Before Sunset (2004) review

 Number 272 on the top 1000 films of all time is Richard Lintlaker's romantic-drama 'Before Sunset' - sequel to the 1995 Before Sunrise.

Jesse Wallace (Ethan Hawke) is an American writer on the last stage of his European book tour in Paris. he is promoting the book that he wrote about a fleeting romance he had with French lady Celine (Julie Delphy,) whom he met in Vienna nine years prior. The events of which constitute the plot of Before Sunrise. Little does he know that we will soon re-unite with her in Paris.

I absolutely loved Before Sunrise. It is low in spectacle, action and budget, but high in authenticity and romantic chemistry between its two leads. I loved the original so much that I couldn't wait to watch the sequel. It was reminiscence of the beginnings of relationships where everything is exciting, new and fresh. Did Before Sunset live up to the hype? Not quite.

It was still a highly entertaining film, but it lacked the spark that the first one had. In many ways, it was a rehash of the first one. Only this time, Jesse and Celine are in Paris, instead of Vienna, and instead of an entire night together, they only have an hour before Jesse has to return to America at sunset.

Considering it's been nine years since their last encounter, Jesse and Celine have as much chemistry, as they did before. The same can be said for Ethan Hawke and Julie Delphy who co-wrote the film along with Richard Lintlaker. If you told me that the pair were dating in real life I wouldn't have been shocked as they were brilliant together. Obviously they weren't, as they weren't Ethan Hawke was finalising his divorce with wife Uma Thurman. Anyway, Jesse and Celine's dialogue sparkled. And the film had a fantastic air of authenticity. It didn't just feel real. It was real.

Yet the film still lacked something. It is only a paltry eighty minutes long, but it still felt longer than it should have been. On the surface, it seems that Jesse and Celine are picking up where they left off - even though they're both in new relationships - Jesse is married with a son, but we soon learn that they never truly recovered from their fateful encounter. Jesse is trapped in a loveless marriage while Celine never sees her photojournalist boyfriend. They're still both deeply in love with each other. While Before Sunrise showed the excitement of the beginning of the relationship, Before Sunset, seemed to focus more on the relationship after the honeymoon period has worn off.

This all culminates in a tearful confrontation at the film's climax. But this should have come sooner. I couldn't see what this film was building to - I wonder if it would have been similar to how Before Sunrise ended. But *spoilers*

it ended on a less ambiguous, but equally hopeful note. 

Richard Lintlaker captured lightning in the bottle with Before Sunrise. He couldn't quite do the same with Before Sunset, but it was still a great film nonetheless.

Arsenic and Old lace review

 Number 242 on the top 1000 films of all time is Frank Capra's 1944 black, screwball comedy 'Arsenic and Old Lace.'

Mortimer Brewster (Cary Grant) is a theatre critic and author who's just married minister's daughter Elaine (Priscilla Lane.) Before they go on their honeymoon, he goes to see his aunts Abby (Josephine Hull) and Martha (Jean Adair) who are living with his mentally deranged brother who believes that he is Teddy Roosevelt. There he is horrified to learn that his aunts have been poisoning lonely, old men and burying them in the cellar. To make things worse, Mortimer's other brother Jonathan (Raymond Massey) arrives - also a murderer and fugitive of justice.

You get screwball comedies and then you get this completely off-the-wall farce. It gives the genre of "screwball comedy" a whole new meaning. It was so kooky that I'm not even sure where to begin.

Actually let's start with Cary Grant who once again put his vaudeville background to good use. He was a delight as the straight-edged Mortimer Brewster who is trying not to lost his mind at his aunt's gleeful admissions that they are serial murderers. He was so funny both in his mannerisms and dialogue.

We also need to credit Josephine Hull and Jean Adair who brought a lovely whimsy to their roles as the killer aunts. Despite being murderers, they made the aunts so endearing. They were just as funny as Cary Grant especially in their physical comedy. One particular scene sees them trying to poison a potential lodger by lacing his wine with arsenic, yet every time he goes to take a sip, he gets distracted Their constant excitement and disappointment was a joy to watch.

As the film progresses, things do become increasingly ridiculous - particularly when the murderous Jonathan enters the scene along with the hack German Doctor Herman Einstein (Peter Lorre) and a whole cohort of police officers. Chaos ensues as the film descends into a complete meaningless force.

Despite the strange ending, Arsenic and Old Lace was a charming, funny and often ridiculous screwball comedy. 

