Field of Dreams review

Number 715 on the top 1000 films of all time is the sports-fantasy drama film 'Field of Dreams.'

Ray Kinsella (Kevin Costner) is a corn farmer in Iowa. Haunted by his poor relationship with his late father, he fears growing old without achieving anything. And that's when a mysterious voice tells him to plough part of his corn farm and to build a giant baseball ring instead. Several months after building the field, ghosts of famous baseball players Shoeless Joe Jackson (Ray Liotta) start appearing.

"Build it and and they will come" is the famous line from this film. Let me tell you if somebody built this film in a middle corn field in Iowa, I would not come back as a ghost and see it. I am not a baseball fan, so I didn't think I would enjoy this at all. However, the real reason why I did not enjoy it was that it was cheesy, overly-sentimental and completely lacking in any type of dramatic tension.

To say it had a slow start would be an understatement. The beginning is so lacking in any conflict that it almost put me to sleep. There's a middle-aged man, whom I have no reason to sympathise with, is going through a mid-life crisis. He thinks the solution to this is to go build a baseball diamond because some random ghost told me to do so. His wife goes along with this and the diamond is built without any issue. Ghosts of baseball players start appearing and Kevin Costner starts pitching and batting with them. Everything's hunky-dory. Where's the tension? Where's the conflict? Where's any reason for me to be interested in this film?

And the lack of any central conflict was this film's biggest problem. Ray Kinsella's mid-life crisis had such little immediacy and urgency that it was not engaging at all. His wife Annie (Amy Madigan) was fully supportive of his dreams, which again removed another source of conflict. Any recognisable conflict came from Ray and Annie potentially losing their farm to the bank, but even this was mostly-glossed over. And this all eventually culminated when their daughter Karin falls or is knocked off (it isn't clear which) some beachers and tumbles down in the most unrealistic and silliest looking way possible. But then she's healed by one of the baseball - playing ghosts. Just what?

This film wasn't entirely bad - James Earl Jones was enjoyable in a supporting role. But Field of Dreams was so lacking in substance and conflict and tension that it failed to be anything other than boring.

Despicable Me review

 Number 609 on the top 1000 films of all time is the animated comedy film Despicable Me. 

Gru (Steve Carell) is a supervillain who has been usurped by his younger rival Vector (Jason Segel.) With the help of his elderly assistant Dr Nefario (Russell Brand) and his legion of yellow minions, he aims to regain his reputation in the supervillain world by stealing the moon. However, this plan is complicated by his begrudging adoption of three little girls whom he starts to deeply care for.

I didn't like this film at all. Granted, I'm not the target market; this film is meant for kids. With its eye-popping visuals and bright, vivid colours, it is sure to be appealing for younger audiences. Beyond the visual flair was juvenile, immature humour, a cheesy storyline and an over-the-top performance by Steve Carell. 

I can understand that as a child fart and poop jokes are the pinnacle of humour, but as an adult I would be expecting something a little more refined. I wouldn't have minded one or two of these kind of jokes, but not a constant, never-ending onslaught. The humour became rather tedious after a while.

As did the entire film. It was a predictable run-of-the-mill affair. We are introduced to a seemingly villainous character who we find out isn't as villainous as we first thought as they have a soft-spot for orphans. He misses an event that is very important to them and supposedly has ruined their relationship only to go through a redemption arc at the end. This kind of storyline would have made more sense if we were watching a dark or an anti-hero character, but not a self-confessed supervillain. Do we really want to see our villains be redeemed?

While I do think Steve Carell is a capable dramatic actor, he is woefully over-the-top when it comes to comedy. The silly voice and accent he did for Gru was completely unnecessary and it became very annoying after a while. He is a physically expressive actor and I could see him trying (and failing) to inject this same physical humour into this animated role.

Maybe if I was a kid I would have really liked this film, but I really did not care for it.

The Remains of the Day review

 Number 370 on the top 1000 films of all time is the 1993 drama 'The Remains of the Day.'

Based on Kazuo Ishiguro's book of the same name and set in 1930's Britain, the Remains of the Day follows the life of the buttoned-up butler Mr James Stevens (Anthony Hopkins.) He serves the wealthy Lord Darlington (James Fox) an aristocrat with Nazi sympathies. However, Mr Stevens is determined to stay professional in all aspects of his life. This professionalism is gravely challenged with the appointment of the new housekeeper Miss Sally Kenton (Emma Thompson.) She is strong-willed and more than willing to challenge Mr Stevens on all aspects of his work.

