Tuesday, 6 January 2026

Dead Man review

 Number 531 on the top 1000 films of all time is the acid Western 'Dead Man.'

William Blake (Johnny Depp) is a 19th century timid accountant who accidentally kills a man. He is forced to go on the run. While a fugitive, he befriends Nobody (Gary Farmer) an enigmatic Native American who believes that Blake is the reincarnation of the famous poet of the same name.

After Down By Law and Night on Earth, this is the third Jim Jarmusch film that I've seen. Although Jarmusch rejects the idea of being an auteur, I can't think of a better description of his films. They are always on the weird side with a healthy slice of surrealism. Dead Man was no exception.

Just like his third film Down by Law, Dead Man was in monochrome. This feeds into Jarmusch's minimalist style, but also removes any distraction for the audience. Instead their focus is purely on the characters led by the accountant William Blake played by Johnny Depp.

In many of his films, Depp plays an oddball character in a normal world. Here the inverse is true. Depp plays the relatively normal William Blake in a strange world full of strange characters such as the very surreal Nobody. It was enjoyable seeing Depp in a fish out of water role even if it wasn't one of his most memorable performances. Farmer was also enjoyable as Nobody.

Jim Jarmusch, perhaps because he is a musician himself, is well-known for casting musicians in his films. Johnny Depp also has an accomplished music career while Tom Waits has appeared in a couple of Jarmusch films. But as well as having music royalty appear in his films, he also has them provide scores. The brilliant Neil Young composed a largely guitar soundtrack that fitted the film perfectly.

Dead Man was an enjoyable film. It was surreal and strange with an interesting lead performance from Johnny Depp.

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