Sleuth (1972) review

 Number 238 on the top 1000 films of all time is Joseph L. Mankiewicz' mystery thriller 'Sleuth.'

Andrew Wyke (Laurence Olivier) is an eccentric crime writer with a love for puzzles, games and his mistress. He wants nothing more than to run off with her. The problem? He is still married. Enter his wife's lover, salon-owner and second-generation Italian immigrant Milo Tindle (Michael Caine.) Together the two hatch a plot for them to end up with their desired women.

You have to give Mankiewicz some credit. This is film with a minimal cast and sets, yet it is a true head-scratcher. It was a complicated affair. I'm not sure I understood everything even now. Despite that it is an interesting film that demands every ounce of your attention.

It was originally adapted from a play by Anthony Schaffer and I wonder if it would have been more effective on stage and screen. The two-man cast and two or three sets would have lent itself well to Broadway. Considering it won a Tony, it obviously did.

Plus this film adaptation included a giant of the English theatrical world: Laurene Olivier. He was enjoyable as the eccentric Andrew Wyke, often giving the role an electrifying energy. This coupled with his larger-than-life performance certainly wouldn't have been out of place in the theatre. He was incredibly physical and incredibly theatrical. Andrew Wyke is an odd fellow who fancies himself the next Agatha Christie. His house is full of strange costumes and other peculiarities. Olivier played the role to a tee. He was rightly nominated for an Oscar.

Michael Caine - also Oscar-nominated - was every part his equal. He plays Tindal well and he soon enters a battle of wits with Andrew Wyke. Although the two start as uneasy allies, then enter a cat-and-mouse game, as they desperately keep trying to outwit one another.

Although Sleuth was good on screen, I do think it was better suited to the stage. The intellectual plot, heavy dialogue, minimal sets and characters would have been perfect for any theatre hall.

The Last Picture Show review

 Number 236 on the top 1000 films of all time is Peter Bogdanvoich's 1971 coming-of-age drama: 'The Last Picture Show.'

Sonny Crawford (Timothy Bottoms) and Duane Jackson (Jeff Bridges) are two high-school seniors in the sleepy Texan oil-town of Anarene where nothing ever happens. They try to find some meaning in this meaningless place. The film is set in the 50's and co-stars Ellen Burstyn and Ben Johnson.

Christ, it was boring writing that summary. But it's difficult to make such a boring film sound interesting. The Last Picture Show takes place in a stagnant town that is slowly dying both culturally and financially. I would argue the film itself was dying a slow death, if it was even alive in the first place. And that's debatable.

When I think of Coming-of-Age dramas, I think of the adventure you find in Mud or the sheer loss of innocence of Stand By Me. Hell, I hated the Goonies, but at least that tried, and failed, to be fun. Yet there was nothing fun, memorable or adventurous in this dull film.

It reminded me of La Dolce Vita or even George Lucas' American Graffiti where a group of bored kids are running around getting into trouble, as they have little else to do. Duane, Sonny and the rest of their friends take their mentally slow friend to lose his virginity with a sex worker. Duane's girlfriend Jacy attends a skinny-dipping party where she strips naked and has to be reassured by the host that his little brother isn't a sex pest. it was all just weird. And it wasn't enjoyable either.

There is some considerable acting talent in this film. It starred future Oscar winner Jeff Bridges and future Triple Crown of Acting winner Ellen Burstyn, yet there isn't a memorable performance to speak of. All the characters, both male and female, blended into one.

Perhaps the only good thing I can say is about the film's black and white colour processing. Monochrome in film can look aesthetically pleasing even if it fails to add much.

This was such a boring film that I would we start getting tumbleweed rolling past at one point. I'm surprised I didn't fall asleep writing this review.

Ten films that should have been included on the top 1000 films of all time

 IMDB's top 1000 films of all time covers ninety-four years of film from Charlie Chaplin's 1925 The Kid to Jonathan Goldstein and John Francis Daley's 2015 Vacation. Of course, it cannot include every film ever made, but I do think there are some egregious omissions. Considering there are at least thirty films that do not deserve to be on this list, I'm going to propose ten films that could take their place. This list is in no order, but chronology.

Bugsy Malone (1976)

If there's something that IMDB loves, it's both gangster films and musicals. The Godfather, Sweeney Todd and Les Miserables  all feature on the famous list. Bugsy Malone combines these two genres in a heart-warming pastiche of the mob films of old.

