide in all its atrocious detail, at times it is also better to leave more to the imagination.

Throughout Hotel Rwanda, we hear a lot about the machetes that the Interahamwe militia use to kill the Tutsi, we don't witness any of these executions ourselves. Instead we hear the victim's screams or in a particular chilling scene, upon negotiating with Interahamwe leader Georges Rutaganda for supplies and refusing his offer to give up the Tutsi he is harbouring, on Paul's journey home, he finds that the road he and his traitorous receptionist (more on this later) Gregoire are driving on is uneven and bumpy. However, due to a fog, they are unable to see anything. Upon leaving the van, Paul is horrified to see that they have been driving on a road of bodies. I found this to be a far more subtle and sensitive way to depict the horrors of the genocide.

But, also importantly, the film focused on the plight of those left behind. While the UN is present with its peacekeeping force, their orders are to only evacuate foreign nationals i.e anybody who isn't Rwandan. The local church with its white missionaries arrive to be evacuated but their Rwandan congregation is refused entry. In a film, littered with heart-breaking scenes, this was the scene that told me that Hotel Rwanda is too upsetting for me to watch ever again.

Joaquin Phoenix and Nick Nolte also star in supporting roles, Joaquin Phoenix as photojournalist Jack Daglish and Nolte as UN Colonel Oliver respectively. And while both men were only in supporting roles, they were some of the best characterisations within the film. Daglish is disgusted by a massacre that he films and the fact that he cannot do anything to help these people. Paul reassures him that when Western audiences see his footage, they will be moved to take action. Daglish disagrees with him, proclaiming that "they'll say that's disgusting and carry on eating their dinners." 

Truer words have never been spoken. Speaking as one of these privileged Westerners in my proverbial , ivory tower, it's difficult for me to truly connect with the struggles of these people as I am so far removed from them. And I think the same goes for lots of Western audiences. How many times have you seen a charity advert for starving African children and gone "oh that's awful. I can't imagine what that's like" before continuing on with your day? My answer to that. More times than I can count.

Nolte also bought a great humanity to the character of Colonel Oliver. In what could have easily been a generic army grunt, I truly felt the inner conflict that Oliver was feeling. Having connected with Paul and seen the horrors first-hand, he desperately wants to help them but his hands are tied by bureaucracy. Overworked and understaffed, I truly felt his frustration at his superiors who could not care less about the plight of the Rwandans for the sole reason that they're black. And I don't mean to be provocative, but truthful. Although interestingly Senator Romeo Dallaire, whom Oliver was based on, has always been a vocal critic of the film's historical accuracy.

And of course we have to applaud Don Cheadle who received an Oscar nod for his portrayal of Paul Rusesabagina and deservingly so.  He was playing a man who had to survive in an impossible situation, and not just survive, but keep his Tutsi family alive, keep running his hotel, fend off the Interahamwe and look after the 1000 Tutsi refugees that he is harbouring. And that is exactly what he did. He managed to get every single one of those refugees to safety. I just wish that Sophie Okonedo had more to do. She is a great actress and I think she was short-changed in this film. Okonedo was great in the parts that she was in and was deserving of her Oscar nod, but her part could have been more interesting.

All in all though this was a brilliant film that broke my heart and made me cry many tears. Just don't ask me to watch it again. My heart couldn't take that.