I've said it before and I'll say it again: I bloody hate period dramas. They're boring, tedious and focus on the problems of unrelatable characters. The Remains of the Day was no exception to this. And the unrelatability of the characters was its biggest weakness. Mr Stevens is a complete professional. He knows that his employer is a Nazi sympathiser, but he doesn't let that interfere with his work. He also develops feelings for Miss Kenton as does she for him. But again he refuses to let that interfere with his work. He is your archetypal British Keep Calm and Carry On character. And that's what made him very unrelatable and unlikeable.

By his very nature, he is a closed-off and unemotional character. Closed-off to his peers, his employer and to Miss Kenton, but also to the audience as well. How are we supposed to root for such an emotionally dead character? We were given so little to work with. Emma Thompson as Miss Kenton was far more engaging. Granted, she is supposed to be the polar opposite of Mr Stevens, but she was far more likeable. Mr Stevens was a cold fish and Miss Kenton was very warm.

Because I found it so difficult to sympathise with Mr Stevens, I found the main storyline very unengaging. I was far more interested in the film's setting: 1930's Britain in the run-up to World War Two. Lord Darlington is a diplomat with Nazi sympathies. He is hosting other German diplomats in the hopes of maintaining a peace at the chagrin of other guests such as the American Congressman Lewis (Christopher Reeve) who believes that Nazi Germany is a threat. This gave to a great dramatic tension that was far more interesting to watch.

Maybe if I didn't hate period dramas so much, I would have liked this film more, but I really did not enjoy it. 

Paprika review

Number 581 on the top 1000 films of all time is the Japanese animated sci-fi thriller Paprika.

Doctor Atsuko Chiba (Megumi Hayashibara) is a scientist working on the DC Mini - a device that allows her to view people's dreams. She uses this machine to help psychiatric patients by embracing her alter-ego of Paprika. One of these people is Detective Toshimi Konakawa (Akio Otsuka.) However, the DC Mini is then stolen by a dream terrorist.

This film was like if Christopher Nolan decided to make Inception as an anime. Surely, Paprika was as equally confusing and convoluted and complicated. I'm sure this was supposed to be the point, but I struggled in following the film. It jumped so often between dream and reality that I wasn't sure which was supposed to be which. And then when the dreams started bleeding through to the real world, all hope was lost for me. There's no denying it was a good concept though and the animation was great, but I really wasn't sure what I was supposed to be watching.

I think another problem was that Paprika felt very unfocussed. There weren't that many characters, but there also wasn't a clear protagonist. Paprika is supposed to be the main character - she is billed first in the credits, yet there was also considerable time spent on Detective Konakawa as well as other characters like Doctor Tokita who invented the DC Mini. It did give the film an uncertain tone. I also thought that the DC Mini was a strange name for a device like this. It kept make me thinking of a car that was made in the DC universe.

While slogging through this list, I have encountered many films that haven't personally been for me. I'm sure to anime-lovers this would be the 581st greatest film of all time. But I did not care for it at all.

Ray review

 Number 522 on the top 1000 films of all time is the biographical musical drama 'Ray.'

Telling the real-life story of the blind R&B musician Ray Charles, Ray stars Jamie Foxx as the titular singer from his humble beginnings in rural Georgia to his touring on the Chitlin Circuit to his blending of Gospel and R&B and eventual rise to absolute superstar.

To echo Roger Ebert, it would be worth watching this just for the music alone. Ray Charles has done so many iconic songs from Hit the Road Jack to the gorgeous Georgia on My Mind. And it is the legendary Brother Ray who does all the singing in the film. Jamie Foxx didn't think he could ever do the Genius justice so elected to have all his singing dubbed. Although Jamie Foxx does play the piano, as well as the Ray Charles songs that he covered later in his career notably I got a Woman. 

But otherwise I thought Jamie Foxx was excellent as Ray Charles. He thoroughly deserved the Best Actor Oscar win for the part. He brought the legendary musician to life. At times I forgot I was watching an actor, Jamie Foxx was that convincing. The voice, the mannerisms were all completely on-point. 

Beyond that, Ray was a thoroughly interesting film. It helped to peel back the layers of such a legendary superstar. I don't know much about the singer, so it was fascinating learning about his heroin addiction that so plagued much of his life. No doubt this would have been a deeply sensitive topic, but it was treated with great sensitivity. Ray Charles was sent a braille version of the screenplay and he loved it, but sadly he died before he had a chance to attend a cinema screening. 

I've spoken about Jamie Foxx, but the rest of the cast were also very engrossing. I very much enjoyed Kerry Washington as Ray's wife Della Bea - she captured the morally conflicted wife wanting to support her tortured husband, but struggles in looking past his heroin habits.

