Showing posts with label james stewart. Show all posts
Showing posts with label james stewart. Show all posts

Wednesday, 30 October 2024

Rope review

 Number 267 on the top 1000 films of all time is Alfred Hitchcock's 1948 psychological thriller 'Rope.'

Brandon Shaw (John Dall) and Phillip Morgan (Farley Granger)  have just strangled to death their former classmate David believing they have committed the perfect murder. But before they can dispose of the body, they host a dinner party where the guests include David's parents, his girlfriend and their old prep-school teacher Rupert (James Stewart.)

From a content standpoint, Rope is classic Hitchcock. it is a tense, thrilling affair despite only having one set and a minimal cast. Despite being low on spectacle, it is high on suspense. Considering it was based on a stage play and we get little in the way of action, this might be a surprise, but it's true.

The acting talent is high. Despite how James Stewart disliked his performance, I thought that he was great as Rupert. He soon starts to suspect something is amiss with his old students. When he discovers the worst, his righteous indignation is plain to see. But John Dall and Farley Granger were the true stars. John Dall had a horrible smarm which made him one of Hitchcock's slimiest villains while Farley Granger soon becomes a bag of nerves.

Rope was also one of Hitchcock's most experimental films, as it is essentially a one-take film. It was filmed in a handful of long takes. I don't think this was an experiment that worked. The camerawork would track characters as they walked from room to room before shuddering to a stop. When Hitchcock wanted to do a hidden cut, he would zoom into a dark background and then zoom back out. All this left me with motion sickness.

I would also question the story's believability. I didn't understand why Brandon didn't just kill Rupert, as he started to uncover the murder. Brandon has a loaded gun for this reason, yet he doesn't use it.

Despite the plot holes and dodgy camerawork, I did enjoy Rope. It was a tense, suspenseful thriller.

Wednesday, 23 October 2024

Harvey (1950) review

 Number 254 on the top 1000 films of all time is the 1950 comedy-drama 'Harvey.'

Elwood Dowd (James Stewart) is a peculiar young man who lives with his aunt Veta Louise Simmons (Josephine Hull). What's so peculiar about him? He believes in a 6 foot tall white rabbit called Harvey. Harvey is his best friend, but he's imaginary. Considered a quack by his queers, it is possible that Elwood is wiser than us all.

In my last review, I reviewed the courtroom drama Anatomy of a Murder starring James Stewart as the charming and whimsical lawyer Paul Biegler. However, Harvey, made a mere nine years earlier, lacked a lot oft he same charm and whimsy. Far from being a heart-warming, comedy drama, it was a soulless affair.

James Stewart lacked a lot of the charisma I saw him display in Anatomy of a Murder and the Philadelphia Story. Rather, with Elwood, he seemed to be in a mindless daze for the entire film. if anything, he was just a vessel for the imaginary Harvey. It wasn't the most compelling of characters or performances. I'm not really sure why he was nominated for an Oscar.

While Jimmy Stewart was nominated for an Oscar, Josephine Hull won for Best Supporting Actress. I was confused as to why Stewart was nominated, but I was shocked at how Hull won. Her performance was fine, but it was hardly Oscar-worthy. For one thing, she disappears halfway through the film only to reappear later. I know this was only a Supporting Oscar, but her screentime didn't seem to warrant such a prestigious award.

Going into this film, I was expecting this to be something similar to It's a Wonderful Life, where a character, in this case, Harvey, has an unexpected/unrealised effect on those around him. Yet, I saw little evidence of this. Dr Sanderson (Charles Drake) and Nurse Kelly (Peggy Dow) are a couple working at the sanitorium that Veta wants to commit Elwood to; it is also implied they are having marital problems. The head of the sanitorium Dr Charles (Cecil Kedaway) is lamentful that he never had a chance to holiday in Akron with a beautiful woman. However, after a supposed encounter with Harvey, the couple sort out their problems and Dr Chumley resolves to carry out his wish. Rubbish. There wasn't enough foundation for these emotional beats to land.

And I could very well say the same for the film Harvey. What should have been a fun feel-good affair left me feeling indifferent.

Anatomy of a Murder review

 Number 248 on the top 1000 films of all time is the 1959 courtroom drama 'Anatomy of a Murder.'

Paul Biegler (James Stewart) is a down-on-his-luck lawyer who has found his next case of Lt. Frederick Manion (Ben Gazzara) who shot dead the man who raped his wife Laura (Lee Remick.) The question isn't whether he did it, but why. The prosecution argues it was pre-meditated, but Frederick argues it was a case of 'irresistible impulse.' It is up to Biegler to prove the latter. Assisting him is his sardonic secretary Maida Rutledge (Eve Arden) and his drunk partner Parnell McCarthy (Arthur O'Connell.)

Courtroom dramas by their very nature can have the tendency to be dull. They are low on spectacle and sets - often it's two or two and a half hours of characters just droning on at one another. This is especially true, as we don't often see the crime, but, rather, its aftermath.

I was surprised to find Anatomy of a Murder was highly interesting. It was a watchable affair that moved along nicely. It helped that you had the charismatic Jimmy Stewart in the lead role who breathed a lot of life into what could have been an incredibly stuffy role. Real-life courts and barristers probably aren't as theatrical as he is, but they're probably a lot less interesting too.

I thought there was something fishy going on between the Manion couple. Maybe we would be surprised by concluding plot twist, so you can only imagine my disappointment when the story remained incredibly straightforward. Not that there is anything wrong with a straightforward plot. I think I'm just too used to the courtroom dramas being overly-complicated.

Thankfully, that wasn't the case with Anatomy of a Murder. It wasn't quite as good as 12 Angry Men, but it is certainly up there.