It tells the story of Bugsy Malone (Scott Baio) who is caught in a war between two rival gangsters. The film is notable for how it cast teenage actors in adult roles - like Jodie Foster in one of her earliest roles. Sure it gets a bit cheesy at the end, but so does Argo and that won the Best Film Oscar, despite lacking so many of the brilliant musical numbers Bugsy Malone has.

1984 (1984)

This is a film that needs no introduction. Considering how IMDB seems to love dystopia films, with Twelve Monkeys, Dark City and V for Vendetta all placing on the list, I don't understand why 1984 wasn't even mentioned.

1984 and its associated ideas of double speak and Big Brother have long entered the cultural lexicon. The film stars John Hurt as Winston Smith and Richard Burton, but I still don't understand why it wasn't included. It can substitute Brazil. At least 1984 actually has a point.

It (1990)

This adaptation of Stephen King's horror epic was actually a two-part TV film, so I guess that's why it didn't appear on IMDB's list. Yet I still think it deserves a place.

You could certainly argue that it might seem dated by today's standards, but Tim Curry's villainous performance as Pennywise the Clown was a lot scarier than the excessive gore, CGI and jump-cuts that dominate horror today. Best of all, it isn't nearly as long as Stephen King's 1000 page source material.

Natural Born Killers (1994)

NBK was highly controversial on its release. Some were critical of its extreme depictions of violence, while its distinctive visual style probably did nothing to help naysayers. Even writer Quentin Tarantino has since disowned this film.

But I think those who hated this film have missed its key idea. Director Oliver Stone was criticising the true-crime phenomenon that fascinated society even in the 90's. He was making the point of how the media irresponsibly glorifies criminals, which is as true back then as it is now.

Some love NBK. Some hate it. I loved it and I think it deserved a place on this list. it could easily replace Field of Dreams. At least NBK has something to say.

Star Wars: Attack of the Clones (2002)

Relax, fan boys. The prequels aren't as bad as you say. As long as you don't take them too seriously, they're good fun to watch. And Attack of the Clones has plenty of fun, action sequences to carry it through.

Yes the dialogue is pretty bad with the characterisations being very thin, but how does this make it any different from any of the other Star Wars films?

The other films (sans Phantom Menace, obviously) appear on this list, so why not Attack of the Clones too? At least there isn't a Death Star where the villains were so stupid the designed it with a giant hole - a plot chasm so great, they had to make a whole film to fix it. May the force be with you.

Three and Out (2008)

I must be the only person who would put this on a top 1000 film list. This British black tragicomedy was panned by audiences and critics alike.

But I loved it. It was equal parts hilarious and heart-breaking with great performances from Mackenzie Crook, Colm Meaney, Gemma Arteton and Imelda Staunton. It was a film severely hurt by a disastrous marketing campaign.

Some might say this is a terrible film, but so is Running Scared and the Boondock Saints and they still featured on the list.

The Road (2009)

The Road is a bloody depressing film. Perhaps that's why it didn't feature. But Blue Valentine is equally depressing and that still featured. The Road is another adaptation of a Cormac McCarthy book featuring a father and son traversing an apocalyptic wasteland. Yes, it is downbeat and frustratingly vague, but it is still a powerful tale of hope and redemption.

No Country for Old Men - another Cormac McCarthy adaptation - placed at number 204th. Why wasn't the Road included too?

Carrie (2013)

Remakes are rarely a welcome sight among audiences. Most see them as shameless cash grabs, as was the case with the 2013 remake of Carrie.

But I'm going to be controversial and say that Carrie deserved its place on this list alongside the 1976 original. For one, it has a more faithful representation of Carrie, and two it has the excellent Chloe Grace-Moretz taking over from Sissy Spacek.

Despite what some critics have said, there are also some genuine scares too.

Whiplash (October 2014)

Whiplash received critical acclaim. It was won a whole host of awards including multiple Oscars. JK Simmons won the Best Supporting Actor Oscar for his role as a tyrannical music teacher. it was directed by Damian Chazelle who two years later won a Best Director Oscar.

So why wasn't this film included on IMDB's list? I am absolutely baffled. It is a brilliant film - yes the ending doesn't make sense, but neither does The Hunger Games and that was still selected over Whiplash. Why?

Big Hero 6 (November 2014)

Frozen was a Disney film included on the IMDB list. Big Hero 6 was not. Frozen was picked over Big Hero 6. FROZEN!!! Big Hero Six was a fantastic film that had one of the cutest Disney protagonists since Wall-E. It had gorgeous animation and perfectly balanced humour and heartbreak. I can't think of many other films that make me cry from both laughter and sadness.