I could have done without the expository transition slides and there could have been more distinction between Ray's various mistresses - I did get a bit mixed up at times, but overall I thoroughly enjoyed Ray. Ray Charles was a hell of a singer. 

Lost in Translation review

 Number 485 on the top 1000 films of all time is Sofia Coppola's romantic comedy-drama 'Lost in Translation.'

Bob Harris (Bill Murray) is a fading movie-star shooting Suntory whisky commercials in Tokyo, Japan. While there he starts to question his own direction in life. Charlotte (Scarlett Johansson) is also in Tokyo for her husband's photography work. Feeling neglected, she starts looking for something more and finds Bob. The two characters form an unlikely relationship.

Sofia Coppola is a much better director than she ever was an actress. If you've read my Godfather Part III review, you would know that I despised Sofia Coppola in that. However, with Lost in Translation, she crafted a touching, moving and wonderfully understated film. It had moments of levity, but it also left us with plenty to think about. Engaging with themes like isolation and alienation, she creates a subtle, but powerful narrative. There was also some gorgeous cinematography. I particularly loved the shot which shows Bob and Charlotte reflected in a window while Tokyo's nightline is in a bokeh. 

In many ways, Lost in Translation  reminded me of Spike Jonze's film Her. This was an excellent film that engages with similar themes, albeit with more of a science-fiction twist. It also had a similar cinematography that made it so pretty to watch. And, of course, both films star Scarlett Johansson. Considering Coppola was married to Jonze at the time she filmed Lost in Translation, it shouldn't be any surprise that the films were so similar.

I have to admit I don't much care for Bill Murray as an actor. I find that he generally always takes the same role - a cynical, miserly, grumpy old man. In many ways that's what Bob Harris is, but this character did have much more depth than many of other Murray's roles. And I think he did a good job in making Bob Harris quite sympathetic. More impressive though was Scarlett Johansson. At only seventeen, she was incredibly charming. Granted, she was still quite rough around the edges, but she showed her raw potential.

Overall, I did enjoy Lost in Translation. It had some great direction from Sofia Coppola, as well as some gorgeous cinematography. But it was just a moving and understated experience.

Brokeback Mountain review

 Number 585 on the top 1000 films of all time is Ang Lee's neo-western romantic drama 'Brokeback Mountain.' 

Jack Twist (Jake Gyllenhaal) and Ennis La Mer (Heath Ledger) are two cowboys working up a mountain. After spending one fateful night together, the two fall madly in love. They spend the next twenty years seeing each other in secret, while trying to live 'normal' lives with their families and jobs. Michelle Williams and Anne Hathaway co-star as Ennis' and Jack's wives respectively.

At the 78th Academy Awards, Brokeback Mountain controversially lost Best Picture Oscar to Crash. Many thought Brokeback Mountain was a highly superior film. Having seen bother, I absolutely agree with this sentiment. Whereas Crash was contrived and half-arsed, Brokeback Mountain was wonderfully understated, but also very moving.

Great romance stories always hinge on the two leads. If they didn't have chemistry, the film would have fallen flat. But I thought both Ledger and Gyllenhaal were great together. They were very believable in the roles of the emotionally conflicted cowboys. Both of them are living double lives; trying to maintain their stoic cowboy image, while seeing each other in secret.

Heath Ledger was hesitant about taking the role, as he didn't think he would be able to do it justice. These fears were unfounded, as he was brilliant. Granted, he sometimes spoke with a gruff, mumbling diction that made him difficult to understand, but he was still superb. He gave a compassionate and layered performance. Gyllenhaal was equally good. Both actors played off of each other well.

The cinematography was also spectacular. Wide panning and master shots emphasised the sheer vastness and splendour of the landscape. It was reminiscence of the old spaghetti Westerns. 

I've spoken a lot about the male actors, but the female leads were just as good. Granted Anne Hathaway was under-utilised, both she and Michelle Williams were very good, as Alma and Lureen - two wives trying and failing to understand their husbands.

I thoroughly enjoyed Brokeback Mountain. It was subtle, nuanced and powerful with some great performances. And it certainly deserved to win Best Film Oscar.

Seven Pounds review

 Number 658 on the top 1000 films of all time is the drama film 'Seven Pounds.'

Ben Thomas (Will Smith) is a man seeking penitence. He is a man looking for redemption who seeks to change the lives of seven people. Two of these include the blind, vegan, meat salesman Ezra (Woody Harrelson) and Emily Posa (Rosario Dawson) a printing business owner with a weak heart.

