Surprisingly, this British comedy isn't on the top 1000 films of all time, but it is one of my favourites, so here's my review.
Gary Schofield (Robert Carlyle) is an unemployed former steel-worker in Sheffield. He is behind on his child support payments. If he doesn't pay £700 soon, he will lose custody of his son Nathan (William Snape.) Desperate for the cash, Gary and his best friend Dave (Mark Addy) recruit four other former steel workers to form a striptease act. The four others include the suicidally-depressed Lomper (Steve Huison,) Gaz and Dave's former foreman Gerald (Tom Wilkinson,) the ageing Horse (Paul Barber) and the well-endowed Guy (Hugo Speer.)
Like I say, I was surprised to find that this classic British-comedy doesn't feature on the top 1000 list. it was nominated for a Best Picture Oscar, it won the Best Picture Bafta and it was voted twenty-five on the Best 100 British films. But beyond that it is a phenomenal film full of humour and heartbreak. It is one of those rare films that will have you crying tears of laughter and sorrow.
To fully understand the Full Monty, you have to understand the social context. It is set in Sheffield - the home of Britain's steel industry. Once a thriving city, it was absolutely destroyed by deindustrialisation. Whole generations of male steelworkers found themselves unemployed overnight. Struggling to find other work, many of them lose all hope for the future, just like Gary and Dave.
The Full Monty brilliantly captured the alienation that this generation must have experienced. In a mere ninety minutes, we received a stark picture of how badly these men have fallen. Once heroes of their community, they were reduced to mere shells of their former selves. I visited Sheffield a few years ago and I don't think that even twenty years on it has fully recovered from deindustrialisation.
The cast were magnificent without any weak links. Robert Carlyle, one of Scotland's best actors, was utterly magnetic as the roguish Gary. Yes, he is a petty criminal, Jack-the-Lad type, who isn't the best father to Nathan, but he is still incredibly endearing to the viewer. Like many of us, he isn't perfect, but despite his flaws, he still wants the best for his son. Carlyle quite rightly won the Best Actor Bafta for his performance.
But he can't take all the credit. Mark Addy was also brilliant as Dave. To some extent, Addy provided a lot of the film's comic relief, but he also proves a lot of heart. For Dave is a character with a lot of self-loathing. He is a fat man - an aspect of himself that he absolutely denies. His efforts to accept himself provided one of the film's best subplots. And his final reconciliation with his wife Jean (Lesley Sharp) still makes me cry even all these years on. Dave's character is definitely one of the best depictions of male body image that I have seen on-screen.
Coming in next is the terrific Tom Wilkinson (RIP) who played Gary and Dave's former foreman Gerald. Being their old boss, he is of a higher social standing and has some of the most to lose out of being given the sack. Or at leas the will do if he ever tells his wife about what had happened. Instead, he decides to keep it a secret for six months. One of his best scenes is his fiery confrontation with Gary and Dave after they sabotage his interview.
Despite being a comedy it tackles a number of difficult subjects like body image, masculinity, suicide - through the character of Lomper - homosexuality and fatherhood. And it tackles all these themes with the necessary gravitas and humility. Our six strippers go through so much trial and tribulation that you are really rooting for them. Director Andrew Johnson did well to pack all this into ninety minutes.
Lastly, we need to talk about the soundtrack. It was a mixture of original score and some of the best disco hits of the seventies and eighties. Minus the Gary Glitter hit, every song fitted each scene perfectly. As for the original score, it netted composer Anne Dudley a well-deserved Oscar.
I loved the Full Monty. Even though, IMDB didn't rate it, I would definitely count it among my top ten films of all time. The setting, the characters and the music all came together to make a film that I could watch over and over again.