The Last Samurai review

 Number 576 on the top 1000 films of all time is Edward Zwick's period-war drama 'The Last Samurai.'

Captain Nathan Algren (Tom Cruise) is a celebrated American civil-war hero. While his exploits of killing native-Americans has earned him a fiercesome reputation, it has also left him with severe PTSD. Sensing the prospect of future trade deals with Japan, his superiors send him to Japan to train Emperor Meji's (Shichinosuke Nakamara) army, so they can defend themselves against the rebellions led by the eponymous last samurai: Katsumoto (Ken Watanabe) and his men. Billy Connelly, Timothy Spall and Hiroyuki Sanada co-star.

The Last Samurai strongly reminded me of Kevin Costner's 'Dances with Wolves.' Both films star an American protagonist befriending and fighting alongside the enemy they're supposed to be fighting. Both films have the protagonists keep diaries as a narrative device. The difference is that the Last Samurai didn't bore me to the core. It was everything Dances with Wolves should have been.

It helped that the Last Samurai was directed by Edward Zwick who also brought the brilliant film Glory to life. Yes, he did use too much slow-motion at times, but he also presented an entertaining, watchable film that portrayed a country at war with itself. Should Japan modernise with Western traditions, clothing and, most importantly, guns, or should they stay true with their own tradition of the samurai. This is the question Zwick answers. 

It was also refreshing to see Tom Cruise in a different type of role. Yes, this isn't a million miles away from Ethan Hunt in Mission Impossible, but Nathan Algren had more depth than some of Cruise's more action-oriented roles. He is a man looking for redemption. And Cruise brought this tortured soul to life.

But the true star was Ken Watanabe. He received his only Oscar nod for this role. It was well-deserved. I thought he was brilliant as the samurai so desperately clinging onto the honour and tradition that he holds so dear. At times, it was a subtle, delicate performance, at others it was explosive, but it was always entertaining.

The cinematography and world-building was also well-textured and detailed. New Zealand stood in for Japan which explained the gorgeous cinematography.

My main gripe was with Billy Connelly who was doing some weird accent that was a hybrid between Irish and his native Scottish. It was like if they had asked Sean Connery to act with an Irish accent.

Nonetheless, I enjoyed the Last Samurai. Along with Glory, I can count it as another Edward Zwick success.

Letters from Iwo Jima review

 Number 362 on the top 1000 films of all time is the Japanese-language American-produced Letters from Iwo Jima.

General Kuribayashi (Ken Watanabe) is granted the impossible task of defending the Japanese island of Iwo Jima from American invasion during the last few months of World War Two. One of his soldiers is Private Saigo (Kazunari Ninomiya.)

In my Mystic River review, I hoped that Clint Eastwood would stick to directing rather than acting. And that's exactly what he did when he directed this film. It was an excellent portrayal of  a little-known part of World-War-Two told from the unfamiliar perspective of the Japanese. When Hollywood portrays WW2, they often have an unfair bias toward the war in Europe, being completely ignorant of the whole other war happening in the Pacific. Letters from Iwo Jima was also a sensitive, well-rounded and brave portrayal. For once, it is the Japanese, and not the Americans, who are shown as courageous heroes.

Letters from Iwo Jima was received well in Japan with much praise going toward its well-rounded characters who were real without being stereotypical. Private Saigo had no interest in the war; all he wants to do is to return home to his pregnant wife. But as the government took his baking equipment for the war effort, he has no choice but to fight. And Kazunari Ninomiya brought a very sympathetic character to life. It was hard not to root for such an underdog. But Ken Watanabe was equally good if not better. General Kuribayashi was a character who was fiercely loyal to his men.

Eastwood depicted the battle of Iwo Jima with sensitivity, gravitas and nuance. The feeling of doom is apparent, but so is the feeling of honour among the men. In one of the film's more disturbing sequences, a group of soldiers choose to commit honour suicides instead of surrendering or being taken prisoner.

Mostly filmed in Iceland, we see that the location is as stark and as a fraught as are the Japanese's chances of survival. Yet believing it to be the perfect place for the US to attack their homeland, they're prepared to defend it to the last man. And this preparation soon turned into desperation.

Eastwood earned himself yet another best film nomination with Letters from Iwo Jima. And it was well-deserved. This was an under-stated, but incredibly powerful film.