Will Smith is a hell of an actor. He first came to fame in the Fresh Prince of Bel-Air. Although he is goofy in that he also shows his raw potential as a dramatic actor. And that potential came to the fore within Seven Pounds - one of his most mature roles to date.

*Spoiler alert* Ben Thomas causes a car crash that killed seven people including his fiance. To make up for this, he donates his organs to people he thinks really deserve them. he uses his brother's IRS agent's credentials to help track down these people. Sure you could argue that story itself was all very unlikely Ben Thomas proves himself to be a jack of all trades, including repairing a broken printing press, but I was willing to suspend my disbelief.

I do enjoy a good redemption arc. They start with an already likeable character knowing that he's messed up. And now he is hoping to make up for his mistakes. And when you have Will Smith playing that character things are even better. Will The supporting cast were also good.

Both Woody Harrelson and Rosario Dawson were very likeable as the unwitting recipients of Ben Thomas' good deeds. neither of them are in desirable situation, but they always remain positive. Rather than pitying themselves, they still do the best they can.

The same can be said for Ben Thomas. In many ways, he is an inspirational character. And this inspiration lends the film a lot of emotional weight. it becomes the driving force that propels Seven Pounds along.

The true film's structure can be confusing. You have to wait the entire film to discover Ben's true motivations, but I still very much enjoyed Seven Pounds. It showcased Will Smith at his best.

Crazy, Stupid Love review

 Number 852 on the top 1000 films of all time is the romantic-comedy 'Crazy, Stupid Love.'

Calvin Weaver's (Steve Carell) wife Emily (Julianne Moore) wants to divorce him after having an affair with colleague David Lindhagen (Kevin Bacon.) Pick-up artist Jacob (Ryan Gosling) sees Calvin at a bar and starts teaching him how to have success with women. meanwhile, Calvin's babysitter Jessica (Lio Tipton) is secretly in love with him, and Calvin's son Robbie is in love with her. Finally, Jacob starts a romance with aspiring lawyer Hannah (Emma Stone,) and starts to reconsider his womanising ways.

It's a shame this film rushed the beginning so much because it was otherwise a humorous and heart-warming watch. it opens with Emily asking Cal for a divorce. before we even know Cal as a character we are expected to feel sorry for him. And because of this rushed pacing, a lot of the emotional beats fell flat. From here, the film had to catch up with itself.

But when it it did, the film was great. much of that was down to the talented cast. I find Steve Carell very over-the-the-top especially with comedy, but he was wonderfully understated here. He also did well in the more dramatic elements.

I also very much enjoyed Ryan Gosling. He is a good actor, but hitherto I haven't liked any of his films. This changed here. Again, this was due to the film's understated nature.

One of my favourite scene was where we see Jacob and Hannah about to hook up. Or, at least, that was the idea, because of instead of hooking up, they talk the night away. And they found that more enjoyable than if they had slept together. it was a wonderfully subtle note to begin a relationship on. To have the two sleeping together would be too easy and predictable.

Crazy, Stupid Love should have spent more time setting up its plot, but, despite its slow beginning, it is well worth a watch. It is understated, subtle, yet very funny and poignant.

Hero review

 Number 367 on the top 1000 films of all time is the 2002 wuxia film 'Hero.'

Jet Li stars as the Nameless warrior who is summoned before the king of Qin - one of the seven kingdoms of Ancient China. Nameless foiled three assassination attempts on the king. And the king wants to hear how he did it.

Stylistically, there is no faulting Hero. It was visually gorgeous; a real treat for the eyes. Different sections of the film are broken into different colour schemes - white, blue and the gorgeous red that is considered so lucky in China. The martial art sequences while far from being the most realistic were still spectacularly choregraphed. The use of slow-motion and occasional monochrome added to the striking visuals.

However beautiful Hero looked it wasn't very interesting to watch. I found it very boring. Part of that was down to how it was structured. Much of the film is told in flashback and we're led to believe these flashbacks are not to be trusted. The prime timeline sees Nameless and the king simply talking to each other. There is no forward momentum and very little else going on. And I did struggle in paying attention.

Perhaps I don't have a very long attention span or I'm impatient, as I'm sure there were plenty of deep-rooted metaphors and symbolism which I missed out on.

Although I didn't find Hero particularly interesting, there ids no denying that it is a visually stunning film.

Groundhog Day review

 Number 266 on the top 1000 films of all time is Harold Ramis' 1993 fantasy comedy 'Groundhog Day.'

Phil Connors (Bill Murray) is a journalist reporting the famous Groundhog Day festivities in Punxsutawney, Pennsylvannia when he finds himself trapped in a time loop. Forced to relive the same day over and over, the cynical and irascible Phil has to rethink how he wants to live his life. Andi Macdowell co-stars as Phil's producer and love interest Rita Hanson.