Have I missed out of any films? Let me know your thoughts below.

Big Hero 6 review

 I don't understand why this Disney animated film didn't chart on the top 1000 films of all time. It is an excellent adaptation of a Marvel comic.

Hiro Hamada (Ryan Potter) is a fourteen-year-old robotics genius. His older brother Tadasho (Daniel Henney) is his hero who has built the inflatable robot Baymax (Scott Adsit.) However, when Tadashi dies in a fire, Hiro begins to suspect he was murdered. Hiro teams up with Baymax and Tadashi's friends: Wasabi (Damon Wayans Jr), Go Go (Jamie Chung), Fred (TJ Miller) and Honey Lemon (Genesis Rodriguez) to find out the truth. Alan Tudyk and James Cromwell co-star.

Why is this film so good? One simple answer. Baymax. In designing him, director Don Hall wanted to do something different to the robots we've seen in the Terminator and Wall-E. Taking inspiration from real-life research into huggable robots, he created one of the most adorable characters ever. Paired with some brilliant animation, Baymax was one of Disney's most endearing protagonists.

I loved seeing him bumbling around in his misguided attempts to try and help people. He provided a lot of the film's humour especially in the earlier sections. All credit goes to Scott Halzit who, despite playing an emotionless robot, still imbued Baymax with so much humanity. 

But beyond the comedy and the adorable Baymax, there was so much heart and emotional weight - a lot more than you might expect from an animated film. This is Disney after all.

After Tadashi's death, Hiro is absolutely crushed and is ready to give up, but Baymax is ready to coach him through it - providing him with all the emotional support he needs. So are Tadashi's friends. They become a superhero team working together to beat the masked antagonist they suspect of killing Tadashi. The supporting characters were all great with their own personalities and quirks. Okay, I'm not a fan of TJ Miller who played Fred. He isn't funny. He's just annoying, but even he wasn't that bad here.

And the emotional weight continues to the end when we uncover the true motivations of our mysterious villain. It takes a lot for a film to balance both comedy and emotion, but Big Hero 6 did it well. It's rare that a film makes you cry from both laughter and sadness, but I was close to tears for many different reasons.

Big Hero Six was a triumph of the film. It was well-written, beautifully animated, comedy-drama that had one of the cutest protagonists ever. And, of course, it had a great soundtrack with Fallout Boy penning Immortals just for this film. Who doesn't like Fallout Boy? What a combination.

Carrie (2013) review

 Unlike the 1976 original the 2013 adaptation of Stephen King's horror novel did not feature on the top 1000 films of all time.

Carrie White (Chloe Grace-Moretz) is the most unpopular girl in school. She is bullied mercilessly by her classmates and tormented by her fanatically religious mother Margaret (Julianne Moore). Carrie soon discovers she has telekinetic powers which she uses to exact her revenge on all those who have wronged her.

Something that always bothered me about the 1976 film was its portrayal of Carrie.

*spoilers ahead*

Up until the ending, it showed her as an innocent victim pushes too far by her classmates. That is until she is shown haunting her classmate Sue (the only person who tried making up for how she treated Carrie) from beyond the grave. This was a move that very much countermanded all of Carrie's character development. She was no longer a bullied victim, but a vengeful, malevolent spirit. I was pleased to see that the remake didn't follow this same idea even if that was their original plan. Carrie remained a symbol of what happens when the bullied kid finally snaps. 

In the 1975 film, Sissy Spacek received universal praise and an Oscar nod for her portrayal of Carrie. Chloe Grace-Moretz was just as good in creating a balanced and nuanced character who was both sympathetic and pitiful. I saw this in theatres over ten years ago and the scene I still remember is Carrie breaking down in fear when her mother locks her in the prayer closet. Some have said this horror film is light on scares, but I'd argue this scene is pretty damn scary.

Julianne Moore was also great as Carrie's unhinged, religiously fanatical mother. Out of the different villains in this film, she is probably the scariest. When you understand the way she is, it's no surprise that Carrie turned out so socially awkward. Moore was definitely better than Portia Doubleday, Alex Russell and Krissa Strain who played Carrie's bullies. A mixture of subpar acting and thin characterisations made them little more than your standard, two-dimensional high school bullies.

You could certainly argue that this remake of Carrie wasn't necessary, but as studio executives pointed out, high-school bullying is as much of a problem now as it was in the seventies - worse with the advent of phones, social media and cyber-bullying. If we don't more to protect victims, we're going to have a whole load more Carries on our hands.