Big Fish review

 Number 296 on the top 1000 films of all the time is Tim Burton's fantasy-drama 'Big Fish.'

Edward Bloom (Albert Finney) is a man who has always had a story to tell. Sometimes these stories border on the surreal. And sometimes they're difficult to take seriously. As Edward nears the end of his life, his estranged son Will decides to start sitting the fact from the fiction. This is where we see a younger Edward Bloom (Ewan Macgregor) live out these stories.

This is possibly one of the most Burtonesque films I've ever seen. It was pure absurdism, surrealism and just plain weird. However, it wasn't just weirdness for the sake of weirdness. Everything was underpinned by two intertwining themes: relationship between father and son, and the art of storytelling.

As Will delves deeper into his father's life, he discovers weird and wonderful stories. These range from meeting a one-eyed witch who can tell you how you're going to die to befriending a giant who is rampaging around the local community. It doesn't matter whether these stories happened exactly the way they were told, as long as they are still told.

Stories have a wonderful way of uniting people. Nowhere is this more apparent than father and son. Sick of his father's ridiculous stories, son breaks off contact for three years. It's only his father's ailing health that reunites them. But it is Edward Bloom's love of story-telling that helps them to make amends. Bloom helps his son realises the joy which storytelling can bring everybody.

Did Edward Bloom really befriend a giant? Did he run away and join a circus ran by Danny Devito? Probably not. But it doesn't matter as long as we enjoyed the journey. And this was a weird and surreal journey that I certainly enjoyed.