Since its release, Groundhog Day has become a cultural phenomenon with its fans celebrating it every year. It's certainly a satisfying watch as we see Phil complete a nice character arc. We see him start a miserable, grumpy reporter who hates how he has to report nonsense stories like the Groundhog Day into a man who starts to appreciate life more.

Much of this was down to Bill Murray. Harold Ramis was determined to use Murray, as all the other choices seemed too nice. But Murray turned what could have been an unlikeable Phil Connors into a likeable character. Granted he's still a hit of a jerk, but he is a likeable one. Although he is in a very undesirable situation.

Ramis' direction was very good as well. Time-loop films by their very nature can have a tendency to be repetitive, but Ground Hog never felt particularly monotonous. not for me anyway, as for Phil, it was a very different story.

I was a little confused about Andie Macdowell's accent. at times, it was standard American and at others, it reverted to her native Georgian accent. Andie Macdowell specifically asked to do this, but I don't understand why. it was very jarring.

Nevertheless, Groundhog Day was a very enjoyable and creative film with lots of humour and lots of heart.

Elite Squad review

 Number 256 on the top 1000 films of all time is Jose Padilha's Brazillian crime drama 'Elite Squad.'

Captain Nascimento (Wagner Moura) is a police officer in BOPE - an elite squad of police who patrol Rio De Janerio's drug-fuelled favelas. Burned out and with a baby on the way, he is searching for a replacement. And his two best choices are the impulsive Neto (Caio Junqueira) or the more measured and restrained Matias (Andre Ramio.)

Elite Squad reminded me of the fantastic City of God. Both stylistically and content-wise, the two films were very similar. Whereas City of God focussed on the drug dealers that ruled the ghetto, Elite Squad focused on the police who have to catch them. It presented a raw, gritty and unflinching look at a brutal reality. The camera work was intimate with plenty of close-ups that make you feel you're right alongside the characters. No punches are pulled. Nothing is romanticised. We see the ruthlessness of the drug gangs as well as the police who catch them. it is an intense non-stop rollercoaster.

However, I would criticise Elite Squad for its portrayal of Captain Nascimento. Despite being the main character, he felt like a secondary character. Although he narrates, he has very little on-screen presence in the film's first half. This was because he was always intended to be a secondary character with Neto and Matias acting as the protagonists. During post-production, Jose Padilha's realised Wagner Moura's on-screen charisma and edited the film to make him the main character.

This was a major oversight and it showed. His retrospective editing did nothing to help things. Wagner Moura's considerable acting ability largely went to waste. Don't forget this is the man who went onto star as Pablo Escobar in Netflix's series Narcos.

Despite Wagner Moura being completely squandered, Elite Squad was still a great film if a tough watch at times.

The Blind Side review

 Number 587 on the top 1000 films of all time is the 2009 sports drama 'The Blind Side.'

Based on a true story, the Blind Side follows Michael Oher (Quinton Aaron) - a quiet, timid African-American from a dysfunctional background. With next to no prospects or family, he is taken in by the Tuohy family led by matriarch Leigh-Anne (Sandra Bullock) who nurtures him into becoming a star quarterback in American football.

The Blind Side has received its fair share of backlash. Least of all from the real-life Michael Oher. He recently claimed that rather than being adopted by the Tuohys as the film claims, they actually tricked him into signing a conservatorship meaning that the Tuohys rather than him received the residuals from this film.

This is irrelevant to the Blind Side as a film. What is relevant is Michael Oher's further criticism. In his 2012 autobiography, he criticises how the film portrays him as a simpleton. I don't know the true story, but I would agree with this characterisation. It did seem overly-simplistic. Michael Oher is from the ghetto. It seems unlikely that such a quiet, docile man could come from such a tough environment, although not impossible.

It seemed like a borderline caricature. I'm surprised that the film-makers didn't go so far as to give him a hick, country accent. And I think it would have been more interesting to see some hardcase ghetto kid soften up as he realises the opportunities that are available to him.

This was a shame, because otherwise I did enjoy the Blind Side. Jae Head was a highlight as SJ - the youngest child of the Tuohy's family. And despite being in a supporting role, Kathy Bates shone as always. Although the film centred on American Football, it was still accessible to a Brit like me. Sandra Bullock won the Best Actress Oscar. She did well and I certainly don't think she should have to return it like some say. She's an actress playing a part. She didn't know about any of this controversy when she took on the role.

It was just disappointing that the Blind Sale could falter so much in its portrayal of its central character.